The following is a review of Little Women (2019) — Directed by Greta Gerwig.
This is a movie that I have wanted to review for a very long time. As I often bemoan, in Denmark, distributors tend to theatrically release major Oscar-nominated films months after they have been released in the United States. This often means that I miss out on the conversations that these films bring up. It also means that, in this case, I couldn’t discuss the only film nominated for Best Picture that was directed by a woman during awards season for the 92nd Academy Awards. Now that I finally have my hands on a Blu-Ray of the film, which I bought on Amazon UK, I have had the chance to watch and review a film that my peers already have plenty of thoughts about. Coincidentally, the film is now finally being released in Danish theaters just as the UK Blu-Ray arrived. Continue reading “REVIEW: Little Women (2019)”→
Overview is a new monthly article that provides my readers with a brief overview of the articles or reviews that I have written, as well as additional bite-sized thoughts on films or shows about which I do not intend to write thorough reviews.
In May of 2020, I finally continued my ‘Best of the 2010s’ genre-specific lists, I watched a handful of new releases, and I wrote about the upcoming release of the so-called Snyder-Cut, which was finally announced. But that’s not all I did this month. Let’s take a look back at what I watched and what I wrote in May 2020.
The following is a review of The Gentlemen — Directed by Guy Ritchie.
If you look at Guy Ritchie’s films from the 2010s, you will see a mixed bag of sequels, spin-offs, remakes, and potential franchise-starters that were made with either Warner Bros. or Disney. His 2011 Sherlock Holmes sequel, A Game of Shadows, received mixed-to-positive reviews and was a financial success. Though I actually really enjoyed it, his film adaptation of The Man from U.N.C.L.E. was described by industry experts as a box office flop, and his woeful fantasy epic King Arthur: Legend of the Sword was even more of disappointment as it was critically panned and reportedly lost its studios more than $150 million. Continue reading “REVIEW: The Gentlemen (2020)”→
The following is a review of The Lovebirds — Directed by Michael Showalter.
The Coronavirus Pandemic has had a serious impact on the film industry. The future of the movie theater industry is uncertain as some films that were meant for a theatrical release have been released on video-on-demand or streaming services, while many of the year’s biggest films have been removed from the 2020 theatrical release schedule entirely. This Michael Showalter romantic-comedy, The Lovebirds, was originally meant to be released in theaters by Paramount Pictures in April, but when theaters around the world closed their doors, the film studio sold its rights to Netflix, who finally released the film on the 22nd of May. The Lovebirds fits right in on Netflix, but, quality-wise, it is a significant step down from The Big Sick, Showalter’s previous film as a director. Continue reading “REVIEW: The Lovebirds (2020)”→
The following is a review of The Wrong Missy — Directed by Tyler Spindel.
As far as I am aware, Tyler Spindel’s The Wrong Missy is the eighth film that Netflix has distributed for Happy Madison Productions, the production company founded by Adam Sandler. Most of these films feature Adam Sandler in the lead role, and, often, the films take place in sunny locations. This has led to these films jokingly being referred to as ‘vacations’ that Sandler takes his friends and family on to relax between takes. I don’t know if there is any truth to that common joke, but, come to think of it, The Wrong Missy, which, notably, doesn’t feature Adam Sandler, actually does take place in sunny Hawaii. In any case, this film, unfortunately, isn’t the return to form for Happy Madison that I wanted it to be. Continue reading “REVIEW: The Wrong Missy (2020)”→
During a watch-along of his film Man of Steel, today — May 20th, 2020 — director Zack Snyder, alongside his wife and creative partner Deborah Snyder, announced that, in 2021, Warner Bros. will, finally, ‘release the Snyder cut’ of Justice League (2017) on HBO MAX. DC Comics’ vocal fan base has been heard. In this week’s edition of Special Features, I will answer some questions about this piece of news, and I will tell you exactly how I feel about Warner Bros.’ decision. Let’s get to it. Continue reading “Snyder Cut: Zack Snyder’s Justice League is on its way to HBO MAX – Special Features #70”→
The following is a review of The Half of It — Directed by Alice Wu.
Netflix has, in a way, become the home of the teenage coming-of-age romantic-comedy genre. Since they achieved great success with Susan Johnson’s To All the Boys I’ve Loved Before, Netflix has been eager to return to that same subgenre and treat their worldwide audience to stories about young Americans finding themselves, discovering their own identities, and expressing their true feelings. Netflix has successfully cornered that market as of late, and their latest teenage romantic-comedy success story comes from filmmaker Alice Wu, whose second feature has finally come out for all to see fifteen years after her directorial debut was originally released. Continue reading “REVIEW: The Half of It (2020)”→