The following is a review of El Hoyo, also known as The Platform — Directed by Galder Gaztelu-Urrutia.
I have been looking forward to this movie for close to six months. I heard it described as one of the best horror films of 2019 and one of the coolest movie concepts of that year. People whose opinions I pay attention to were praising this movie so much that I ended up having fairly strong expectations for the film. Thankfully, Galder Gaztelu-Urrutia’s feature film directorial debut did not disappoint, even though the debut director failed to make his film stand out from other similar films. Continue reading “REVIEW: El Hoyo (2019)”→
The following is a review of Lost Girls — Directed by Liz Garbus.
Netflix is starting to build itself a strong reputation for being a good home for true-crime content. There are numerous Netflix exclusive true-crime docu-series and films that I have been very fascinated by. The latest true-crime content from Netflix is Lost Girls, the narrative film debut from the seasoned documentary film director, Liz Garbus, who I don’t think, ultimately, does enough with this incredible true story. Continue reading “REVIEW: Lost Girls (2020)”→
The following is a review of Spenser Confidential — Directed by Peter Berg.
Though I have yet to see Mile 22, I have liked every other Peter Berg-Mark Wahlberg collaboration — Lone Survivor; Deepwater Horizon; and Patriots Day — that came out prior to Spenser Confidential. So when I found out that Berg and Wahlberg were reteaming for a new Netflix film, I was very interested and, frankly, a little bit excited. I was hoping that Netflix had finally made a good, solid, and rewatchable action flick. However, Spenser Confidential is a terrible disappointment. Berg and Wahlberg’s partnership has not provided us with anything good this time around. It’s almost at the point where the only thing I liked about this movie were the dogs in it. Continue reading “REVIEW: Spenser Confidential (2020)”→
The following is a review of The Invisible Man — Directed by Leigh Whannell.
120 years after H. G. Wells’ original science fiction novel The Invisible Man was released, Alex Kurtzman’s The Mummy was released to negative reviews. That film was intended to kickstart an interconnected cinematic universe known as the ‘Dark Universe,’ of which a The Invisible Man-adaptation was supposed to be a part. However, instead, the Dark Universe quickly became the most used example of a cinematic universe that fell apart before it had a chance to connect two films. Three years after the release of Kurtzman’s monster movie, which was a critical and financial failure, we have the latest adaptation of the aforementioned iconic Wells-novel. Although Leigh Whannell’s The Invisible Man is notably not a part of any cinematic universe, he has done what Kurtzman, unfortunately, failed to do, i.e. make an effective and modern monster movie. Continue reading “REVIEW: The Invisible Man (2020)”→
The following is a recap and review of the season premiere of the fifth season of Better Call Saul, available on AMC in the U. S. and on Netflix internationally. Expect story spoilers.
In the season premiere of the fifth season — Magic Man— Jimmy McGill (played by Bob Odenkirk) becomes Saul Goodman, Lalo Salamanca (played by Tony Dalton) investigates the disappearance of Werner Ziegler, and, in the Post-Breaking Bad future, ‘Gene’ calls an old friend and asks for help. Continue reading “REVIEW: Better Call Saul – “Magic Man””→
The following is a short review of Watchmen — Created by Damon Lindelof.
Alan Moore’s Watchmen is one of the most beloved comic book stories ever made. It is one of those graphic novels that comic book readers have been championing for decades, and it has been notoriously difficult to adapt. Zack Snyder tried and succeeded (to some extent) with his 2009 adaptation, which, of note, changed the ending of Moore’s story. Moore, infamously, is unwilling to endorse or watch adaptations of Watchmen, but I think it is time for the celebrated comic book writer to change his tune. Because Damon Lindelof (LOST; The Leftovers) has made a sequel to the iconic graphic novel that deals with timely issues and which also subverts all of the right tropes. Continue reading “REVIEW: Watchmen (2019 – Limited Series)”→
The following is a review of Road to Roma (Orig. Title: Camino a Roma) — Directed by Andrés Clariond Rangel & Gabriel Nuncio.
Andrés Clariond Rangel and Gabriel Nuncio’s Road to Roma is a making of-documentary about Alfonso Cuarón’s Oscar-winning Netflix film Roma. This documentary is available on Netflix right now, but it will also be available on the upcoming Criterion Collection release of the Netflix film. Therefore, one could argue that this is really just a glorified special feature, but since the documentary has a runtime of 73 minutes, I think, it deserves to be treated as its own thing and be reviewed, just like I reviewed Anthony Wonke’s The Director and the Jedi. Continue reading “REVIEW: Camino a Roma (2020 – Documentary)”→