Jeffrey Rex Bertelsen is an aspiring film and television critic from Denmark. Jeffrey graduated from the University of Copenhagen in 2018, and he holds a Master of Arts degree in English Studies with a minor in Film and Media Studies. Harry Potter fans will want to know that he is a Ravenclaw. Star Wars fans will be interested in knowing that he loves Star Wars: The Last Jedi. Cineastes will want to know that his favorite film of the first decade of the 21st Century is Guillermo Del Toro's El Laberinto del Fauno.
Directed by Antonio Campos (Christine) — Screenplay by Antonio & Paul Campos.
In a year such as 2020, where a global pandemic has changed our lifestyle drastically and paralyzed the entertainment industry, major new releases from streaming services such as Netflix end up meaning quite a lot. The release of The Devil All the Time is one that I have been looking forward to for quite some time, as it is an adaptation of a popular novel by a relatively seasoned filmmaker and since it features an absolutely incredible and star-studded ensemble cast. It is a dark, bleak, and depressing film that will likely divide audiences, but I have to say that it had my complete interest for the entire run-time. It isn’t necessarily a film that will be remembered years from now, but it is a dark and gripping slow-paced drama about violence, religion, and America. Continue reading “REVIEW: The Devil All The Time (2020)”→
The following is a review of #Alive — Directed by Cho Il-hyung.
Some say that by now the zombie movie genre has been done to death. But, in recent years, I’ve enjoyed watching South Korean films attempt to reanimate it. With Train to Busan and its sequel Peninsula, Yeon Sang-ho revitalized the horror subgenre and gained a worldwide audience. With #Alive, Cho Il-hyung may benefit from the recent interest in South Korean zombie films, as it has recently been given a worldwide platform on Netflix. I’m happy to report that Cho’s film fits right in with the Train to Busan-films as it is a South Korean zombie film that is very easy to recommend to fans of the horror subgenre.
The following is a review of I’m Thinking of Ending Things — Directed by Charlie Kaufman.
Charlie Kaufman is perhaps an acquired taste. I know for sure that there are people who struggle to get on the same wavelength as the writer-director, and I also know that this film, in particular, is difficult for some people to vibe with, understand, or even sit through. The Oscar-winning screenwriter turned to directing in 2008 and, though he is somewhat of a critical darling, his films have since struggled to find financial success. Kaufman’s latest film, I’m Thinking of Ending Things, is an ambiguous and patience-testing unconventional psychological thriller, and it will likely lead to both mixed reactions and — since it is a Netflix film — incomplete viewings. But if you know what to expect with Kaufman, and if you stick with the film, you will be treated to a fascinating and uneasy Rohrshach test in the form of a 134-minute-long straight-to-Netflix feature film.
The following article is a tribute to Chadwick Boseman.
On the 28th of August 2020, Chadwick Boseman’s family announced that Boseman had passed away as a result of complications related to colon cancer, which he had been diagnosed with in 2016. Since I woke up to that announcement the following day, I have been trying to figure out a way to pay tribute to an actor, who I, and many others, had become a huge fan of in the previous decade. In this article, I have tried to put into words how gifted he was and how special he was. At the end of August 2020, we said goodbye to a king whose strength was greater than any of us ever imagined. Continue reading “Wakanda Forever”→
Overview provides my readers with a brief overview of the articles or reviews that I have written, as well as additional bite-sized thoughts on films or shows about which I do not intend to write thorough reviews. In August 2020, among other things, I wrote about the latest Pixar film, Christopher Nolan’s latest major motion picture, and an incredible Apple TV+ documentary.
The following is a review of Boys State — Directed by Jesse Moss & Amanda McBaine.
Jesse Moss and Amanda McBaine’s Boys State is a documentary about an American leadership and citizenship summer program that teaches young Americans about how politics, government, and campaigning works. Although the documentary focuses on a ‘Boys State,’ there are apparently identical summer programs for young women. The documentary focuses on the 2018 Texas Boys State and the gubernatorial campaigns of the competing Texas Boys State parties the Nationalists and the Federalists, during which it becomes clear that young Americans have learned a lot about politics from the difficult and contentious state of American politics. Continue reading “REVIEW: Boys State (2020 – Documentary)”→
A couple of weekends ago, I noticed that two films that had been on my watchlist for a very long time had been released on HBO Nordic. What these two films had in common was their lead actor. Both films featured British actor Jack O’Connell prominently. O’Connell is a BAFTA Award-winning young actor who I had previously only seen in the British horror flick Eden Lake, so I didn’t know a lot about him. Therefore I spent the weekend checking out both films to familiarize myself with one of Britain’s finest actors of his generation. Continue reading “Double Feature: Jack O’Connell – Special Features #72”→
The following is a review of Tenet — Directed by Christopher Nolan.
In December of 2019, I sat down in an IMAX theater to watch the ninth episode of the so-called Skywalker-saga, Star Wars: The Rise of Skywalker. Accompanying the latest Disney space opera was an early preview of Christopher Nolan’s upcoming film Tenet. The lengthy, overwhelming, and jaw-dropping clip was riveting and showed a lot of promise. As a Star Wars fan, it hurts to admit that that clip was so good, in fact, that the Disney-film it preceded struggled to live up to it. In fact, during the last eight months, I’ve thought a lot about that preview, while I have yet to revisit The Rise of Skywalker. Christopher Nolan’s ambitious spy flick has, in the wake of the COVID-19 pandemic, been proclaimed to be the potential savior of the theatrical experience, which has, understandably, struggled immensely this summer. Continue reading “REVIEW: Tenet (2020)”→
The following is a review of the documentary Anelka: L’Incompris — Directed by Frank Nataf.
Once upon a time, I reviewed another Netflix documentary about a French professional footballer. I remember being perplexed as to why that documentary, Antoine Griezmann: The Making of a Legend, insinuated that Antoine Griezmann, its subject, was already becoming a legend of the game, and I also remember how it felt like the documentary was more fascinated with France’s achievement at the World Cup than Griezmann’s own achievements as a footballer. That documentary felt incomplete because it was about a footballer whose career was by no means over and, again, because it felt like the documentarians really wanted to focus on the World Cup. Continue reading “REVIEW: Anelka: L’Incompris (2020 – Documentary)”→
The following is a review of Onward — Directed by Dan Scanlon.
Onward is the 22nd Pixar Animation Studios film, as well as Dan Scanlon’s second Pixar film as a director after 2013’s Monsters, Inc.-sequel titled Monsters University. In recent years, Pixar has been focused on making sequels — such as Toy Story 4 or Finding Dory — to several popular original films, but 2020 was meant to be the first time in several years where the animation studios’ two films — Onward and the upcoming Soul — were both new original films. Continue reading “REVIEW: Onward (2020)”→