The following is a review of Domino — Directed by Brian De Palma.
Brian De Palma’s Domino is a crime-thriller that takes place all over Europe. The film follows Christian Toft (played by Nikolaj Coster-Waldau, “Game of Thrones”), a Danish police officer, as he tries to bring a criminal to justice. After forgetting his gun at home, Christian inadvertently puts his colleague and father-figure, Lars Hansen (played by Søren Malling, “Borgen”), in harm’s way. When, due to the fact that he has misplaced his own firearm, Christian borrows Lars’ gun to investigate a domestic disturbance, Lars is killed by a handcuffed assailant (played by Eriq Ebouaney, “Femme Fatale”). When the, as of yet unidentified, assailant appears to have escaped, Christian and Alex Boe (played by Carice Van Houten, “Game of Thrones”), Lars’ heartbroken and vengeful mistress, leave Denmark to find and apprehend the man responsible for Lars’ death. Continue reading “REVIEW: Domino (2019)”→
Overview provides my readers with a brief overview of the articles or reviews that I have written, as well as additional bite-sized thoughts on films or shows about which I do not intend to write thorough reviews. In June 2020, among other things, I wrote a lengthy spoiler-filled discussion of the story of The Last of Us: Part II, and I also, finally, reviewed the third season of Westworld.
The following is a review of Little Women (2019) — Directed by Greta Gerwig.
This is a movie that I have wanted to review for a very long time. As I often bemoan, in Denmark, distributors tend to theatrically release major Oscar-nominated films months after they have been released in the United States. This often means that I miss out on the conversations that these films bring up. It also means that, in this case, I couldn’t discuss the only film nominated for Best Picture that was directed by a woman during awards season for the 92nd Academy Awards. Now that I finally have my hands on a Blu-Ray of the film, which I bought on Amazon UK, I have had the chance to watch and review a film that my peers already have plenty of thoughts about. Coincidentally, the film is now finally being released in Danish theaters just as the UK Blu-Ray arrived. Continue reading “REVIEW: Little Women (2019)”→
Overview is a new monthly article that provides my readers with a brief overview of the articles or reviews that I have written, as well as additional bite-sized thoughts on films or shows about which I do not intend to write thorough reviews.
In May of 2020, I finally continued my ‘Best of the 2010s’ genre-specific lists, I watched a handful of new releases, and I wrote about the upcoming release of the so-called Snyder-Cut, which was finally announced. But that’s not all I did this month. Let’s take a look back at what I watched and what I wrote in May 2020.
The following is a review of El Hoyo, also known as The Platform — Directed by Galder Gaztelu-Urrutia.
I have been looking forward to this movie for close to six months. I heard it described as one of the best horror films of 2019 and one of the coolest movie concepts of that year. People whose opinions I pay attention to were praising this movie so much that I ended up having fairly strong expectations for the film. Thankfully, Galder Gaztelu-Urrutia’s feature film directorial debut did not disappoint, even though the debut director failed to make his film stand out from other similar films. Continue reading “REVIEW: El Hoyo (2019)”→
The following is a short review of Watchmen — Created by Damon Lindelof.
Alan Moore’s Watchmen is one of the most beloved comic book stories ever made. It is one of those graphic novels that comic book readers have been championing for decades, and it has been notoriously difficult to adapt. Zack Snyder tried and succeeded (to some extent) with his 2009 adaptation, which, of note, changed the ending of Moore’s story. Moore, infamously, is unwilling to endorse or watch adaptations of Watchmen, but I think it is time for the celebrated comic book writer to change his tune. Because Damon Lindelof (LOST; The Leftovers) has made a sequel to the iconic graphic novel that deals with timely issues and which also subverts all of the right tropes. Continue reading “REVIEW: Watchmen (2019 – Limited Series)”→
The 2010s have come to an end. Soon I will be posting several additional top ten lists on the best films of the previous decade. But, first, I have to close out last year in the right way with this top ten films of 2019-list. So, sit back, relax, and take a look at what films I think were the very best in a quite strong year for movies. Continue reading “Top Ten Films of 2019”→
This is it. We are finally here where it all matters. This is where I highlight the best technical achievements and performances of the year. This is where I get a chance to recognize all of my favorite films that I saw this past year. As always, I also have a lifetime achievement film award at the end of the post, so don’t forget about that one. For the full list of nominees, go here. Continue reading “7th I’m Jeffrey Rex Awards, Part Two – 2019”→
What happened at the 92nd Academy Awards was incredible. Just ask most Oscar experts and they will agree. This was, based on statistics and precursor awards results, supposed to be Sam Mendes’ and 1917‘s night. Though I desperately wanted Parasite to win all of the night’s biggest awards, my head was telling me no. Therefore, in my final predictions, I went with the safe bet and said 1917 would win Best Director and Best Picture. I’ve never been so happy to be wrong about an Oscar-prediction. In the end, the latest South Korean masterpiece — Bong Joon-ho’s Parasite — won the night’s two biggest awards (as well as two other prestigious golden statuettes). The Academy made the right choice. This time, in my opinion, the Best Picture winner is actually the best film of the year. The Academy finally got it right, as they say. Continue reading “Parasite Won Best Picture and Made History – Special Features #62”→
It’s time. This awards season has been rather short. This has been both been a good and a bad thing, though Film Twitter seems convinced that it’s only been a bad thing. Sure, AMPAS’ predictions were somewhat disappointing, and, frustratingly, many of the upcoming winners seem obvious at this point. It almost feels like only a little bit more than a handful of categories are competitive going into the big night. Today, I’m giving my final predictions for the big Oscar night — the Super Bowl for the film community. Continue reading “Final 92nd Academy Awards Predictions: Winners – Special Features #61”→