The following is a review of Train to Busan: Peninsula (‘반도’) — Directed by Yeon Sang-ho.
Due to the COVID-19 pandemic, cinephiles have stayed away from their beloved cinemas for several months, but, at the end of July, I finally went back to the movie theater. Now, obviously, I should say that this was only possible for me because I live in Denmark where movie theaters have been open since the end of May 2020. Please note that you should absolutely only go to the movie theaters if it is safe to do so where you live. But I will say that it was good to be back, even though the movie that I returned to the movie theater to watch maybe didn’t give me the escapism that I may have needed. After all, this is a movie about a dangerous epidemic in an Asian country that leads to quarantines and lockdowns. Nevertheless, I was very happy to be able to watch a new movie in an actual movie theater for the first time in several months. Again, it was good to be back. Continue reading “REVIEW: Train to Busan: Peninsula (2020)”→
Overview provides my readers with a brief overview of the articles or reviews that I have written, as well as additional bite-sized thoughts on films or shows about which I do not intend to write thorough reviews. In July 2020, among other things, I wrote about films from directors such as Brian De Palma, Roman Polanski, and Gina Prince-Bythewood.
The following is a review of Greyhound — Directed by Aaron Schneider.
Though not the first Apple TV+ film (it was preceded by two documentaries, Minhal Baig’s Hala, and George Nolfi’s The Banker), Aaron Schneider’s Greyhound is almost definitely the biggest, most expensive, and most widely seen Apple TV+ film released thus far. Originally scheduled to be released by Sony Pictures in theaters around the world, Greyhound was, due to the COVID-19 Pandemic, delayed and later sold to Apple TV+ for a reported sum of $70 million. With the acquisition, Apple TV+ was granted not just a marketable war flick with a household name in the lead role, Apple also received a genuinely good and entertaining film. Continue reading “REVIEW: Greyhound (2020)”→
The following is a review of The Old Guard — Directed by Gina Prince-Bythewood.
Gina Prince-Bythewood’s The Old Guard is a straight-to-Netflix superhero action film that is based on the comic book of the same name, which was written by the film’s screenwriter Greg Rucka. The Old Guard follows a group of four warriors led by Andromache “Andy” of Scythia (played by Charlize Theron). Each of these warriors is superpowered with regenerative healing abilities, which means that they can all survive being killed. After the superpowered vigilante squad survive an ambush on a mission in South Sudan, they soon realize that they are being hunted by someone who wants the power that they possess, and, meanwhile, they have visions that indicate that there is a potential new recruit in the United States Marine Corps, Nile Freeman (played by KiKi Layne). Continue reading “REVIEW: The Old Guard (2020)”→
The following is a review of the Apple TV+ mini-series “Defending Jacob,” — Directed by Morten Tyldum and written by Mark Bomback.
Morten Tyldum and Mark Bomback’s Defending Jacob is a crime mini-series based on the William Landay novel of the same name. The series follows the Barber family — Andy (played by Chris Evans) and Laurie (played by Michelle Dockery) and their teenage son, Jacob (played by Jaeden Martell) — from Newton, Massachusetts. At the outset of the series, Andy Barber, the assistant district attorney, is assigned to prosecute the murder of Ben Rifkin, one of Jacob’s classmates, and he is quick to identify a prime suspect. However, soon Andy is forced to abandon the case when his son is charged with the murder of Ben Rifkin. The Barbers are naturally shocked, and, in the series, they must try to clear their son’s name, find the actual culprit, and endure the harsh spotlight that they, as a family, have suddenly been put under. Continue reading “REVIEW: Defending Jacob (2020)”→
The following is a review of The Call of the Wild (2020) — Directed by Chris Sanders.
Chris Sanders’ The Call of the Wild is an adaptation of the Jack London short adventure novel of the same name from 1903, which, since 1923, has been made into several films. Set in the late 19th Century, the film follows Buck (motion-captured by Terry Notary), a large and excited St. Bernard-Collie dog. In the film’s opening, the oversized, eager, and excited dog from California is abducted, crated, and put on a ship headed for Yukon. In snowy Yukon, Buck is then swiftly sold to become a sled dog, which he struggles with. Over the course of the film, Buck experiences wilderness, he leads by example, and he encounters new masters and friends, including John Thornton (played by Harrison Ford), a grumpy and world-weary nomad, who learns to love man’s best friend. Continue reading “REVIEW: The Call of the Wild (2020)”→
The following is a review of Domino — Directed by Brian De Palma.
Brian De Palma’s Domino is a crime-thriller that takes place all over Europe. The film follows Christian Toft (played by Nikolaj Coster-Waldau, “Game of Thrones”), a Danish police officer, as he tries to bring a criminal to justice. After forgetting his gun at home, Christian inadvertently puts his colleague and father-figure, Lars Hansen (played by Søren Malling, “Borgen”), in harm’s way. When, due to the fact that he has misplaced his own firearm, Christian borrows Lars’ gun to investigate a domestic disturbance, Lars is killed by a handcuffed assailant (played by Eriq Ebouaney, “Femme Fatale”). When the, as of yet unidentified, assailant appears to have escaped, Christian and Alex Boe (played by Carice Van Houten, “Game of Thrones”), Lars’ heartbroken and vengeful mistress, leave Denmark to find and apprehend the man responsible for Lars’ death. Continue reading “REVIEW: Domino (2019)”→
Overview provides my readers with a brief overview of the articles or reviews that I have written, as well as additional bite-sized thoughts on films or shows about which I do not intend to write thorough reviews. In June 2020, among other things, I wrote a lengthy spoiler-filled discussion of the story of The Last of Us: Part II, and I also, finally, reviewed the third season of Westworld.
The following is a review of Eurovision Song Contest: The Story of Fire Saga — Directed by David Dobkin.
David Dobkin’s Eurovision Song Contest: The Story of Fire Saga is an American straight-to-Netflix comedy about a fictional band’s journey to the Eurovision Song Contest, an international song competition that celebrates pop music. It is, essentially, the European Championship of pop music. In the song contest, each country has a representative who must belt out an original popular song and attempt to win the grand prize of a microphone-shaped glass trophy, as well as the right to have their country host the song contest the following year. Continue reading “REVIEW: Eurovision Song Contest: The Story of Fire Saga (2020)”→
The following article features story spoilers for the entirety of both The Last of Us and The Last of Us: Part II. Do not read the article before you finish both games.
In 2013, Naughty Dog’s The Last of Us — my favorite video game ever made —was released exclusively on PlayStation 3 (it was later remastered on PlayStation 4) to near-universal praise and numerous accolades. On the surface-level, this was a survival horror game in the zombie sub-genre. But it was also so much more than that. It was a story about love and rediscovering something to fight for. Gamers primarily played as Joel Miller (Troy Baker), a smuggler without scruples, who was tasked with transporting a young girl, Ellie (Ashley Johnson), across the United States for the purpose of crafting a vaccine to the fungal virus that had turned infected humans into ruthless barely-human creatures without rational thought. Continue reading “Look for the Light: The Last of Us: Part II is a Truly Special Game”→