The following is a review of the sixth and final season of BoJack Horseman (Parts I and II) — Available on Netflix.
In the final season of BoJack Horseman, the titular character goes to rehab as he decides it is time to grapple with his own trauma and the trauma that he has caused. But sometimes it isn’t good enough to exercise personal growth, and BoJack Horseman (voiced by Will Arnett) may have to be put through the wringer by unrelenting gossip journalists that hope to ‘cancel,’ so to speak, our titular character.
Had it not been for the fact that I think there is a notable jump in quality from the first to the second season of the Disney+ Original series, it would’ve been really difficult for me to separate the two first seasons of the first-ever Star Wars live-action series. You see, while, for Americans, there was an entire year in between the two seasons, Disney+ didn’t arrive in Denmark until September of 2020, and Disney made the decision to release the first season week-by-week. They did this so that when it ended, the second season would be ready to begin, but they also did it in an attempt to keep people on the streaming service for as long as possible. Continue reading “REVIEW: The Mandalorian – Seasons One and Two (2019/2020)”→
Directed by Clint Eastwood — Screenplay by Billy Ray.
There is a lot to say when it comes to Clint Eastwood’s Richard Jewell, which is a biopic about the security guard who discovered a bomb during the 1996 Summer Olympics in Atlanta, then alerted authorities, and was later wrongly accused of having planted it. While the film is not without problems, on the whole, I thought that Clint Eastwood’s 2019 picture was a success. This is a heartbreaking and infuriating film about the investigation into the Centennial Olympic Park bombing and the media circus and harsh media trial that followed as a result of an FBI leak, and at the center of the film is a breakthrough performance that I don’t think got the praise it deserved. Continue reading “REVIEW: Richard Jewell (2019)”→
The following is a review of Domino — Directed by Brian De Palma.
Brian De Palma’s Domino is a crime-thriller that takes place all over Europe. The film follows Christian Toft (played by Nikolaj Coster-Waldau, “Game of Thrones”), a Danish police officer, as he tries to bring a criminal to justice. After forgetting his gun at home, Christian inadvertently puts his colleague and father-figure, Lars Hansen (played by Søren Malling, “Borgen”), in harm’s way. When, due to the fact that he has misplaced his own firearm, Christian borrows Lars’ gun to investigate a domestic disturbance, Lars is killed by a handcuffed assailant (played by Eriq Ebouaney, “Femme Fatale”). When the, as of yet unidentified, assailant appears to have escaped, Christian and Alex Boe (played by Carice Van Houten, “Game of Thrones”), Lars’ heartbroken and vengeful mistress, leave Denmark to find and apprehend the man responsible for Lars’ death. Continue reading “REVIEW: Domino (2019)”→
Overview provides my readers with a brief overview of the articles or reviews that I have written, as well as additional bite-sized thoughts on films or shows about which I do not intend to write thorough reviews. In June 2020, among other things, I wrote a lengthy spoiler-filled discussion of the story of The Last of Us: Part II, and I also, finally, reviewed the third season of Westworld.
The following is a review of Little Women (2019) — Directed by Greta Gerwig.
This is a movie that I have wanted to review for a very long time. As I often bemoan, in Denmark, distributors tend to theatrically release major Oscar-nominated films months after they have been released in the United States. This often means that I miss out on the conversations that these films bring up. It also means that, in this case, I couldn’t discuss the only film nominated for Best Picture that was directed by a woman during awards season for the 92nd Academy Awards. Now that I finally have my hands on a Blu-Ray of the film, which I bought on Amazon UK, I have had the chance to watch and review a film that my peers already have plenty of thoughts about. Coincidentally, the film is now finally being released in Danish theaters just as the UK Blu-Ray arrived. Continue reading “REVIEW: Little Women (2019)”→
Overview is a new monthly article that provides my readers with a brief overview of the articles or reviews that I have written, as well as additional bite-sized thoughts on films or shows about which I do not intend to write thorough reviews.
In May of 2020, I finally continued my ‘Best of the 2010s’ genre-specific lists, I watched a handful of new releases, and I wrote about the upcoming release of the so-called Snyder-Cut, which was finally announced. But that’s not all I did this month. Let’s take a look back at what I watched and what I wrote in May 2020.
The following is a review of El Hoyo, also known as The Platform — Directed by Galder Gaztelu-Urrutia.
I have been looking forward to this movie for close to six months. I heard it described as one of the best horror films of 2019 and one of the coolest movie concepts of that year. People whose opinions I pay attention to were praising this movie so much that I ended up having fairly strong expectations for the film. Thankfully, Galder Gaztelu-Urrutia’s feature film directorial debut did not disappoint, even though the debut director failed to make his film stand out from other similar films. Continue reading “REVIEW: El Hoyo (2019)”→
The following is a short review of Watchmen — Created by Damon Lindelof.
Alan Moore’s Watchmen is one of the most beloved comic book stories ever made. It is one of those graphic novels that comic book readers have been championing for decades, and it has been notoriously difficult to adapt. Zack Snyder tried and succeeded (to some extent) with his 2009 adaptation, which, of note, changed the ending of Moore’s story. Moore, infamously, is unwilling to endorse or watch adaptations of Watchmen, but I think it is time for the celebrated comic book writer to change his tune. Because Damon Lindelof (LOST; The Leftovers) has made a sequel to the iconic graphic novel that deals with timely issues and which also subverts all of the right tropes. Continue reading “REVIEW: Watchmen (2019 – Limited Series)”→
The 2010s have come to an end. Soon I will be posting several additional top ten lists on the best films of the previous decade. But, first, I have to close out last year in the right way with this top ten films of 2019-list. So, sit back, relax, and take a look at what films I think were the very best in a quite strong year for movies. Continue reading “Top Ten Films of 2019”→