I was elated when Robert Pattinson was announced to play Batman. Pattinson’s work in independent films had impressed me so much, and I thought he was a pretty obvious choice for the role. However, as many people know, Batman movies always lead to premature casting criticism (people were critical of Heath Ledger, Michael Keaton, and Ben Affleck long before they had even seen them in their respective films). I remember receiving rude comments about my excitement for Pattinson as Bruce Wayne. After having finally seen the film, I can honestly say that I feel vindicated. Pattinson is great and Reeves has once again made an outstanding blockbuster film in a vastly popular (and, to some, tired) franchise.
Directed by Marc Forster — Screenplay by Paul Haggis, Neal Purvis, and Robert Wade.
Although Quantum of Solace is often disregarded as nothing more than the nadir of Daniel Craig’s tenure as James Bond, which it is, I don’t think this film is as disastrous as others may. I have previously described this film as a misstep or a disappointment, but, in reality, Quantum of Solace feels like it is a film that was stuck in the mud already in pre-production due to the late 2000s WGA screenwriters’ strike. Quantum of Solace probably should have had its production delayed, but instead the producers opted to fast-track it, and, to me, that resulted in the follow-up to Casino Royale not being able to reach its potential. The most interesting thing about Quantum of Solace, though, is the fact that it brought the continuity and ongoing story arc, which would come to be indicative of Craig’s tenure, to the franchise.
Directed by Martin Campbell (GoldenEye) — Screenplay by Neal Purvis, Robert Wade, and Paul Haggis.
Now that Daniel Craig’s tenure as James Bond appears to have come to an end after the release of 2021’s No Time To Die, I thought it would be fitting to take another look back at his first Bond-film, Casino Royale. From GoldenEye-director Martin Campbell, 2006’s Casino Royale was meant to reinvigorate the franchise and bring it into a new era distinctly different from Pierce Brosnan’s tenure that ended in 2002. With this film, the series’ new leading man, Daniel Craig, who was, bafflingly, the subject of much online and press criticism due to his blonde hair and blue eyes, proved to the world that he had the potential to be arguably the best Bond on the big screen.
Directed by Cary Joji Fukunaga — Screenplay by Neal Purvis, Robert Wade, Cary Joji Fukunaga, and Phoebe Waller-Bridge.
When I rewatched Sam Mendes’ SPECTRE the other day, I was reminded of the fact that the previous film in the Bond-franchise was released all the way back in 2015. A lot has happened since then, so much so that you may have even forgotten about all of the behind-the-scenes drama that transpired long before No Time To Die became the first major film to be delayed due to the COVID-19 pandemic. After several rounds of rewrites, the shift in director, production, and the pandemic, the fifth and supposedly final film in the Daniel Craig-era of the James Bond-franchise has now finally been released. Thankfully, in spite of the real world drama that threatened to ruin it, this is actually a spy epic that is suitable as a true tribute to Daniel Craig’s bumpy but extraordinary time as the iconic agent. It isn’t the best film in the Craig-era, but it is a very memorable chapter in the franchise.
The following is a review of the third season of HBO’s Westworld — Created by Jonathan Nolan and Lisa Joy.
I wish I had more nice things to say about this latest season of Westworld. This is a show that I have loved for a very long time. In the past, I have spent a lot of hours online reading theories and speculations about the series. In the past, I would discuss the show with friends and family. In the past, I would nerd out about the show. In the past, it never wore me out. I would spend each and every week writing recaps and reviews of each and every episode of the first two seasons. But, unfortunately, season three of Westworld was the one that convinced me to stop reviewing the series episode by episode. It, honestly, shocked me to find out that a show that I had loved so much could lose me so easily. Continue reading “REVIEW: Westworld – Season Three (2020)”→
The following is a review of The Laundromat — Directed by Steven Soderbergh.
Earlier this year, Palme d’Or-winning director Steven Soderbergh’s first Netflix film High Flying Bird was released on Netflix. It, a great film about the intersection of sports and business, is still one of the best surprises of the year. The Laundromat, Soderbergh’s second Netflix feature film, was a film that I was looking forward to, for quite some time, due to the director and the cast. Based on the premise, the filmmaker, and the cast, I thought this was going to be one of the most interesting films of the year. Unfortunately, The Laundromat, a playful but tired biographical drama, is interesting for all the wrong reasons. Continue reading “REVIEW: The Laundromat (2019)”→
Some people in the industry may have been questioning the future viability of Marvel’s Cinematic Universe after the incredible infinity saga came to an end recently. If Spider-Man: Far From Home didn’t convince the naysayers, then what Kevin Feige and Marvel Studios announced last night certainly did. Today, let’s talk about the Marvel Studios announcements at the 2019 San Diego Comic-Con. Continue reading “Feige Announces MCU Phase Four at San Diego Comic-Con – Special Features #54”→
Today I’m revealing the first half of the 2018 nominations for this blog’s IJR Awards (I’m Jeffrey Rex Awards, but you probably already guessed that). The two legend awards (Film Legend and TV Legend) aren’t getting any nominees, instead, I’ll reveal the winners, or honorees, in the two upcoming IJR Awards 2018-posts. Continue reading “IJR Awards 2018: Nominations, Part One of Two”→
The following is a short review of Hold the Dark — Directed by Jeremy Saulnier.
In the last few years, director Jeremy Saulnier has started to become a household name with cinephiles. His last two films Blue Ruin and, especially, Green Room were both met with critical acclaim and a lot of support from the film community. So when it was announced that his next film — Netflix’s Hold the Dark — would be his most ambitious and most expensive project yet, I and many other cinephiles were, naturally, excited. Continue reading “REVIEW: Hold the Dark (2018)”→
The following is a spoiler-filled recap and review of the tenth episode of Westworld: Season Two – Developed by Jonathan Nolan & Lisa Joy.
In the final episode of the second season of Westworld (“The Passenger”), Maeve (played by Thandie Newton) makes her escape, Dolores (played by Evan Rachel Wood) runs into an old friend, and Bernard (played by Jeffrey Wright) makes a life-affirming decision. Continue reading “REVIEW: Westworld – “The Passenger””→