Another year for film is in-the-books, but 2020 was a film year unlike any other. Like much else in 2020, it will end up being defined by the COVID-19 global pandemic. For the film industry that means that film releases were delayed or postponed sometimes several times thus leaving the 2020 film year in an odd place with much fewer major releases than expected. Tenet feels like one of the only major blockbuster films that were actually released in 2020, and its woeful performance at the box office made studios even more intrigued by the idea of releasing films on PVOD. This leaves the movie theater industry in a tricky place. However, in Denmark, the movie theater industry was salvaged by a resurgence of truly great Danish films from some of our greatest directors and starring our most popular actors.Continue reading “Top Ten Films of 2020”
It is kind of incredible just how much streaming services have overtaken the top tier of what we still refer to as ‘television shows.’ Perhaps we need to find another name for these series. Some of them are released all at once, some are released week-by-week, but almost all of the shows on my list were released on streaming services, and, in my case, I watched all ten of my top ten television shows on streaming services. In the 2020-edition, there are plenty of ‘familiar faces,’ as it were, but it’s also the first time that both Apple TV+ and Disney+ have made an appearance on any of my end of the year-lists. But where do the top shows on these relatively new streaming services land on my top ten, and what is the best show of the year? Let’s have a look!Continue reading “Top Ten TV-Shows of 2020”
It’s finally time to reveal what films, shows, songs, performances, and games were my absolute favorites of the year 2020. Look, I know what you’re thinking, we’re already in July of 2021. But, to be perfectly honest with you, the last twelve-to-sixteen months or so have for obvious reasons made everything a bit unclear to me. Let’s just say, it was a weird year, as was also evident by the fact that AMPAS decided to push the eligibility window for their recent awards ceremony (which both honored 2020 films and select films from early 2021). I’m not doing that, though. I still have my strict year-end deadline, but, unlike the last seven I’m Jeffrey Rex Awards, I’m announcing both the nominees and winners of each and every category in this very post. So strap in, folks, and let’s talk about the best and most memorable culture of 2020.Continue reading “8th I’m Jeffrey Rex Awards – 2020”
When British filmmaker Sir Steve McQueen makes a film, you pay attention. McQueen has quietly become one of the best directors of his generation with critical darlings such as the perhaps underseen Michael Fassbender-led films Hunger and Shame, the Oscar-winning Solomon Northup-biopic 12 Years a Slave, and his 2018 heist film Widows, which did not get the awards attention it deserved. In 2020, McQueen released a collection of films — an anthology — titled Small Axe at film festivals and later on, for example, BBC or Prime Video (on the Danish Broadcasting Corporation’s streaming service in my territory).Continue reading “REVIEWS: Steve McQueen’s ‘Small Axe’ Film Series (2020)”
The following is a review of the sixth and final season of BoJack Horseman (Parts I and II) — Available on Netflix.
In the final season of BoJack Horseman, the titular character goes to rehab as he decides it is time to grapple with his own trauma and the trauma that he has caused. But sometimes it isn’t good enough to exercise personal growth, and BoJack Horseman (voiced by Will Arnett) may have to be put through the wringer by unrelenting gossip journalists that hope to ‘cancel,’ so to speak, our titular character.Continue reading “REVIEW: BoJack Horseman – Season Six (2019-2020)”
In honor of Thomas Vinterberg’s extremely moving acceptance speech last night, allow me to open with a reference to arguably his most famous film. There is a moment in Thomas Vinterberg’s Cannes Awards-winning Dogme-film Festen (international title: The Celebration), where the main character Christian (played by Ulrich Thomsen) asks his father, whose birthday is being celebrated, what speech he would like Christian to read for him — the green speech or the yellow speech? His father chooses the ‘green’ speech, and, as a result, the events of the unforgettable film take place. Sometimes a single decision can change everything. And, in the case of the 93rd Academy Awards’ ceremony, a decision was made that ultimately destroyed an otherwise decent ceremony.Continue reading “A Celebration or a Clusterfuck? My Thoughts on the 93rd Academy Awards”
In the memorable words of Billy Crystal: “It’s a wonderful night for Oscar. Oscar, Oscar. Who will win?” After a prolonged awards season, it’s finally time for the main course, the 93rd Academy Awards. This year, due to the limited studio output in 2020 as a result of the COVID-19 global pandemic, AMPAS extended the eligibility window to include films from the first months of 2021, which is why a film such as Judas and the Black Messiah is nominated already this year.Continue reading “Who Will Win the 93rd Academy Awards? Final Predictions”
Directed by Darius Marder — Screenplay/Story by Darius Marder, Abraham Marder, and Derek Cianfrance.
If I’m not mistaken, Darius Marder’s first narrative feature film, Sound of Metal, was originally slated to be released in Danish theaters in December of 2020. However, when all of Denmark’s theaters were then ordered to close due to another lockdown as a result of the COVID-19 global pandemic, the film was basically put in some sort of limbo. This week, on April 12th, 2021, I finally got the chance to watch one of my most anticipated films of the 2020 awards season, when it was released on Amazon Prime Video. In short, it was definitely worth the wait.Continue reading “REVIEW: Sound of Metal (2020)”
In this edition of my monthly movie and television catch-up article series titled ‘Additional Bite-Sized Reviews,’ I recommend an underseen horror film that I, however, have mixed feelings on, and then I tell you about my experience of watching the second season of Apple TV+’s Servant, which, I thought, didn’t advance the plot all that much.Continue reading “Additional Bite-Sized Reviews, Mar. ’21: ‘The Empty Man’ and ‘Servant’”
Directed by Patty Jenkins — Screenplay by Patty Jenkins, Geoff Johns, and Dave Callaham.
The highly anticipated sequel to Patty Jenkins’ 2017 film, Wonder Woman, has finally arrived in Denmark. The film was released in theaters around the world (and simultaneously on HBO Max exclusively in the United States) in December of 2020, but, a week, or so, prior to the theatrical release in Denmark, all Danish theaters were ordered to close due to the second wave of the Coronavirus global pandemic. At the time of writing, theaters are still closed. This also means that Wonder Woman 1984 eventually skipped Danish theaters entirely.
In the mean time, frustratingly, the film was not made available for premium-video-on-demand in Denmark, and it took the distributor this long to release the film on HBO Nordic. That’s right, almost exactly three months after it was released on a streaming service in the United States. But now, thankfully, that wait is over. I’ve finally had the chance to watch the sequel to the hit 2017 superhero film led by Gal Gadot. Unfortunately, while I appreciated the original film, this sequel just feels misguided.Continue reading “REVIEW: Wonder Woman 1984 (2020)”