Directed by Niki Caro — Screenplay by Rick Jaffa, Amanda Silver, Lauren Hynek, and Elizabeth Martin.
Niki Caro’s Mulan is an adaptation of the late 1990s Disney animated film of the same name, which itself was based on the story of the folk heroine Hua Mulan. Caro’s film tells the story of a Chinese woman, Mulan (played by Liu Yifei), who disguised herself as a man and enlisted herself in the Imperial Army to protect her frail and injured father, Zhou (played by Tzi Ma), even though she knew it would bring dishonor to her family. In the film, while fighting alongside other brave soldiers, she must do all that she can to save China from an invading army that is fighting alongside a witch (played by Gong Li). Continue reading “REVIEW: Mulan (2020)”→
Directed by Mikael Håfström — Screenplay by Rob Yescombe & Rowan Athale.
In 2020, Netflix found some success by placing a Marvel star in a fast-paced action movie with a somewhat forgettable plot with the Chris Hemsworth-led Extraction, which I liked. Now, in 2021, Netflix is hoping that they can do the same thing again with Outside the Wire, a science fiction action film starring Anthony Mackie, from the director of the John Cusack-led 1408, which I actually also like quite a bit. Unfortunately, Outside the Wire is nowhere near as effective of an action film as Extraction was, and they forgot to make it as fast-paced as the aforementioned film. Instead, we’re left with a serviceable but incredibly forgettable and generic science fiction flick. Continue reading “REVIEW: Outside the Wire (2021)”→
The following is a recap and review of the first and second episodes of WandaVision, available exclusively on Disney+. Expect story spoilers and general Marvel Cinematic Universe spoilers.
When we last saw Wanda Maximoff (played by Elizabeth Olsen), she attended Tony Stark’s funeral at the end of Avengers: Endgame. However, the last time we saw Vision (played by Paul Bettany) he was lying lifeless on the ground after Thanos had ripped out the mind stone from Vision’s forehead in Avengers: Infinity War. Therefore it would be a massive understatement to say that it is more than odd to see Vision and Wanda together in a 1950s, or 1960s, sitcom-style television series in Marvel Studios’ first Disney+ series WandaVision. Continue reading “REVIEW: WandaVision – Episodes 1 and 2”→
Had it not been for the fact that I think there is a notable jump in quality from the first to the second season of the Disney+ Original series, it would’ve been really difficult for me to separate the two first seasons of the first-ever Star Wars live-action series. You see, while, for Americans, there was an entire year in between the two seasons, Disney+ didn’t arrive in Denmark until September of 2020, and Disney made the decision to release the first season week-by-week. They did this so that when it ended, the second season would be ready to begin, but they also did it in an attempt to keep people on the streaming service for as long as possible. Continue reading “REVIEW: The Mandalorian – Seasons One and Two (2019/2020)”→
Directed by Clint Eastwood — Screenplay by Billy Ray.
There is a lot to say when it comes to Clint Eastwood’s Richard Jewell, which is a biopic about the security guard who discovered a bomb during the 1996 Summer Olympics in Atlanta, then alerted authorities, and was later wrongly accused of having planted it. While the film is not without problems, on the whole, I thought that Clint Eastwood’s 2019 picture was a success. This is a heartbreaking and infuriating film about the investigation into the Centennial Olympic Park bombing and the media circus and harsh media trial that followed as a result of an FBI leak, and at the center of the film is a breakthrough performance that I don’t think got the praise it deserved. Continue reading “REVIEW: Richard Jewell (2019)”→
Directed by Pete Docter — Screenplay by Pete Docter, Mike Jones, and Kemp Powers.
For years, critics all over the world have praised Pixar for their storytellers’ ability to make animated films that appeal to people of all ages. Often animated films will only reserve a couple of jokes to please parents and other adults, but Pixar tends to go the extra mile and provide us with films that enthrall both children and adults such as Coco, Up, and the Toy Story-films. However, with their latest film, Pete Doctor’s Soul, I think that Pixar has made an animated film that actually appeals more to adults than children. I have even had conversations with friends, who agree that Pixar’s latest great animated film actually feels like a film designed primarily for a grown-up audience. However, even though that could be true, Pete Docter’s Soul is yet another home run from an exceptional animation studio that is as good as it has ever been. Continue reading “REVIEW: Soul (2020)”→
Overview provides my readers with a brief overview of the articles or reviews that I have written. In December 2020, among other things, I reviewed Netflix’s The Midnight Sky and Ma Rainey’s Black Bottom. In general, I tried very hard to review as much as I could before the end of the year, but I actually still have some reviews that I need to finish.
To say that 2020 was unique for everyone on the globe would be a massive understatement. The year will obviously be remembered for the shocking and world-changing impact of the COVID-19 pandemic. I think most people would agree that 2020 was a pretty bad year, all things considered, even though there definitely were good things that happened along the way. But today, on New Year’s Eve, I want to take one last look back on the tumultuous year and, since this is primarily a blog about films and television, how it forever altered the film and movie theater industry Continue reading “Goodbye 2020: Mads Mikkelsen did what Nolan and Warner Bros. failed to do”→
Directed by Ric Roman Waugh — Screenplay by Chris Sparling.
Ric Roman Waugh’s Greenland follows John Garrity (played by Gerard Butler), a structural engineer, who is getting ready to attend a party at his wife Allison’s house where they, along with friends and their diabetic son Nathan (played by Roger Dale Floyd), plan to watch an interstellar comet pass by Earth together. However, Allison (played by Morena Baccarin) and the rest of the Garrity family are soon surprised by a sudden presidential alert that notifies them that their family has been selected for evacuation and emergency sheltering due to the fact that experts now apparently expect the comet to impact Earth and cause a cataclysmic event. Soon the Garrity family must travel great distances to reach a safe haven, while those not selected for emergency sheltering protest and riot. Continue reading “REVIEW: Greenland (2020)”→