On Monday April 26th, 2021, the day after Thomas Vinterberg’s Another Round (Danish Title: Druk) had won the Best International Feature Film Oscar, DEADLINE Hollywood reported that, to the surprise of no one, Hollywood wanted to make another English-language remake of a popular non-American hit. What was surprising, however, was that the English-language remake rights had been acquired by Appian Way, Endeavor Content, and Makeready for the purpose of developing a remake as a star vehicle for Leonardo DiCaprio, arguably the biggest movie star on the planet. So, how should we feel about that? Is it an exciting pat on the back, or should we be upset?Continue reading “Another Round is Being Remade with Leonardo DiCaprio. How Should We Feel About That?”
Directed by Anders Thomas Jensen — Screenplay by Anders Thomas Jensen.
It is quite extraordinary that in a year like 2020, which has seen a global pandemic severely damage the film industry and movie theaters all around the world, somehow the Danish film industry has thrived. This year has produced several event films, so to speak, in my home country. It all began with Mikkel Nørgaard’s Klovn: The Final, which is a continuation of arguably Denmark’s most popular comedy series of the last two decades. Then, not too long ago, Thomas Vinterberg’s near-masterpiece Druk was released to rave reviews, and it has almost single-handedly revived Danish movie theaters. Now, this week, Anders Thomas Jensen’s black comedy Retfærdighedens Ryttere has been released in Denmark. It is strange to say this, but, in spite of the COVID-19 pandemic, this has been a remarkably strong year for the Danish film industry. Continue reading “REVIEW: Retfærdighedens Ryttere (2020)”
Directed by Jens Dahl — Screenplay by Sissel Dalsgaard Thomsen.
I think the Danish film industry has produced several gems and even some masterpieces. I really like to write about Danish films on my blog since it gives me a chance to highlight and talk about films that people outside of Denmark may not have heard of. But while there are very many excellent Danish dramas and great Danish comedies, I think it’s very odd that the Danish film industry has been struggling to keep up with the rest of the world when it comes to the very popular horror genre. Continue reading “REVIEW: Breeder (2020)”
Lately, I’ve been watching a lot of Danish television. I did this, in part, to prepare for my article on Mads Mikkelsen, but I’ve also been binge-watching a lot of Danish TV in anticipation of the upcoming fourth season of Borgen, which will be a co-production between Netflix and the Danish Broadcasting Corporation (DR). But I’ve also recently watched three Danish shows that were released over the course of the last few months. Today, I want to tell you about Cry Wolf, The Mole, and The Investigation. Continue reading “Recommending Danish TV: ‘The Mole,’ ‘The Investigation,’ and ‘Cry Wolf’”
I hold the Danish thespian, Mads Mikkelsen, in high regard. I think of him as my nation’s finest actor, but also possibly the finest actor of his generation. He has proven himself both in his home country, overseas, and even in Hollywood. He’s a Bond-villain, a Marvel supervillain, and Hannibal the Cannibal. But he is also so much more than that. He is a skilled actor of many talents, who can be more than just a villain. He’s a star. Today, let’s take a trip through Mads Mikkelsen’s glorious career, as I rank his ten best roles and performances. Continue reading “Mads Mikkelsen’s Top 10 Performances: Ranked”
The following is a review of Domino — Directed by Brian De Palma.
Brian De Palma’s Domino is a crime-thriller that takes place all over Europe. The film follows Christian Toft (played by Nikolaj Coster-Waldau, “Game of Thrones”), a Danish police officer, as he tries to bring a criminal to justice. After forgetting his gun at home, Christian inadvertently puts his colleague and father-figure, Lars Hansen (played by Søren Malling, “Borgen”), in harm’s way. When, due to the fact that he has misplaced his own firearm, Christian borrows Lars’ gun to investigate a domestic disturbance, Lars is killed by a handcuffed assailant (played by Eriq Ebouaney, “Femme Fatale”). When the, as of yet unidentified, assailant appears to have escaped, Christian and Alex Boe (played by Carice Van Houten, “Game of Thrones”), Lars’ heartbroken and vengeful mistress, leave Denmark to find and apprehend the man responsible for Lars’ death. Continue reading “REVIEW: Domino (2019)”
The following is a review of Krudttønden (international title: The Day We Died) — Directed by Ole Christian Madsen.
Ole Christian Madsen’s Krudttønden: The Day We Died is a dramatization of the 2015 Copenhagen terrorist attack that follows four different individuals — Finn Nørgaard, Dan Uzan, Omar El-Hussein, and Rico — in the days leading up to the shootings and when the shootings took place. Finn Nørgaard (played by Lars Brygmann) and Dan Uzan (played by Adam Buschard) were victims of the shooting, Omar El-Hussein (played by Albert Arthur Amiryan) carried out the shooting, and the worn-out police officer, Rico (played by Nikolaj Coster-Waldau), who is a composite character, had an important role in the manhunt for El-Hussein. One characteristic that these four individuals share in the days prior to the terrorist attack is that they are all frustrated about the roadblocks in life that overwhelm their daily lives. Continue reading “REVIEW: Krudttønden: The Day We Died (2020)”
The following is a review of ‘Ser Du Månen, Daniel?‘ (also known as ‘Daniel‘) — Directed by Niels Arden Oplev and Anders W. Berthelsen (co-director).
Although the Danish entry — May el-Toukhy’s outstanding film, Dronningen — was not, ultimately, nominated for the Academy Award for Best International Feature, 2019 was a pretty great year for Danish films. Outside of the aforementioned May el-Toukhy film, last year also saw the release of other great Danish films like Michael Noer’s period piece Før Frosten and Rasmus Kloster Bro’s claustrophobic directorial feature film debut Cutterhead. Mads Brügger also released his award-winning documentary Cold Case Hammarskjold. Continue reading “REVIEW: Ser du månen, Daniel? (2019)”
The following is a review of Klovn: The Final — Directed by Mikkel Nørgaard.
The Final is the third and supposedly final film entry in the wildly popular Danish comedy series known as Klovn (which means clown), a Danish comedy franchise inspired by Curb Your Enthusiasm starring two of Denmark’s most popular comedians, Casper Christensen and Frank Hvam, playing fictionalized versions of themselves. Casper Christensen, who recently appeared in Chris Addison’s Rebel Wilson and Anne Hathaway-led comedy The Hustle, could be called Denmark’s Jerry Seinfeld, but his character on the show is very different. The Casper character is a womanizing sexual addict, who constantly gets his best friend Frank into trouble. Frank Hvam’s character is the ‘Larry David’ of Klovn. The Frank-character makes many embarrassing blunders, and his partnership with Casper Christensen always gets him into trouble with his wife and their friends. Continue reading “REVIEW: Klovn: The Final (2020)”
I think 2019 was a very good year for Danish films. Sure, the great Danish selection, Dronningen (int. title: Queen of Hearts), was not nominated in the Best International Feature Film-category at the Oscars, but it was one of several noteworthy Danish films from 2019. There were exciting debut films, as well as strong follow-ups from proven filmmakers. But here’s the thing. I think 2020 is going to be even better. There are many Danish films in 2020 that I am looking forward to, and today I want to talk about eight of these films. So, if you have any interest in Scandinavian films, then read more below. Continue reading “2020 Watchlist: Eight Danish Films To Look Forward To – Special Features #60”