Directed by Anders Ølholm & Frederik Louis Hviid — Screenplay by Anders Ølholm & Frederik Louis Hviid.
Shorta (which is apparently an Arabic word for ‘police’) is a Danish action-thriller about the so-called blue wall of silence, i.e. a tendency for police officers to withhold information and not report on their colleagues’ misconduct. The film follows two police officers — Jens (played by Simon Sears) and Mike (played by Jacob Lohmann) — who are on patrol. In the film, law enforcement has been asked not to go into the fictionalized ghetto ‘Svalegården’ since the last significant encounter between police officers and the inhabitants of Svalegården led to officers kneeling on the back of the neck of a young man, Talib Ben Hassi, who is, at the beginning of the film, in a coma. Continue reading “REVIEW: Shorta (2020)”→
Directed by Mikael Håfström — Screenplay by Rob Yescombe & Rowan Athale.
In 2020, Netflix found some success by placing a Marvel star in a fast-paced action movie with a somewhat forgettable plot with the Chris Hemsworth-led Extraction, which I liked. Now, in 2021, Netflix is hoping that they can do the same thing again with Outside the Wire, a science fiction action film starring Anthony Mackie, from the director of the John Cusack-led 1408, which I actually also like quite a bit. Unfortunately, Outside the Wire is nowhere near as effective of an action film as Extraction was, and they forgot to make it as fast-paced as the aforementioned film. Instead, we’re left with a serviceable but incredibly forgettable and generic science fiction flick. Continue reading “REVIEW: Outside the Wire (2021)”→
The following is a review of Tenet — Directed by Christopher Nolan.
In December of 2019, I sat down in an IMAX theater to watch the ninth episode of the so-called Skywalker-saga, Star Wars: The Rise of Skywalker. Accompanying the latest Disney space opera was an early preview of Christopher Nolan’s upcoming film Tenet. The lengthy, overwhelming, and jaw-dropping clip was riveting and showed a lot of promise. As a Star Wars fan, it hurts to admit that that clip was so good, in fact, that the Disney-film it preceded struggled to live up to it. In fact, during the last eight months, I’ve thought a lot about that preview, while I have yet to revisit The Rise of Skywalker. Christopher Nolan’s ambitious spy flick has, in the wake of the COVID-19 pandemic, been proclaimed to be the potential savior of the theatrical experience, which has, understandably, struggled immensely this summer. Continue reading “REVIEW: Tenet (2020)”→
The following is a review of The Old Guard — Directed by Gina Prince-Bythewood.
Gina Prince-Bythewood’s The Old Guard is a straight-to-Netflix superhero action film that is based on the comic book of the same name, which was written by the film’s screenwriter Greg Rucka. The Old Guard follows a group of four warriors led by Andromache “Andy” of Scythia (played by Charlize Theron). Each of these warriors is superpowered with regenerative healing abilities, which means that they can all survive being killed. After the superpowered vigilante squad survive an ambush on a mission in South Sudan, they soon realize that they are being hunted by someone who wants the power that they possess, and, meanwhile, they have visions that indicate that there is a potential new recruit in the United States Marine Corps, Nile Freeman (played by KiKi Layne). Continue reading “REVIEW: The Old Guard (2020)”→
The following is a review of Extraction — Directed by Sam Hargrave.
The straight-to-Netflix action thriller Extraction is based on the comic book Ciudad, which was written by Ande Parks (comic book writer), and the Russo brothers (the directors of Avengers: Endgame, one of whom also wrote Extraction). Extraction was even directed by a Marvel movie veteran. This is the directorial debut of Sam Hargrave, who has experience as a stunt double and stunt coordinator on multiple Marvel movies. Unlike Disney-Marvel movies, however, Extraction is filled to the brim with excessive violence. Hargrave’s debut, though not narratively challenging, is a thrilling exercise in hectic action set pieces. It’s not exactly John Wick-quality, but it is one of the best Netflix original action films to have been released thus far. Continue reading “REVIEW: Extraction (2020)”→
The following is a review of 6 Underground — Directed by Michael Bay.
If you think the Netflix film-catalog merely consists of Oscar bait and shoddy romantic-comedies, then Michael Bay’s 6 Underground is here to disprove that notion. While Netflix is releasing this year’s batch of awards-worthy dramas — like Marriage Story and The Irishman — they also have their complete antithesis, 6 Underground, ready for quick consumption. Its star, Ryan Reynolds, has been seen in marketing describing the film as the ‘most Michael Bay movie in the history of Michael Bay,’ thus promising an explosion-heavy, no-holds-barred modern action movie from one of the most commercially successful filmmakers in history. Reynolds’ description is apt, however, 6 Underground just isn’t a very good movie. Continue reading “REVIEW: 6 Underground (2019)”→
The following is a review of Gemini Man (in regular 2D, 24fps) — Directed by Ang Lee.
Digital de-aging is a trend in Hollywood that we should probably get used to. Disney’s Marvel films have used this technology to make actors like Michael Douglas look fresh-faced and young. Disney has also shown that they are unafraid of bringing deceased actors’ likenesses back to the big screen like they did in Gareth Edwards’ Rogue One: A Star Wars Story. Gemini Man, though not a Disney film, is a major motion picture blockbuster built on this not-so-cheap trick. Continue reading “REVIEW: Gemini Man (2019)”→
The following is a review of Polar — Directed by Jonas Åkerlund.
Netflix’s Polar — from prominent Swedish music video director Jonas Åkerlund — is an action-comedy film based on a Dark Horse graphic novel of the same name starring Danish star Mads Mikkelsen as Duncan Vizla, a retired hitman who, after an attempt is made on his life, comes out of retirement to take down those who have wronged him, and to save his neighbor (played by Vanessa Hudgens) from the people that tried to take him out. Continue reading “REVIEW: Polar (2019)”→
I know I’m a little bit late to it, but I’m finally seeing Mission: Impossible – Fallout in theaters today. So, last night I decided to marathon the five films that came before it. I ended up taking some notes, and, in this article, I’ve presented them here as reviews or smaller bite-sized mini-reviews, along with an estimated review score for each of the previous films except for Rogue Nation, which I reviewed in 2015. Continue reading “REVIEWS: Rewatching the Mission: Impossible Films”→
The following is a review of The Commuter — Directed by Jaume Collet-Serra.
A couple of months ago, when I was getting ready to write about the box office potential of the January 2018-releases, I noted that I had grown tired of the endless supply of Liam Neeson action films. It isn’t that the films are egregiously bad, and they are in no way, shape, or form detrimental to the power of cinema — but each time Neeson has starred in another action film, it almost always felt like a tired retread of Taken. Continue reading “REVIEW: The Commuter (2018)”→