REVIEW: True Detective – “The Big Never”

This is a recap and review of the third episode of the third season of True Detective — Expect spoilers for the episode.

In the third episode of the third season of True Detective — The Big Never — we get to see where Roland West (played by Stephen Dorff) is in his life in 1990, while Hays (played by Mahershala Ali) has a panic attack in a supermarket. The Big Never was written by Nic Pizzolatto and directed by Daniel Sackheim.
Continue reading “REVIEW: True Detective – “The Big Never””

IJR Awards 2018: Film Nominations Announced

It is finally time for me to announce my own personal film nominations for the I’m Jeffrey Rex Awards of 2018. Sure, we’re in 2019 now, but I needed some time to watch some of the films that were released in January in Denmark.

There will be a couple of surprises here, and I’m not just talking about the nominees. Four awards that have not previously been announced will make their debut here with their own sets of nominations. Also, one award has had its titled changed to allow for more than a small handful of nominees. Well, let’s get to it. Continue reading “IJR Awards 2018: Film Nominations Announced”

Who Should Play Batman in Matt Reeves’ Batman-Film? – Special Features #47

Batman v Superman: Dawn of Justice, Warner Bros. Pictures

Oh, Affleck. It seems like just yesterday that I was flip-flopping on the night of the announcement whether or not I liked that he was cast as DC’s Caped Crusader. He ended up doing a pretty good job in Batman v Superman: Dawn of Justice, but he was one of the clearly noticeable problems with Justice League. Recently, it was announced that Affleck will not be playing Bruce Wayne in Matt Reeves’ film about the Dark Knight. So, today, I want to show my readers who I want to see play Batman in Reeves’ film. Continue reading “Who Should Play Batman in Matt Reeves’ Batman-Film? – Special Features #47”

I’ll never forget you, Deus

Wednesday – February 13th, 2019 – was really tough to live through. Yesterday, my family and I said our goodbyes to our beloved dog, Deus. We had him for eleven years, but yesterday, just a few days after he and his brother’s birthday, was his last day with us. Now he’s up skateboarding (that’s an inside joke, of sorts), chasing balls, and barking with our other lost loved ones in heaven.  Continue reading “I’ll never forget you, Deus”

Crazy Early 92nd Academy Awards Predictions – Special Features #46

Okay, I know. This is insane. But I enjoyed doing it last year, so it’s happening again! The 91st Academy Awards haven’t even been held, and I’ve only seen, like, twelve films from 2019 at this point. I love writing about the awards season, but, to be honest with you, I find the annual best picture frontrunner backlash to be draining. So, therefore, I think it’s much easier for me to write about next year’s awards season. And don’t you worry, I have a pretty good idea of what is coming out this year. So, without further ado, let’s get to it. Continue reading “Crazy Early 92nd Academy Awards Predictions – Special Features #46”

REVIEW: High Flying Bird (2019)

Release Poster – Netflix

The following is a review of High Flying Bird — Directed by Steven Soderbergh.

Acclaimed filmmaker Steven Soderbergh rose to directorial stardom with Erin Brockovich and his Ocean’s-heist trilogy. In 2018, Soderbergh’s low-budget thriller Unsane was released to strong critical reception. What made that film so interesting was the fact that the entirety of the film was shot on iPhone 7 Plus cameras. Now, in 2019, Netflix has given Soderbergh a worldwide audience for his second iPhone-film High Flying Bird, a sports drama centered around an NBA lockout. Continue reading “REVIEW: High Flying Bird (2019)”

REVIEW: Vice (2018)

Theatrical Release Poster – Annapurna Pictures

The following is a review of Vice — Directed by Adam McKay.

In recent years, comedy filmmaker Adam McKay has successfully changed his reputation in Hollywood. He was once thought of as one of the great funny-man directors of the industry, with such films as Anchorman and The Other Guys. But with 2015’s The Big Short — a film about the financial crisis of 2008 — McKay became known for his unconventional techniques in covering a disastrous true story. It didn’t work for everyone, but, for the most part, I really enjoyed his first foray into this style of political filmmaking.  Continue reading “REVIEW: Vice (2018)”