Theatrical Release Poster — Focus Features / Universal Pictures
The following is a review of Thoroughbreds — Directed by Cory Finley.
Remember My Chemical Romance? It was a rock band that my sister loved back in the day. I really liked their album The Black Parade, and every now and then some of the band’s songs come to mind. When I was watching writer-director Cory Finley’s directorial debut Thoroughbreds, I started to think about their song “Teenagers” — more specifically about the line “All teenagers scare the living shit out of me. They could care less as long as someone will bleed.” The late-great acting talent Anton Yelchin, in what seems to be his final role on film, has a similar line in the film, but he manages to express himself in much fewer words: “fucking evil children.” (more…)
The following is a review of BlacKkKlansman — Directed by Spike Lee.
Director Spike Lee’s BlacKkKlansman is based on the memoir of Ron Stallworth, the first African-American officer and detective in the Colorado Springs Police Department, and the film tells the story of how Ron (played by John David Washington) and his partner Detective Flip Zimmermann (played by Adam Driver) infiltrated the ranks of the Ku Klux Klan. (more…)
The following is a review of The Predator — Directed by Shane Black.
I’ve always been more of an Alien-fan than a Predator-fan. I don’t think of the original Predator-film as a classic, I don’t have a particularly favorable opinion about the sequels. In fact, the spin-off film Aliens vs. Predator: Requiem is one of the films that I dislike the most. (more…)
The following is a review of The Nun — Directed by Corin Hardy.
A funny thing happened when I sat down in a local movie theater room to watch The Nun — the newest The Conjuring spin-off film (this one having been inspired by a demon from James Wan’s The Conjuring 2). It was a packed theater full of people of all ages, shapes, and sizes, and right behind me, three young men sat and talked with one another. When the film opened with a scene from The Conjuring 2, I could hear one of them say: “wait, is this a Conjuring-movie?” Then another one said with his mouth full of popcorn: “oh, I haven’t seen the second one yet.” (more…)
The following is a review of Netflix’s Next Gen — Directed by Kevin R. Adams & Joe Ksander.
You may be surprised when the first acting credit that pops on the screen in the relatively unpromoted Netflix animated film Next Gen is that of actor-director John Krasinski. At the very least, I was surprised to see names like Krasinski’s, but also other actors like Jason Sudeikis and Michael Peña. You start to ask yourself how this animated movie had managed to go relatively unnoticed with those names attached to it, and then you hope that you’ve found a new hidden gem. Next Gen isn’t quite that good, but I did enjoy it for what it was. (more…)
The following is a review of Sony Pictures Classics’ The Rider — Directed by Chloe Zhao.
You may not be surprised to learn that, to my knowledge, the competitive sport of rodeo is not really a popular activity in coldish Scandinavia. Although it may have had its roots elsewhere (I, honestly, have no idea), I have always associated rodeo with America and the cultural fascination with thrill-seeking cowboys. (more…)
The following is a short review of HBO’s King in the Wilderness – Directed by Peter W. Kunhardt.
On the 50th anniversary of the death of Martin Luther King, HBO released a documentary portrait of the late-great activist, baptist, and civil rights movement leader from Emmy-winning director Peter W. Kunhardt. The documentary titled King in the Wilderness is made up of talking head interviews with the people that knew King, who all try to paint us a picture of King’s state in the last few years of his life before he was shot and killed in 1968. (more…)