The following is a review of Dolor y Gloria (int. title: Pain and Glory) — Directed by Pedro Almodóvar.
Dolor y Gloria is Spanish filmmaker Pedro Almodóvar’s twenty-second feature film, but, admittedly, the first film of his that I have seen. It is a semi-autobiographical film about an aging Spanish filmmaker (whose name is unmistakably close to being an anagram for Almodóvar) who feels that his body and mind is working against him. Salvador Mallo (played by Antonio Banderas), the aforementioned fictitious filmmaker, is constantly depressed, and he also suffers from difficult headaches and serious back problems. All of these issues have stopped him in his tracks and made it difficult for him to continue to make his art — his films. Continue reading “REVIEW: Dolor y Gloria (2019)”→
Today, in honor of Friday the 13th, I want to showcase my ten favorite horror films of the 2010s. I’ll also preface this list by saying that I reserve the right to change this list for the remainder of 2019 in case something new is good enough to make it onto this list. Continue reading “Best of the 2010s: Top Ten Horror Films”→
The following is a short updated review (2019) of Spike Jonze’s Her (2013).
Written and directed by Spike Jonze, Her is a science-fiction love story set in a ‘futuristic’ American city. The film follows Theodore (played by Joaquin Phoenix) — a writer of other people’s personal letters — who is separated from his wife (played by Rooney Mara). Continue reading “REVIEW: Her (2013)”→
The following is a review of IT: Chapter Two — Directed by Andy Muschietti.
It would be an understatement to say that Andy Muschietti’s IT (2017) was a great success. Successfully building on audiences’ relationship with the 1990s mini-series, novel, or creature design, IT went on to become the highest-grossing Stephen King adaptation and the highest-grossing horror film in North American box office history (not adjusted for inflation). Therefore, naturally, expectations for the adaptation of the second ‘half’ of the 1000-page long clown-focused King novel were through the roof. Ultimately, although I don’t think the second chapter lives entirely up to the frightening but charming first film, IT: Chapter Two finds much more success in depicting the grown-up half of the novel than the mini-series did, and, even though I have notable problems with the film, I’m mostly satisfied with how this oversized crowdpleaser wrapped up the story. Continue reading “REVIEW: IT – Chapter Two (2019)”→
Sometimes biopics — or biographical pictures — get a bad rap. Some people think of them merely as Wikipedia entries on the big screen, others think they just exist for studios to promote during awards season — people like to say that biopics are Oscar-bait. But today I want to showcase my ten favorite biographical pictures of the 2010s. I’ll also preface this list by saying that I reserve the right to change this list for the remainder of 2019 in case something new is good enough to make it onto this list. Continue reading “Best of the 2010s: Top Ten Biographical Pictures”→
The following is a review of Toy Story 4 — Directed by Josh Cooley.
I once wrote that I am ‘a part of the Pixar-generation,’ i.e. I’ve grown up with their films and Toy Story was one of the first films I saw. I’ve loved almost all of the Pixar-films, and I love the Toy Story-films most of them all. The first film was a childhood favorite of mine. The second film was almost equally brilliant and becomes better the more I watch it. And, especially for my generation, the third film was a cathartic and nostalgic heartbreaker that had adults bawling their eyes out in crowded theaters or airplanes.
Toy Story is a special film series. The first three films are all some of the greatest animated films ever made and arguably include a couple of masterpieces among them. But it is also a film series that ended on the perfect note with Toy Story 3. So, I cannot say that I ever really wanted a fourth film. However, Toy Story 4 from feature film debut director Josh Cooley is another heartwarming and heartbreaking coming-of-age tale featuring childhood playthings. Though we didn’t need it, Pixar has, thankfully, brought us yet another great installment in this beloved film series, even though the fourth film isn’t as much of an instant classic as the first three films were. Continue reading “REVIEW: Toy Story 4 (2019)”→
Bad news, true believers, Spider-Man may be out of the Marvel Cinematic Universe. First reported by DEADLINE, it appears that, in trying to negotiate the terms of a deal to extend Sony and Disney/Marvel Studios’ partnership in producing films starring Marvel’s web-slinger, Sony has refused to return to the negotiating table. Sony owns the film rights to the character, but, since February of 2015, Sony and Marvel Studios have had a partnership that led to Spider-Man’s appearance in Captain America: Civil War, Avengers: Infinity War, and Avengers: Endgame, as well as the creative direction — guided by Marvel Studios president Kevin Feige — for the Sony solo-films Spider-Man: Homecoming and Spider-Man: Far From Home which were both co-produced by Marvel Studios and featured Disney-owned characters such as Iron Man and Captain America. Continue reading “BREAKING NEWS: The MCU May Have Just Lost Spider-Man”→