Ghostbusters: Afterlife (2021) | REVIEW

Paul Rudd in Ghostbusters: Afterlife — Photo: Sony Pictures Releasing.

Directed by Jason Reitman (Tully) — Screenplay by Gil Kenan and Jason Reitman.

If we’re being honest has there ever really been an outright good Ghostbusters sequel? Die-hard fans went up in arms with outrage when Paul Feig’s 2016 reboot came out. That film isn’t very cinematic in its visuals, the original stars’ cameos are really bad, and the comedy is hit-or-miss throughout, but the four female stars are all solid in it (and Chris Hemsworth almost runs away with it through his laugh-out-loud dumb-male-blonde portrayal). It’s not as bad as the outrage would make you think it is, but it also isn’t anywhere close to being recommendable. The original Ghosbusters sequel — appropriately titled Ghostbusters 2 — features the original cast and the original director, but, while it has its moments, it’s not nearly as good as the iconic 1984 comedy. In 2016, Jason Reitman — son of the original films’ director, Ivan Reitman — had his own legacy sequel released that tried to honor the original film and make something that fans would enjoy. It wants to appeal to all kinds of Ghostbusters fans but, in an attempt to do that, it does feel quite generic and safe. But, even for all its issues, I kind of enjoy it.

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The Worst Person in the World (2021) | REVIEW

Renate Rensve’s ‘Julie’ waking up after a blur of a night thanks to having partaken in psychedelic mushrooms in Joachim Trier’s VERDENS VERSTE MENNESKE — PHOTO: SF STUDIOS / TriArt Films.

Directed by Joachim Trier — Screenplay by Eskil Vogt and Joachim Trier.

At the end of last month, I turned thirty years old. In the build-up to that turning of a corner, I must admit that I was feeling some kind of quarter-life crisis. Turning thirty reminded me that I should probably rewatch (and finally review) Joachim Trier’s The Worst Person in the World (Norwegian Title: Verdens Verste Menneske), for reasons that will be obvious to those who are familiar with it, but if you aren’t, then please read on and I’ll elaborate. In any case, The Worst Person In the World is the much-lauded third film in Joachim Trier’s acclaimed Oslo Trilogy, the first two films of which — Reprise and Oslo 31. August — I reviewed just last year. As I pressed play and rewatched the Danish-born Norwegian director’s Oscar-nominated hit, I’ll admit that it hit me harder than it had on my first viewing. It is yet another example of the kind of intelligent filmmaker that Trier is, and I suspect it will carve its own place as a true classic for how it speaks to the quarter-life crisis.

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Dear Evan Hansen (2021) | REVIEW

Ben Platt and Julianne Moore as son and mother in Stephen Chbosky’s DEAR EVAN HANSEN adaptation — PHOTO: Erika Doss / Universal Pictures.

Directed by Stephen Chbosky — Screenplay by Steven Levenson.

I decided to skip Dear Evan Hansen, the coming-of-age film musical based on a stage musical of the same name, back when it was first released in theaters. I did this in spite of the fact that I had heard the Benj Pasek and Justin Paul songs beforehand (and really liked quite a few of them — I know the lyrics to some of them from end to end). The story follows a depressed and lonely seventeen-year-old high school student, named Evan Hansen (played by Ben Platt), who suffers from extreme social anxiety. One day, he runs into Connor Murphy (played by Colton Ryan) — the troubled brother of Zoe Murphy (played by Kaitlyn Dever), whom Evan has a crush on — and Connor, due to a misunderstanding, decides to take Evan Hansen’s personal letter home with him. Sometime later, Evan finds out that Connor has taken his own life, and that the Murphy family thinks that Evan’s letter was left as a suicide note for the friend they never knew he had. Evan, not knowing how to get out of the situation, then decides to fabricate this lie that he and Connor were best friends, and, in the process, he gets to be a part of the kind of family he always wanted to be in.

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REVIEW: Venom: Let There Be Carnage (2021)

Tom Hardy as Eddie Brock in VENOM: LET THERE BE CARNAGE — PHOTO: Sony Pictures Releasing.

Directed by Andy Serkis — Screenplay by Kelly Marcel — Story by Kelly Marcel and Tom Hardy.

