Mike & Nick & Nick & Alice (2026) | REVIEW

(L-R) Eiza Gonzalez, James Marsden, and Vince Vaughn (x2) in Mike & Nick & Nick & Alice — PHOTO: 20th Century Studios (Still image from trailers).

Directed by BenDavid Grabinski — Screenplay by BenDavis Grabinski.

BenDavid Grabinski’s Mike & Nick & Nick & Alice takes place in a somewhat goofy version of an organized crime world, wherein we meet Quick-Draw Mike (played by James Marsden), who has fallen in love with Alice (played by Eiza Gonzalez). Alice, however, is married to another member of the crime world, Nick (played by Vince Vaughn), who, unbeknownst to Mike, has framed Mike as a so-called rat. Things take a strange turn when Mike agrees to help Nick complete a job. The thing is, Nick needs Mike to chloroform someone who just so happens to look exactly like Nick. Why? Well, one of the two Nicks has used a time machine to stop his past self from making the worst mistake of his life.

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TV Review Catch-Up – 2025, pt. II of II | Bite-Sized Reviews

Top Row: The White Lotus: Season Three (HBO); Dexter: Resurrection (Paramount+ / Showtime).
Bottom Row: Smoke (Apple TV+); MONSTER: The Ed Gein Story (Netflix).

Just like list time: It does what it says on the tin, as one might say. This is the second part of my TV review catch-up for 2025, which includes some of my thoughts on TV shows in bite-sized portions. There are still two other shows that I want to review from last year, but they’ll get their own full individual reviews sometime soon. Anyway, in this article, you’ll find my thoughts on an Apple show I had mixed feelings on, a Netflix anthology series that didn’t work for me this season, a show about a strong return for an iconic character, and a season of one of HBO’s most popular shows over the last few years.

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Project Hail Mary (2026) | REVIEW

Ryan Gosling in PROJECT HAIL MARY — PHOTO: AMAZON MGM STUDIOS (Still image from trailers).

Directed by Phil Lord and Christopher Miller (21 Jump Street; The LEGO Movie) — Screenplay by Drew Goddard (The Martian).

Based on the Andy Weir novel of the same name, Phil Lord and Christopher Miller’s Project Hail Mary follows Dr. Ryland Grace (played by Ryan Gosling), a former molecular biologist and middle school teacher, who wakes up on a spacecraft several light-years away from Earth with no memory of how he got there. As Grace’s memory slowly comes back to him, he investigates the spacecraft and finds that he is the sole survivor of a three-person crew sent out to find out how we can stop an extinction-level event from further harming Earth. A microorganism known as Astrophage, which is exponentially increasing its size, appears to be dimming our Sun and several stars in our solar neighborhood. The crew, including Grace, was sent out to figure out why Tau Ceti is the only unaffected star in the vicinity. Unsure about how to carry out his mission, Grace eventually comes into contact with an alien entity, which he dubs ‘Rocky,’ and its own glorious spacecraft. When Grace finds a way to communicate with Rocky, named so because of his ‘pile of rocks’-like body, Grace figures out that they’re there for the same reason. So, he now must figure out how to save lives at home and light-years away from our solar system.

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My thoughts on (some of) the Oscar-nominated shorts | 98th Oscars

Luana Bajrami and Zar Amir Ebrahimi in TWO PEOPLE EXCHANGING SALIVA — PHOTO: The New Yorker (Still image from YouTube).

In the build-up to the 98th Academy Awards, I tried to watch as many of the Oscar-nominated short films that I could. Some were readily available on YouTube, others were readily available on HBO Max, Disney+, or Netflix, and then there were four films that I don’t think I had the opportunity to see, either due to them not being made available or due to me not having the right subscription that would allow me to watch them. In any case, in this article, I have collected my short reactions to the four live-action shorts, four animated shorts, and three documentary shorts that I got the chance to see. And, as luck would have it, that meant I got to see the eventual winners, including in the historic tie category. Let’s get to my reactions.

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One Award After Another for Warner Bros. | 98th Oscars – Recap and Review

On Sunday night, Conan O’Brien hosted the 98th Academy Awards — Hollywood’s biggest night. It was time to celebrate the great movie year that 2025 had turned out to be, and, though there were many great, deserving films, much of the online discussion surrounding the event was about building it up as a battle between Ryan Coogler’s Sinners and Paul Thomas Anderson’s One Battle After Another. Fortunately, one film didn’t steamroll the other, as they together accounted for 10 wins of the night’s 24 categories, and both films picked up a handful of wins. It ended up as a celebration of Warner Bros.’ slate, as One Battle After Another, Sinners, and also Zach Cregger’s Weapons took home 11 awards, including in 7 of the 8 above-the-line categories. When the show came to a close, it was One Battle After Another that won Best Picture, but thankfully, both PTA and Coogler went home as winners.

