Directed by George Clooney — Screenplay by Mark L. Smith.
I don’t think I have a favorite genre, per se, but, it is true that I usually am a sucker for science-fiction. It is probably the genre that I find the most interesting, and, whenever a new film is on its way, I do get excited about what new ambitious story is about to be told. George Clooney is no stranger to science-fiction and space films since he has appeared in films such as Steven Soderbergh’s Solaris, Brad Bird’s Tomorrowland, and, possibly most memorably, Alfonso Cuarón’s incredible Gravity. Due to Clooney’s own experience with the genre, I was very interested in seeing what kind of story he had planned to tell with The Midnight Sky, which he both starred in and directed. Unfortunately, it ended up being a bit of a disappointment, for me. Continue reading “REVIEW: The Midnight Sky (2020)”→
As has been announced previously, now that the 2010s have come to an end, I want to highlight, recognize, and, in a sense, reward the best films not just of a year but also of the last decade. Previously, I’ve written Best of the 2010s-lists on Comedy, Directorial Debuts, Biopics, and Horror films. The next genre-specific top ten list for the 2010s is all about one of my very favorite genres: Science-Fiction. However, before I list the best science-fiction films of the decade, let me describe my criteria for putting the list together. Continue reading “Best of the 2010s: Top Ten Sci-Fi Films”→
The following is a review of In the Shadow of the Moon — Directed by Jim Mickle.
Not to be confused with the David Sington documentary of the same name, Jim Mickle’s In the Shadow of the Moon is a science-fiction crime film that follows police officer Thomas Lockhart (played by Boyd Holbrook), a father in waiting, as he tries to catch a criminal whose actions have caused several civilians to display suspicious wounds and then violently die as they bleed from their heads’ orifices. The suspected murderer is a young African-American woman (played by Cleopatra Coleman), and Lockhart eventually catches up to her on the night of the murderers.
His night ends violently as he makes her fall onto subway train tracks where she is swiftly run over by an oncoming train. When the suspected murderer returns back to life nine years after she died, Lockhart starts to entertain the thought that she was literally carried away by a moonlight shadow, to quote a 1980s hit song, to a different place, or time, entirely, which was suggested to him by an elusive scientist on the night of her first appearance. Continue reading “REVIEW: In the Shadow of the Moon (2019)”→
The following is a review of Ad Astra — Directed by James Gray.
As we are getting closer and closer to the end of a decade, we naturally get the urge to take a look backward and reflect on the films that have shaped a decade in film history. One genre that has thrived in the 2010s is science-fiction. It almost feels like every year of this decade has had at least one science-fiction or space-set film that appealed to an adult audience and included challenging themes or stories. Just like 2013 and 2014 had Gravity and Interstellar respectively, 2019 has James Gray’s Ad Astra — an intimate, meditative, and introspective science-fiction film about a son following in the footsteps of his father to complete a mission. Just like both of the two aforementioned films, Ad Astra is ambitious and exceptional. Continue reading “REVIEW: Ad Astra (2019)”→
The following is a quick review of The One I Love – The feature film debut for director Charlie McDowell
The One I Love follows Ethan (played by Mark Duplass) and Sophie (played by Elisabeth Moss), a married couple going through a rough patch, who have been advised by their therapist (played by Ted Danson) to go on a weekend retreat to a secluded estate. But once they get there, they realize that their partner is only fun to be around in the guest house. Continue reading “REVIEW: The One I Love (2014)”→
The following is a spoiler review of the tenth episode of Westworld – Developed by Jonathan Nolan & Lisa Joy
In the final episode of the first season of Westworld, Ford (played by Anthony Hopkins) presents his new story to the Delos board, we finally find out who Wyatt is, Teddy (played by James Marsden) finds Dolores (played by Evan Rachel Wood), and Charlotte (played by Tessa Thompson) tries to force Ford to retire. Continue reading “REVIEW: Westworld – “The Bicameral Mind””→
The following is a spoiler review of the eighth episode of Westworld – Developed by Jonathan Nolan & Lisa Joy
In the eighth episode of Westworld, Bernard (played by Jeffrey Wright) starts to cover his tracks, Maeve (played by Thandie Newton) needs more help from Felix and Sylvester, and William (played by Jimmi Simpson) and Dolores (played by Evan Rachel Wood) reach their destination. Continue reading “REVIEW: Westworld – “Trace Decay””→
The following is a spoiler review of the seventh episode of Westworld – Developed by Jonathan Nolan & Lisa Joy
In the seventh episode of Westworld, Theresa (played by Sidse Babett Knudsen) and Charlotte (played by Tessa Thompson) meet to discuss a presentation, William (played by Jimmi Simpson), Dolores (played by Evan Rachel Wood), and El Lazo (played by Clifton Collins, Jr.) are attacked by Confederados, and Maeve (played by Thandie Newton) looks for Clementine (played by Angela Sarafyan). Continue reading “REVIEW: Westworld – “Trompe L’Oeil””→
The following is a spoiler recap/review of the sixth episode of Westworld – Developed by Jonathan Nolan & Lisa Joy
In the sixth episode of Westworld, the Man in Black (played by Ed Harris) and Teddy (played by James Marsden) travel towards the border, Maeve (played by Thandie Newton) gets a guided tour of what’s going on behind the scenes, and Elsie (played by Shannon Woodward) and Bernard (played by Jeffrey Wright) hunt for answers. Continue reading “REVIEW: Westworld – “The Adversary””→