The Life of Chuck (2025) | REVIEW

Tom Hiddleston in Mike Flanagan’s THE LIFE OF CHUCK — PHOTO: NEON (Still image from trailers).

Directed by Mike Flanagan — Screenplay by Mike Flanagan.

Over the course of the last ten years or so, one of the more interesting developments in horror filmmaking when it comes to adapting a previously released source material has been following Mike Flanagan go from original horror filmmaker on the rise to being particularly skilled at adapting notable works from Shirley Jackson, Edgar Allan Poe, and, chiefly, Stephen King. Although I am still of the opinion that his best work is his original horror series Midnight Mass, which itself was clearly inspired by King’s work, he is likely more known for his actual Stephen King adaptations. Gerald’s Game was a skillfully and confidently made psychological horror film, Doctor Sleep was a significant achievement in that it managed to honor both Kubrick’s The Shining and King’s original vision, and, recently, Flanagan’s adaptation of the Stephen King short story The Life of Chuck — notably not a traditional horror narrative — has served as another notable milestone for the writer-director. When it had its festival release at the Toronto International Film Festival in 2024, it earned its filmmaker the coveted People’s Choice Award, and when it had its theatrical release in 2025, it garnered passionate responses but failed to land any Oscar nominations, despite the aforementioned audience award often leading to such. When I finally saw it last weekend, I saw why the film has earned such a strong word-of-mouth.

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Thrash (2026) | REVIEW

Trailer title card — PHOTO: Netflix (Still image from trailers).

Directed by Tommy Wirkola — Screenplay by Tommy Wirkola.

Norwegian filmmaker Tommy Wirkola, best known for the Christmas action-comedy film starring David Harbour titled Violent Nights, is the writer-director behind this week’s big Netflix film release, Thrash. Thrash is a survival thriller with a, as you might expect given Wirkola’s involvement, tongue-in-cheek comedic approach. It is a film about shark-infested waters in a flooded American town that has been hit by intense waves as a result of an intense hurricane.

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Ready or Not 2: Here I Come (2026) | REVIEW

Kathryn Newton and Samara Weaving in READY OR NOT 2: HERE I COME. Photo courtesy of Searchlight Pictures. © 2026 Searchlight Pictures. All Rights Reserved.

Directed by Matt Bettinelli-Olpin and Tyler Gillett (Scream; Abigail) — Screenplay by Guy Busick and R. Christopher Murphy.

Matt Bettinelli-Olpin and Tyler Gillett’s Ready or Not 2: Here I Come kicks off right where the popular first film left off. Grace (played by Samara Weaving) has just survived a crazy ordeal moments after getting married. Her new family — the Le Domas’, who were secretly satanists — tried to kill her before sunrise, as they believed they would all die if they didn’t. Grace, now in a bloodied wedding dress, survived the night, while her in-laws and her new husband all exploded at dawn for not fulfilling their satanic bargain. But things aren’t over for our bloodsoaked heroine. When she meets up with her sister Faith (played by Kathryn Newton), with whom she hasn’t spoken in years, at a hospital, they’re both incapacitated and taken to the manor of a wealthy and influential family known as the Danforths. The Danforths are one of multiple families with a seat on a council of elite families, who all owe their successes to their supernatural satanic lord known as Le Bail. Because Grace survived the night, the families must compete in another game of diabolical hide-and-seek to determine who will have the ‘high seat’ on the council and, essentially, control the world. To survive, Grace, now alongside her sister, must again overcome the odds and hold out until dawn.

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The Drama (2026) | REVIEW

Robert Pattinson and Zendaya in Krstoffer Borgli’s THE DRAMA — PHOTO: A24 (Still image from trailers).

Directed by Kristoffer Borgli — Screenplay by Kristoffer Borgli.

The Drama is one of the most heavily anticipated wedding films in recent years. But it isn’t just any wedding film; it is also the third feature film from Norwegian filmmaker Kristoffer Borgli, best known for his sophomore effort (and English-language debut), Dream Scenario, starring Nicolas Cage, about a university professor who, much to his surprise, starts popping up in people’s dreams around the world. His latest film has a similarly fascinating premise, but one that is much more grounded in reality. The Drama is an American-set dark, cringe rom-com with psychological elements about relationships, performativity, outrage, and the skeletons in our closets. It has all the makings of what could very well end up being one of the most hotly debated and divisive films of the year, partly due to the way it touches on difficult and very dark subject matter. On first viewing, I found it to be an intriguing conversation starter that also manages to be a thoroughly entertaining film, perhaps especially because of one of the particularly well-tuned central performances, but also because of key and clever visual and textual storytelling decisions.

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Pizza Movie (2026) | REVIEW

Trailer title card — PHOTO: Hulu / Disney+ (Still image from trailers).

Directed by Brian McElhaney and Nick Kocher — Screenplay by Brian McElhaney and Nick Kocher.

