In this edition of my monthly movie and television catch-up article series titled ‘Additional Bite-Sized Reviews,’ I discuss my thoughts on some of the hottest shows of the year, and then I tell you about some of the Netflix movies you may have missed recently. Is Squid Game as good as its word-of-mouth would have you believe? Is There’s Someone Inside of Your House a good modern update on Scream? Well, scroll down to find out what I think about all of that (and more) in yet another jam-packed edition of Additional Bite-Sized Reviews!Continue reading “Additional Bite-Sized Reviews, Oct. 21′: ‘Ted Lasso,’ ‘Squid Game,’ and More”
Directed by Antoine Fuqua — Screenplay by Nic Pizzolatto.
Antoine Fuqua’s The Guilty, written by True Detective-creator Nic Pizzolatto, is an American remake of the 2018 Danish single-location thriller Den Skyldige, which was then directed by Gustav Möller. The film follows Joe Baylor (played by Jake Gyllenhaal), who is an agitated LAPD officer with a troubled past, while he is at a 911 call center. Though he is initially largely uninterested at the call center, he suddenly ‘wakes up’ when a distressed woman calls him and says she is being abducted by her ex-husband. From his computer and telephone, Joe must now try to figure out what is happening and try to get law enforcement to her position before it is too late.Continue reading “REVIEW: The Guilty (2021)”
Directed by Lewis Gilbert — Screenplay by Roald Dahl.
After having released a Bond-film for every year from 1962 to 1965, Eon Productions and United Artists took a year-off before the next film in the franchise was released. Filmed mostly in Japan, You Only Live Twice was the second-to-last official Sean Connery Bond-film (and his last Bond-film before George Lazenby took over for one film). This fifth official Bond-film was the first Bond-picture to be directed by Lewis Gilbert who was hot off the heels after having won the Special Jury Prize at the Cannes Film Festival the year before for his film Alfie. Interestingly, 1967 also marked the first time that an unofficial/Non-Eon Bond-film, the David Niven-led Casino Royale, was released. Niven’s film was released a few months prior to the release of You Only Live Twice, and it may have had a negative impact on the box office potential of Connery’s fifth Bond-film.Continue reading “RETRO REVIEW: You Only Live Twice (1967)”
Directed by Terence Young — Screenplay by Jack Whittingham, Richard Maibaum, and John Hopkins.
In this day and age, where we just had a six year wait between Sam Mendes’ SPECTRE and Cary Joji Fukunaga’s No Time To Die, it actually is a little bit tough to wrap you head around the fact that United Artists and Eon Productions released a Bond-film every year from 1962 to 1965. Add to that, the fact that Terence Young directed three of those films and it becomes even more astounding. However, this was actually Young’s final Bond-film, and that occasion was marked by the fact that the budget was much, much bigger than when Young introduced audiences to the character.Continue reading “RETRO REVIEW: Thunderball (1965)”
Directed by Guy Hamilton — Screenplay by Richard Maibaum and Paul Dehn.
Here we go. Goldfinger is the first major James Bond-film. This is arguably the most iconic film in the franchise. Following the commercial success of Terence Young’s Dr. No and From Russia With Love, the producers handed Guy Hamilton, who had turned down the directing duties on Dr. No, the reins to the film series and provided the production a sizable budget of $3 million (the previous two films’ budgets combined). This was the movie that changed everything for the franchise, and, looking at it today, it is easy to see why.Continue reading “RETRO REVIEW: Goldfinger (1964)”
Directed by Terence Young — Screenplay by Richard Maibaum.
Dr. No was a huge financial success, so United Artists doubled the budget for its follow-up, From Russia With Love, which was allegedly the final film President John F. Kennedy screened at the White House. Though it is, naturally, a little bit dated, Terence Young’s From Russia With Love is a significant improvement on Dr. No. This feels much more ambitious and extravagant, even though it does suffer from some of the same issues that the first film did.Continue reading “RETRO REVIEW: From Russia With Love (1963)”
Directed by Terence Young — Screenplay by Richard Maibaum, Johanna Harwood, Berkely Mather.
Though it makes references to other Bond stories, Terence Young’s Dr. No was the very first James Bond film. With a small budget of just $1 million, Terence Young created many of the cinematic trademarks we know the franchise for. Like, the gun-barrel introduction, the iconic theme, the MI6 cast of characters, or SPECTRE. And, of course, it also features Sean Connery, one of the most iconic James Bond-actors. Looking at it today in 2021, Dr. No does seem a tad dated, and it definitely looks like a small-budget Bond film. However, it is a solid introduction to a now-iconic cinematic character.Continue reading “RETRO REVIEW: Dr. No (1962)”
Directed by Marc Forster — Screenplay by Paul Haggis, Neal Purvis, and Robert Wade.
Although Quantum of Solace is often disregarded as nothing more than the nadir of Daniel Craig’s tenure as James Bond, which it is, I don’t think this film is as disastrous as others may. I have previously described this film as a misstep or a disappointment, but, in reality, Quantum of Solace feels like it is a film that was stuck in the mud already in pre-production due to the late 2000s WGA screenwriters’ strike. Quantum of Solace probably should have had its production delayed, but instead the producers opted to fast-track it, and, to me, that resulted in the follow-up to Casino Royale not being able to reach its potential. The most interesting thing about Quantum of Solace, though, is the fact that it brought the continuity and ongoing story arc, which would come to be indicative of Craig’s tenure, to the franchise.Continue reading “RETRO REVIEW: Quantum of Solace (2008)”
Directed by Martin Campbell (GoldenEye) — Screenplay by Neal Purvis, Robert Wade, and Paul Haggis.
Now that Daniel Craig’s tenure as James Bond appears to have come to an end after the release of 2021’s No Time To Die, I thought it would be fitting to take another look back at his first Bond-film, Casino Royale. From GoldenEye-director Martin Campbell, 2006’s Casino Royale was meant to reinvigorate the franchise and bring it into a new era distinctly different from Pierce Brosnan’s tenure that ended in 2002. With this film, the series’ new leading man, Daniel Craig, who was, bafflingly, the subject of much online and press criticism due to his blonde hair and blue eyes, proved to the world that he had the potential to be arguably the best Bond on the big screen.Continue reading “RETRO REVIEW: Casino Royale (2006)”
Directed by Ilya Naishuller (Hardcore Henry) — Screenplay by Derek Kolstad (John Wick).
At this point, it feels like we’re being inundated with action-thriller films that are trying to ape what made John Wick a huge success and a competent film franchise on its own. While I think these kinds of films can be quite good and entertaining, I also think films like Gunpowder Milkshake or Atomic Blonde have largely missed the mark, so I have become more trepidatious with this action subgenre than I was initially. This is exactly why it was so refreshing to me that I greatly enjoyed Ilya Naishuller’s Nobody, which is yet another action-thriller in the vein of John Wick (also co-written by Derek Kolstad).Continue reading “REVIEW: Nobody (2021)”