It is almost time for the 90th Academy Awards, and that, of course, means that I have to show you what films I believe to be the very best of 2017. I’ve got my blog awards, the final half of which I released a few days ago, but the top ten list is probably my favorite annual year-in-review article that I publish. So, let us now have a look at the very best films of the great year for film that 2017 was. (more…)
In true Jedi Master-fashion, every year in film provides us with lessons and guides that form trends and a changing landscape in the filmmaking industry. 2017 was a great year for film, and today I want to talk about the lessons that I will remember 2017 for.(more…)
This is it. The second half of the 5th annual I’m Jeffrey Rex Awards is ready, and this is the big half, to me. The awards that I’ll go through today are focused on film and documentaries, and I specifically wanted to get these out of the way before the Oscars were held. However, as I am a Dane, there are some films that have been deemed ineligible for these awards due to the fact that they (films like Lady Bird and The Post) will not be released in Denmark until April. Keep that in mind. Without further ado, let’s get to it. (more…)
Today I’m revealing the second half of the 2017 nominations for this blog’s IJR Awards (I’m Jeffrey Rex Awards, but you probably already guessed that). The final legend award (Film Legend) isn’t getting any nominees, instead I’ll reveal the winner, or honoree, when all of the winners are to be announced on March 1st. (more…)
US Theatrical Release Poster – Fox Searchlight Pictures
The following is a review of The Shape of Water — Directed by Guillermo Del Toro.
There was a story that Mexican film auteur Guillermo Del Toro kept on mentioning as he was doing the rounds talking about his newest film – a true passion project – this last year that really stuck with me. Del Toro – perhaps the greatest champion of the creature feature subgenre these days – saw 1954’s Creature from the Black Lagoon when he was only six-years-old, and he was so taken by the image of the Gill-man swimming underneath actress Julia Adams that he found himself hoping that they would end up together. A strange idea, perhaps, but not to him. (more…)
The following is a review of Phantom Thread — Directed by Paul Thomas Anderson.
When Daniel Day-Lewis — one of the most decorated and, arguably, one of the best actors of all-time — signs on to star in a film, you pay attention to that film. When someone like Day-Lewis then re-teams with a director who, when they last worked together, brought an Oscar-winning performance out of the thespian, you become excited by every piece of news about it. (more…)
Theatrical Release Poster – Sony Pictures Classics
The following is a review of Call Me By Your Name — Directed by Luca Guadagnino.
A film as a work of art is a an attempt. It is a risk, but it is a risk that you need to take. Actress and filmmaker Jodie Foster recently said that, for her, filmmaking was about figuring out your place in the world, or, simply, about evolving as a person. In reference to this film, one might say that becoming a filmmaker is choosing to speak. (more…)