Brian McElhaney and Nick Kocher’s Pizza Movie is a modern stoner comedy that follows Montgomery (played by Sean Giambrone) and Jack (played by Gaten Matarazzo), two college roommates, who find this special drug after it falls out of their ceiling boards. The drug is called ‘M.I.N.T.S.’ but is nothing like mints. It is a hallucinogenic drug that takes them through multiple reality-breaking phases. To avoid a nightmarish final phase, the boys need to eat some pizza before they reach it, but their pizza journey will lead them directly into confrontation with an old friend (Lizzy, played by Lulu Wilson), bullies, extreme RAs (led by Jack Martin’s character, Blake), and the girl (Ashley, played by Peyton Elizabeth Lee) that Montgomery has a massive crush on.

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Mike & Nick & Nick & Alice (2026) | REVIEW

(L-R) Eiza Gonzalez, James Marsden, and Vince Vaughn (x2) in Mike & Nick & Nick & Alice — PHOTO: 20th Century Studios (Still image from trailers).

Directed by BenDavid Grabinski — Screenplay by BenDavis Grabinski.

BenDavid Grabinski’s Mike & Nick & Nick & Alice takes place in a somewhat goofy version of an organized crime world, wherein we meet Quick-Draw Mike (played by James Marsden), who has fallen in love with Alice (played by Eiza Gonzalez). Alice, however, is married to another member of the crime world, Nick (played by Vince Vaughn), who, unbeknownst to Mike, has framed Mike as a so-called rat. Things take a strange turn when Mike agrees to help Nick complete a job. The thing is, Nick needs Mike to chloroform someone who just so happens to look exactly like Nick. Why? Well, one of the two Nicks has used a time machine to stop his past self from making the worst mistake of his life.

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TV Review Catch-Up – 2025, pt. II of II | Bite-Sized Reviews

Top Row: The White Lotus: Season Three (HBO); Dexter: Resurrection (Paramount+ / Showtime).
Bottom Row: Smoke (Apple TV+); MONSTER: The Ed Gein Story (Netflix).

Just like list time: It does what it says on the tin, as one might say. This is the second part of my TV review catch-up for 2025, which includes some of my thoughts on TV shows in bite-sized portions. There are still two other shows that I want to review from last year, but they’ll get their own full individual reviews sometime soon. Anyway, in this article, you’ll find my thoughts on an Apple show I had mixed feelings on, a Netflix anthology series that didn’t work for me this season, a show about a strong return for an iconic character, and a season of one of HBO’s most popular shows over the last few years.

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Project Hail Mary (2026) | REVIEW

Ryan Gosling in PROJECT HAIL MARY — PHOTO: AMAZON MGM STUDIOS (Still image from trailers).

Directed by Phil Lord and Christopher Miller (21 Jump Street; The LEGO Movie) — Screenplay by Drew Goddard (The Martian).

Based on the Andy Weir novel of the same name, Phil Lord and Christopher Miller’s Project Hail Mary follows Dr. Ryland Grace (played by Ryan Gosling), a former molecular biologist and middle school teacher, who wakes up on a spacecraft several light-years away from Earth with no memory of how he got there. As Grace’s memory slowly comes back to him, he investigates the spacecraft and finds that he is the sole survivor of a three-person crew sent out to find out how we can stop an extinction-level event from further harming Earth. A microorganism known as Astrophage, which is exponentially increasing its size, appears to be dimming our Sun and several stars in our solar neighborhood. The crew, including Grace, was sent out to figure out why Tau Ceti is the only unaffected star in the vicinity. Unsure about how to carry out his mission, Grace eventually comes into contact with an alien entity, which he dubs ‘Rocky,’ and its own glorious spacecraft. When Grace finds a way to communicate with Rocky, named so because of his ‘pile of rocks’-like body, Grace figures out that they’re there for the same reason. So, he now must figure out how to save lives at home and light-years away from our solar system.

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My thoughts on (some of) the Oscar-nominated shorts | 98th Oscars

Luana Bajrami and Zar Amir Ebrahimi in TWO PEOPLE EXCHANGING SALIVA — PHOTO: The New Yorker (Still image from YouTube).

In the build-up to the 98th Academy Awards, I tried to watch as many of the Oscar-nominated short films that I could. Some were readily available on YouTube, others were readily available on HBO Max, Disney+, or Netflix, and then there were four films that I don’t think I had the opportunity to see, either due to them not being made available or due to me not having the right subscription that would allow me to watch them. In any case, in this article, I have collected my short reactions to the four live-action shorts, four animated shorts, and three documentary shorts that I got the chance to see. And, as luck would have it, that meant I got to see the eventual winners, including in the historic tie category. Let’s get to my reactions.

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One Award After Another for Warner Bros. | 98th Oscars – Recap and Review

On Sunday night, Conan O’Brien hosted the 98th Academy Awards — Hollywood’s biggest night. It was time to celebrate the great movie year that 2025 had turned out to be, and, though there were many great, deserving films, much of the online discussion surrounding the event was about building it up as a battle between Ryan Coogler’s Sinners and Paul Thomas Anderson’s One Battle After Another. Fortunately, one film didn’t steamroll the other, as they together accounted for 10 wins of the night’s 24 categories, and both films picked up a handful of wins. It ended up as a celebration of Warner Bros.’ slate, as One Battle After Another, Sinners, and also Zach Cregger’s Weapons took home 11 awards, including in 7 of the 8 above-the-line categories. When the show came to a close, it was One Battle After Another that won Best Picture, but thankfully, both PTA and Coogler went home as winners.

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