I thought Ruben Fleischer’s Venom (2018) was pretty bad. As a film, it felt like a product of a different time, it felt outdated, it was surprisingly dull, and all it had going for it was a go-for-broke Tom Hardy performance. To me, it felt like he was in a different film than the rest of the cast. It has become a film that I remember primarily for one absolutely hilarious scene, but it’s also a film that I don’t feel like rewatching. It should come as no surprise to you then that I didn’t feel like rushing out to theaters to see its sequel. In fact, because of the similar critical reception, I’ve never really felt the urge to watch it. That is, until today when I finally ripped off that symbiotic band-aid. Turns out it was almost exactly what I expected it to be. That’s not a good thing, but it’s also not the end of the world. I don’t think it’s good, but it is better than I expected it to be.

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REVIEW: Halloween Kills (2021)

Jamie Lee Curtis in HALLOWEEN KILLS — PHOTO: Universal Pictures.

Directed by David Gordon Green — Screenplay by Scott Teems, Danny McBride, and David Gordon Green.

On October 31st, 2022, people all around the world will be celebrating Halloween, the favorite holiday for all horror fans, but if you choose to believe the marketing for the latest film in the franchise named after the aforementioned spooky holiday, Halloween ended last weekend when David Gordon Green’s Halloween Ends (which I have yet to see), the last film in his Michael Myers-focused trilogy, was released. I certainly have my doubts about whether or not they’ll actually let the dust settle on John Carpenter’s stories horror franchise.

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REVIEWS: MCU Series on Disney+ – Year One (2021): ‘WandaVision,’ ‘Loki,’ ‘Hawkeye,’ and More

Paul Bettany as Vision in Marvel Studios’ WANDAVISION, exclusively on Disney+. — Photo: Disney+ / Marvel Studios.

Disney’s Marvel Studios — the masterminds and architects of the global cinematic sensation, the Marvel Cinematic Universe — now also spends a lot of time on TV/Streaming shows due to the arrival of the streaming service Disney+, which Disney knows can thrive on several shows aimed at the Marvel and Star Wars fandoms. In the first year with MCU content straight-to-Disney+, Disney and Marvel Studios gave us four live-action series and one premier animated show. In this article, I’ll take a look at each of the ‘first-year’ shows in bite-sized reviews.

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9th I’m Jeffrey Rex Awards, Pt. II – 2021 – Film Awards

The 94th Oscars ceremony has concluded, and my Top Ten Films of 2021-list has been released. That means it’s now time for me to reveal the second and final half of my 9th I’m Jeffrey Rex Awards. If you missed part one, then click here to read about my TV, Music, and Games winners. As always, the second half is all about films. In this article, you’ll find out who I think are the best actors of 2021, what film legend I have decided to celebrate, and much, much more. Oh, and also, there is a new-ish award that will be introduced for the first time in this very article. So, let’s get to it.

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REVIEW: CODA (2021)

Emilia Jones as ‘Ruby Rossi’ in Sian Heder’s CODA – Photo: Apple TV+.

Directed by Sian Heder – Screenplay by Sian Heder.

Whenever a film wins the Academy Awards’ Best Picture the spotlights start to assemble on top of it. People wish to poke holes in the film, call it overrated, and, in general, it suddenly has to live up to loftier expectations than it had to back when it was just a popular film. Moonlight was able to handle those spotlights, and it is still one of the previous decade’s great Best Picture winners (even though I preferred La La Land). Green Book, on the other hand, not so much.

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The 94th Oscars Ceremony was already problematic before Will Smith struck Chris Rock

A visibly-emotional Will Smith sits down after having slapped Chris Rock on stage at the Dolby Theatre – PHOTO: AMPAS, 2022.

Others may disagree but the Academy Awards ceremony — arguably Hollywood’s biggest night — is never boring to me. Some cinephiles think of it like their Super Bowl, their WrestleMania, but I don’t think anyone expected the ceremony to devolve into a contact sport as it briefly did in the Dolby Theatre at the 94th Academy Awards, when one of Hollywood’s last name-brand movie stars, the almost-always cool Will Smith, lost his temper. It was certainly one of the uglier moments in Oscar history, and it also topped what was previously the craziest moment in Oscar history.

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Additional Bite-Sized Reviews, Early 2022: ‘The Eyes of Tammy Faye,’ ‘The Afterparty,’ and More

Christopher Miller’s The Afterparty is available on APPLE TV+ right now. – Photo: Apple TV+.

In this edition of my recurring movie and television catch-up article series titled ‘Additional Bite-Sized Reviews,’ I take a look at one of the start of the year’s best shows, and I also give you my thoughts on a (currently) Oscar-nominated film. So, get comfortable, and get ready to read my thoughts on things like Apple TV+’s latest gem and the film that very well could earn Jessica Chastain her first Academy Award tonight.

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