Series Created by Robert Kirkman — Available Now On Amazon Prime Video.
It’s always nice to see, when something you’ve loved for years is adapted successfully. Over five years ago, I read the first forty issues, or so, of Robert Kirkman’s Invincible, a superhero comic book series from Image Comics. I loved the comic book series back then, I still do, and I was excited when it was announced to be adapted as both an animated series and a film. That interest reached a fever pitch when the voice cast was announced. Steven Yeun (voicing Mark Grayson, Invincible), J. K. Simmons (voicing Nolan Grayson, Omni-Man), Sandra Oh (voicing Debbie Grayson), and Gillian Jacobs (voicing Atom Eve) voice the most pivotal characters, but it doesn’t stop there. Other great actors such as Seth Rogen, Mahershala Ali, and Walton Goggins all play important characters. Once you actually watch the show, you’ll see exactly why the cast is so star-studded. Because Invincible could be the ‘next big thing.’
The following is a recap and review of the eighth episode of WandaVision, available exclusively on Disney+. Expect story spoilers and general Marvel Cinematic Universe spoilers.
In the eighth episode of WandaVision — titled Previously On — we learn more about who Agatha Harkness (played by Kathryn Hahn) really is, before she and Wanda Maximoff (played by Elizabeth Olsen) take a trip down memory lane to rewatch and expand upon pivotal moments in Wanda’s life, which reveals why the Hex bubble universe was even created in the first place. Continue reading “REVIEW: WandaVision – “Previously On””→
I’ve been a huge fan of Mike Flanagan for a couple of years now. He is a horror-focused filmmaker, who hasn’t yet made a huge misstep. Instead, he has actually made some of the previous decade’s very best horror films. Gerald’s Game was one of the best and biggest film surprises of 2017, and his sequel to The Shining, Doctor Sleep, was phenomenal. On Netflix, he has also been given the chance to create, direct, and shepherd the outstanding horror series The Haunting of Hill House, which was such a runaway success that it became an anthology series. The Haunting of Bly Manor is the next chapter of that great horror anthology series, and, even though it is not as good or memorable as Hill House, Bly Manor is another great entry in Flanagan’s increasingly impressive horror oeuvre. Continue reading “REVIEW: The Haunting of Bly Manor (2020 – TV Series)”→
The following is a recap and review of the fourth episode of WandaVision, available exclusively on Disney+. Expect story spoilers and general Marvel Cinematic Universe spoilers.
In the fourth episode of WandaVision — titled We Interrupt This Program — we are introduced to Monica Rambeau (played by Teyonah Parris), as the show switches perspective and shows us the events of the first three episodes from the perspective of the outside world. Monica Rambeau is ‘Geraldine,’ the neighbor who was thrown out of the bubble universe after having mentioned Ultron to Wanda. In this episode, when Monica disappears after having investigated a missing person’s case, FBI, S.W.O.R.D., and several scientists set up a base outside of Westview, New Jersey for the purpose of figuring out what exactly is going on. Continue reading “REVIEW: WandaVision – “We Interrupt This Program””→
The following is a review of the Apple TV+ mini-series “Defending Jacob,” — Directed by Morten Tyldum and written by Mark Bomback.
Morten Tyldum and Mark Bomback’s Defending Jacob is a crime mini-series based on the William Landay novel of the same name. The series follows the Barber family — Andy (played by Chris Evans) and Laurie (played by Michelle Dockery) and their teenage son, Jacob (played by Jaeden Martell) — from Newton, Massachusetts. At the outset of the series, Andy Barber, the assistant district attorney, is assigned to prosecute the murder of Ben Rifkin, one of Jacob’s classmates, and he is quick to identify a prime suspect. However, soon Andy is forced to abandon the case when his son is charged with the murder of Ben Rifkin. The Barbers are naturally shocked, and, in the series, they must try to clear their son’s name, find the actual culprit, and endure the harsh spotlight that they, as a family, have suddenly been put under. Continue reading “REVIEW: Defending Jacob (2020)”→
The following is a review of the third season of HBO’s Westworld — Created by Jonathan Nolan and Lisa Joy.
I wish I had more nice things to say about this latest season of Westworld. This is a show that I have loved for a very long time. In the past, I have spent a lot of hours online reading theories and speculations about the series. In the past, I would discuss the show with friends and family. In the past, I would nerd out about the show. In the past, it never wore me out. I would spend each and every week writing recaps and reviews of each and every episode of the first two seasons. But, unfortunately, season three of Westworld was the one that convinced me to stop reviewing the series episode by episode. It, honestly, shocked me to find out that a show that I had loved so much could lose me so easily. Continue reading “REVIEW: Westworld – Season Three (2020)”→
The following is a recap and review of the season premiere of the fifth season of Better Call Saul, available on AMC in the U. S. and on Netflix internationally. Expect story spoilers.
In the season premiere of the fifth season — Magic Man— Jimmy McGill (played by Bob Odenkirk) becomes Saul Goodman, Lalo Salamanca (played by Tony Dalton) investigates the disappearance of Werner Ziegler, and, in the Post-Breaking Bad future, ‘Gene’ calls an old friend and asks for help. Continue reading “REVIEW: Better Call Saul – “Magic Man””→
The following is a short review of Watchmen — Created by Damon Lindelof.
Alan Moore’s Watchmen is one of the most beloved comic book stories ever made. It is one of those graphic novels that comic book readers have been championing for decades, and it has been notoriously difficult to adapt. Zack Snyder tried and succeeded (to some extent) with his 2009 adaptation, which, of note, changed the ending of Moore’s story. Moore, infamously, is unwilling to endorse or watch adaptations of Watchmen, but I think it is time for the celebrated comic book writer to change his tune. Because Damon Lindelof (LOST; The Leftovers) has made a sequel to the iconic graphic novel that deals with timely issues and which also subverts all of the right tropes. Continue reading “REVIEW: Watchmen (2019 – Limited Series)”→
The following is a review of the third season of The Crown — Available on Netflix.
When The Crown premiered in 2016, I proclaimed that Claire Foy’s Queen Elizabeth II might become the new face of Netflix. In 2017, following a truly outstanding second season, I argued that The Crown had become the greatest live-action television series that Netflix had ever made. Then the long wait began. It has been two years since we last saw new episodes of this show, and now all of the central characters have been recast as the next stage of Queen Elizabeth II’s reign begins. Though this third season is not as impeccable as I thought the previous season was, Peter Morgan’s series is still a must-watch series even for those people who aren’t necessarily obsessed with royal families. Continue reading “REVIEW: The Crown – Season Three (2019)”→
The following is a short review of the second season of HBO’s Succession.
In the second season of Jesse Armstrong’s Succession, the future of Waystar Royco is still uncertain as shareholders are still considering the coup that Kendall (played by Jeremy Strong) orchestrated. So, to prove that the Roys can still be trusted to lead the company into the future, Logan (played by Brian Cox) has to start to consider who his successor should be. This season, Siobhan (played by Sarah Snook) becomes interested in the top position, Roman (played by Kieran Culkin) becomes fascinated by Gerri (played by J. Smith-Cameron), Connor (played by Alan Ruck) wants to become President of the United States, and Kendall seems incapacitated under his father’s thumb. Continue reading “REVIEW: Succession – Season Two (2019)”→