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Who Will Win? – Final Predictions | 98th Oscars

It’s time for the 98th Academy Awards. Here comes the Oscars! This awards season has felt incredibly long. Certain above-the-line categories have zig-zagged over and over again, thus leaving us in a pretty exciting situation where only 1 acting category seems locked. Best Picture is a two-horse race between Sinners and One Battle After Another, and these two Warner Bros. crowdpleasing juggernauts are both deserving of the top prize. As is always the case, I am now ready with my predictions for each and every category, and I’ll also add some comments, personal preferences, and potential alternate winners. However, unlike for members of the Academy, AMPAS doesn’t make sure that I, or any viewer around the world for that matter, am ensured an opportunity to see every nominated film; I do have some blind spots. Thus, if there are categories where there are so many blind spots that I don’t think it’s fair to personally choose one over the others, I simply won’t put a personal preference but solely make a prediction.

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Sentimental Value (2025) | REVIEW

Stellan Skarsgård as Gustav Borg in Joachim Trier’s SENTIMENTAL VALUE — PHOTO: NEON / NORDISK FILM (Still image from trailers).

Directed by Joachim Trier — Screenplay by Joachim Trier and Eskil Vogt.

Like Thomas Vinterberg and Ruben Östlund, the Danish-born Norwegian auteur Joachim Trier is part of a select group of Scandinavian filmmakers who, in recent years, have broken through across the pond, exemplified by their prestigious Academy Award nominations. Trier, best known for his critically acclaimed Oslo trilogy (including the films (1) Reprise, (2) Oslo 31. August, and (3) The Worst Person in the World), has made several modern films that work as ruminations and meditations on the modern human experience, as his films cover themes, to name just a few, such as growing up, turning a corner in life, feeling unfulfilled, and feeling socially excluded. In recent years, some of my favorite reviews to write have been of the films in his excellent Oslo trilogy, two-thirds of which I consider genuine masterpieces (and, to add to that, Reprise is a fantastic debut film, despite arguably being the lesser of the three). Naturally, every new film of his is a major event to me. His latest film, Sentimental Value (original title: Affeksjonsverdi), continues Trier’s hot streak.

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Scream 7 (2026) | REVIEW

Neve Campbell hiding from the Ghostface killer in SCREAM 7 — PHOTO: Paramount Pictures (Still image from trailers).

Directed by Kevin Williamson — Screenplay by Kevin Williamson and Guy Busick.

When Matt Bettinelli-Olpin and Tyler Gillett (often referred to as Radio Silence) took over the reins to this long-beloved slasher franchise from the late, great master of horror Wes Craven — starting with 2022’s Scream legacy sequel — they did a good job of steering the film series in the right direction by creating two films (also including Scream VI) that successfully introduced a new core group of characters, inserted the effective meta-genre commenary that Craven’s films were known for, and earned strong box office returns and critical reception. That goodwill was dealt a significant blow when, after Radio Silence had already exited the seventh film in the series due to scheduling conflicts, the rebooted series’ lead, Melissa Barrera, was, shockingly, fired for pro-Palestinian posts on social media. Following this, co-lead Jenna Ortega announced that she would not return for the seventh film, and director Christopher Landon left the project (and was replaced by original Scream screenwriter Kevin Williamson). Recently, boycotts have been announced, and protests have been organized. The very public behind-the-scenes drama has led to a troubled production, and, among the fanbase, there were concerns that this seventh entry would suffer for it. After having seen the film, I can say that, well, ultimately, it’s not just drama behind the camera that’s holding Scream 7 back.

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TV Review Catch-Up – 2025, pt. I of II | Bite-Sized Reviews

Top Row: Poker Face Season Two (Peacock); The Pitt Season One (HBO); The Studio (Apple TV+).
Bottom Row: Peacemaker Season Two (HBO); Severance Season Two (Apple TV+); Mr. Scorsese (Apple TV+).

It does what it says on the tin, as one might say. Look, in 2025, I was particularly pressed for time, and so I prioritized posting film reviews. That said, I saw a lot of television shows in 2025 (so many!), and I have a lot of thoughts on shows and seasons that I loved, liked, or was underwhelmed by, which I want to get out there before I post my list of the best television shows of that year. Do note that shows which are not referenced or listed in this collection of reviews or bite-sized reviews can still appear on the aforementioned future list, and that I did, in fact, review other television shows from this year, so please do seek them out on my all-time TV season review overview by clicking here.

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IFSCA Awards 2025-2026 | Winners

Michael B. Jordan and Miles Caton in Ryan Coogler’s SINNERS — PHOTO: Warner Bros. Pictures (Still image from trailers).

Yesterday, on February 5th, 2026, the International Film Society Critics Association (IFSCA / @IFSCritics on Twitter), of which I am a voting member, announced their full list of winners for the ongoing 2025-2026 awards season. Like any other film critics’ association, their awards celebrate the best films of the past year. IFSCA currently has 111 members from around the world, including, but not limited to, the US, the UK, Spain, Italy, and, of course(since I am a member), Denmark. Ryan Coogler’s Sinners set a new record with 23 IFSCA nominations, and, as you’ll see, it also tied the record for most wins with wins in 8 separate categories. Below you can read the full list of winners, runners-up, and nominees.

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