The following is a review of The Gentlemen — Directed by Guy Ritchie.
If you look at Guy Ritchie’s films from the 2010s, you will see a mixed bag of sequels, spin-offs, remakes, and potential franchise-starters that were made with either Warner Bros. or Disney. His 2011 Sherlock Holmes sequel, A Game of Shadows, received mixed-to-positive reviews and was a financial success. Though I actually really enjoyed it, his film adaptation of The Man from U.N.C.L.E. was described by industry experts as a box office flop, and his woeful fantasy epic King Arthur: Legend of the Sword was even more of disappointment as it was critically panned and reportedly lost its studios more than $150 million. Continue reading “REVIEW: The Gentlemen (2020)”→
The following is a review of The Lovebirds — Directed by Michael Showalter.
The Coronavirus Pandemic has had a serious impact on the film industry. The future of the movie theater industry is uncertain as some films that were meant for a theatrical release have been released on video-on-demand or streaming services, while many of the year’s biggest films have been removed from the 2020 theatrical release schedule entirely. This Michael Showalter romantic-comedy, The Lovebirds, was originally meant to be released in theaters by Paramount Pictures in April, but when theaters around the world closed their doors, the film studio sold its rights to Netflix, who finally released the film on the 22nd of May. The Lovebirds fits right in on Netflix, but, quality-wise, it is a significant step down from The Big Sick, Showalter’s previous film as a director. Continue reading “REVIEW: The Lovebirds (2020)”→
The following is a review of The Wrong Missy — Directed by Tyler Spindel.
As far as I am aware, Tyler Spindel’s The Wrong Missy is the eighth film that Netflix has distributed for Happy Madison Productions, the production company founded by Adam Sandler. Most of these films feature Adam Sandler in the lead role, and, often, the films take place in sunny locations. This has led to these films jokingly being referred to as ‘vacations’ that Sandler takes his friends and family on to relax between takes. I don’t know if there is any truth to that common joke, but, come to think of it, The Wrong Missy, which, notably, doesn’t feature Adam Sandler, actually does take place in sunny Hawaii. In any case, this film, unfortunately, isn’t the return to form for Happy Madison that I wanted it to be. Continue reading “REVIEW: The Wrong Missy (2020)”→
During a watch-along of his film Man of Steel, today — May 20th, 2020 — director Zack Snyder, alongside his wife and creative partner Deborah Snyder, announced that, in 2021, Warner Bros. will, finally, ‘release the Snyder cut’ of Justice League (2017) on HBO MAX. DC Comics’ vocal fan base has been heard. In this week’s edition of Special Features, I will answer some questions about this piece of news, and I will tell you exactly how I feel about Warner Bros.’ decision. Let’s get to it. Continue reading “Snyder Cut: Zack Snyder’s Justice League is on its way to HBO MAX – Special Features #70”→
The following is a review of The Half of It — Directed by Alice Wu.
Netflix has, in a way, become the home of the teenage coming-of-age romantic-comedy genre. Since they achieved great success with Susan Johnson’s To All the Boys I’ve Loved Before, Netflix has been eager to return to that same subgenre and treat their worldwide audience to stories about young Americans finding themselves, discovering their own identities, and expressing their true feelings. Netflix has successfully cornered that market as of late, and their latest teenage romantic-comedy success story comes from filmmaker Alice Wu, whose second feature has finally come out for all to see fifteen years after her directorial debut was originally released. Continue reading “REVIEW: The Half of It (2020)”→
The following is a review of ‘Ser Du Månen, Daniel?‘ (also known as ‘Daniel‘) — Directed by Niels Arden Oplev and Anders W. Berthelsen (co-director).
Although the Danish entry — May el-Toukhy’s outstanding film, Dronningen — was not, ultimately, nominated for the Academy Award for Best International Feature, 2019 was a pretty great year for Danish films. Outside of the aforementioned May el-Toukhy film, last year also saw the release of other great Danish films like Michael Noer’s period piece Før Frosten and Rasmus Kloster Bro’s claustrophobic directorial feature film debut Cutterhead. Mads Brügger also released his award-winning documentary Cold Case Hammarskjold. Continue reading “REVIEW: Ser du månen, Daniel? (2019)”→
The coronavirus pandemic has had a serious impact on the film industry. Universal has pulled several films from their theatrical release schedule and made them available on-demand, and, allegedly, they have found a lot of success with the VOD release of Trolls World Tour. Meanwhile, we still don’t know when theaters all over the world will reopen. It could take several weeks, but it could also take several months. Your guess could be as good as mine. As a direct result of the coronavirus pandemic, the Academy of Motion Picture Arts and Sciences’ (AMPAS) Board of Governors has approved several noteworthy rule changes that, among other things, change which films are eligible for the 93rd Academy Awards. Continue reading “93rd Oscars: New Eligibility Requirements and a ‘New’ Category – Special Features #69”→