In this edition of my monthly movie and television catch-up article series titled ‘Additional Bite-Sized Reviews,’ I talk about my experience of trying to catch-up on some of the 2021 films released earlier this year, including an entire trilogy of films! What did I think about the Fear Street-films? Is the Rear Window-inspired flick, The Woman in the Window, worth a watch? Is Bad Trip, the hidden camera comedy, funny enough for its runtime? Are Doug Liman and Alexandre Aja’s latest films any good? Well, scroll down to find out in another jam-packed edition of Additional Bite-Sized Reviews!Continue reading “Additional Bite-Sized Reviews, Summer ’21, Pt. 2: ‘The Fear Street Trilogy,’ ‘Bad Trip,’ and More”
In this edition of my monthly movie and television catch-up article series titled ‘Additional Bite-Sized Reviews,’ I take a look at a couple of shows that I have watched a lot in the first months of 2021 — specifically Your Honor and For All Mankind. But I also give you my thoughts on a documentary that everyone talked about in February. Continue reading “Additional Bite-Sized Reviews, Feb. ’21, Pt. II: ‘Your Honor,’ ‘For All Mankind,’ and ‘Framing Britney Spears’”
In this edition of my monthly movie and television catch-up article series titled ‘Additional Bite-Sized Reviews,’ I take a look at a couple of films that I didn’t get the chance to watch in 2020 — specifically Fantasy Island and The Way Back. But I also give you my thoughts on two 2021 documentaries — the latest Netflix true-crime docu-series and a Marvel Comics documentary film on Disney+. Continue reading “Additional Bite-Sized Reviews, Feb. ’21, Pt. I: ‘Fantasy Island,’ ‘The Way Back,’ and More”
Directed by Alexander Nanau — Seen on HBO Nordic.
It was inevitable that during this global coronavirus pandemic we would all start to think more about the state of our countries’ health systems and hospitals. During both the first and second wave of the pandemic, there has been a lot of talk about how many patients each hospital can take in, and so on and so forth. I thought about all of this as I watched the incredible and infuriating Romanian documentary Collective, which is an exposé of widespread corruption in Romania and a health system that, as one whistleblower puts it, has lost its humanity. Continue reading “REVIEW: Collective (2020 – Documentary)”
The following is a review of The Inventor: Out for Blood in Silicon Valley — Directed by Alex Gibney.
In 2019, we’ve already been given multiple tantalizing tales of young entrepreneurs revealed to be con artists, phoneys, or fraudsters. Call them what you will, but, with the two documentaries about the catastrophic ‘Fyre festival’ and now this documentary about a wannabe-disruptor and con artist in the biomedical industry, I find myself thinking about the loopholes these young people jumped through and how investors were fooled into making them frontmen, leaders, and innovators. In the case of The Inventor, it is not so much about incompetence but more about deception and how investors were deceived into propping up a transfixing, deep-voiced, and intense Stanford drop-out with delusions of grandeur, even as she spouted out incredibly vague descriptions of her grand idea. Continue reading “REVIEW: The Inventor: Out for Blood in Silicon Valley (2019 – Documentary)”
The following is a review of HBO’s Sharp Objects — A Mini-Series Directed by Jean-Marc Vallée.
I had been looking forward to this show for quite some time when I first sat down to watch the first episode of Sharp Objects, which is titled Vanish. The entirety of HBO’s latest well-cast mini-series was directed by Jean-Marc Vallée who, just last year, was the talk of the town with his first HBO series Big Little Lies — one of my favorite shows from 2017. It only made me more interested in the show when I learned that Sharp Objects, his new mini-series, was based on a novel by Gillian Flynn, who also wrote Gone Girl. Continue reading “REVIEW: Sharp Objects (2018 – Mini-Series)”
The following is a review of Patrick Melrose — A British-American Mini-Series.
Benedict Cumberbatch has made himself into a star. He is the kind of actor who has gotten himself a devoted fanbase that stretches to the ends of the earth, which, I think, is even a surprise to him. BBC’s Sherlock was, obviously, his breakthrough series, and it will probably stay as the piece of content for which he receives the most love from fans, even though he now has played a mythical dragon in The Hobbit-films and a fan-favorite hero in Marvel’s Doctor Strange. But his performance as the title character in Patrick Melrose might be his most complete and layered performance yet. Continue reading “REVIEW: Patrick Melrose (2018 – Mini-Series)”
The following is a review of The Tale — Directed by Jennifer Fox.
When Jennifer Fox was a thirteen year old girl, she had what she for the longest time would always refer to as her ‘first relationship.’ It was with an older man, she would explain. She had much love for him, she would claim. She had made use of that experience to get a good grade in English class, she would explain. She had fictionalized some of the story she had presented in class, she claimed. But none of those assertions or explanations told the whole story. Continue reading “REVIEW: The Tale (2018)”
The following is a review of HBO Films’ Paterno — Directed by Barry Levinson.
HBO Film’s Paterno is a drama about the true story of the Jerry Sandusky-sex abuse cover-up, which found legendary head coach Joe Paterno (played by Al Pacino) in the spotlight as he failed to properly report and follow-up on the serious allegations. Continue reading “REVIEW: Paterno (2018)”