Horror remakes, reimaginings, or sequels decades after a popular antagonist’s inception are inevitable. This movie studio trend was especially prevalent in the 2010s, when it was emphasized just how profitable decent-to-good horror films can be. One of the more stylized attempts was Luca Guadagnino’s Suspiria remake, while one of the more disappointing attempts was Kölsch & Widmyer’s Pet Sematary remake. Horror remakes are a dime a dozen these days, but the current horror movie trend is the legacyquel — a portmanteau of legacy and sequel — which is a continuation of a previous film but one that takes place a long time after the events of the original film and often with entirely new characters. Another trend is that of ignoring some films in the franchise, for the purpose of taking the franchise in another direction. Such is the case with a legacyquel like David Gordon Green’s Halloween. Another legacyquel that ignores certain chapters in its own cinematic mythology, Nia DaCosta’s Candyman, which really ought to have a different title for simplicity’s sake, follows many horror movie trends, but perhaps most notably those kickstarted by her producer and co-writer Jordan Peele.Continue reading “REVIEW: Candyman (2021)”
This is it. We are finally here where it all matters. This is where I highlight the best technical achievements and performances of the year. This is where I get a chance to recognize all of my favorite films that I saw this past year. As always, I also have a lifetime achievement film award at the end of the post, so don’t forget about that one. For the full list of nominees, go here. Continue reading “7th I’m Jeffrey Rex Awards, Part Two – 2019”
The nominations for the 92nd Academy Awards have been released by AMPAS. We now know the names of the individuals who might become Oscar winners in a month. For the full list of nominations, click here. There is a lot to talk about this time around. One film clearly overperformed much to many pundits and critics’ chagrin, while the Academy made some of the classic problematic mistakes that awards seasons tend to result in at some point or another.
Today, in honor of Friday the 13th, I want to showcase my ten favorite horror films of the 2010s. I’ll also preface this list by saying that I reserve the right to change this list for the remainder of 2019 in case something new is good enough to make it onto this list. Continue reading “Best of the 2010s: Top Ten Horror Films”
We are already halfway through the year. 2019 isn’t coming to an end just yet, but we’ve already seen plenty of shows, episodes, or movies that we’ll remember the year for. In today’s article, you’ll find bite-sized notes and comments on the best films, shows, or performances from the first half of the year. Sure, my official awards winners and top tens won’t be published until the end of the year, but this is a great milestone or halfway-mark to look back upon some day in the future. Please follow the links below to read individual reviews of each film or series. Continue reading “Halfway Through the Year: 2019 – Special Features #52”
This month, it’s finally time to find out how the Avengers avenge those who were turned to dust in Infinity War. It’s time to see Zachary Levi in his Shazam-suit. April is all about superheroes and horror films. What’s going to win the month? Welcome back to Box Office Predictions. Continue reading “Box Office Predictions – April 2019”
The following is a review of Us — Directed by Jordan Peele.
No directorial debut this decade has made as much noise as Jordan Peele’s Get Out did. The social-horror film was made by a comedian from a popular two-man sketch comedy group who, as it turned out, had his finger on the pulse of America. Get Out is not just one of the most discussed films of the decade, it’s also one of the most interesting, one of the most rewatchable, and, arguably, one of the best. Though Us may not be as sharp, potent, or intelligent as Get Out, Peele here proves that he is no one-hit wonder. Get Out wasn’t a fluke, Jordan Peele knows exactly what he’s doing.
Continue reading “REVIEW: Us (2019)”
And we’re back. As you may have noticed, Box Office Predictions has been on a hiatus since July 2018, but the article series is making its grand return in 2019 today. The first predictions of 2019 are all about the biggest opening weekends at the North American box office. Will Star Wars: Episode IX suffer due to the widely-reported fan divide that defined the release of Star Wars: The Last Jedi? I will do my best to answer this and many other questions right now as I list my predictions for this year’s biggest opening weekends. Continue reading “Box Office Predictions – Biggest Opening Weekends of 2019”
In this, the second and final part of my 2019 film preview, I will discuss and present you with the most interesting 2019 non-tentpole films, as well as the films that may be talked about during awards season 2019. Now, just to get this out of the way, I will only mention adaptations if, and only if, I think they have Oscar potential, as the wise men and women call it. Continue reading “2019 Film Preview, Pt. 2: Original and Awards Films – Special Features #39”
The following is a review of Disney’s Zootopia, also known as Zootropolis in some regions.
I was happy to find out that Zootopia was released one month early in Denmark, much less so to realize that I, at first, had a tough time finding a theater showing it in English near me. Thankfully, I was able to find time to see it in English at the CinemaxX in Copenhagen. Zootopia is the 55th Walt Disney Animation Studios-film, and the first since the release of Big Hero 6 in 2014, which I enjoyed very much.
I had enjoyed the trailers that I had seen from the film, but I was unsure as to whether I would find myself loving a Walt Disney Animation Studios-film for the fourth time in a row. I am happy to say that I enjoyed Zootopia a great deal. Continue reading “REVIEW: Zootopia (2016)”