The following is a review of Destroyer — Directed by Karyn Kusama.
In the first scenes of Karyn Kusama’s Destroyer, a seemingly inebriated LAPD detective, Erin Bell (played by Nicole Kidman), walks onto the scene of a crime to investigate what colleagues of her’s think of what happened to a murder victim with three dots in the back of his neck. What follows is a labyrinthine narrative complete with twists and shoot-outs as we learn what events made Bell, a former undercover officer, into a disheveled and visibly weathered revenge-seeking rogue detective. Continue reading “REVIEW: Destroyer (2018)”→
The following is a review of Thoroughbreds — Directed by Cory Finley.
Remember My Chemical Romance? It was a rock band that my sister loved back in the day. I really liked their album The Black Parade, and every now and then some of the band’s songs come to mind. When I was watching writer-director Cory Finley’s directorial debut Thoroughbreds, I started to think about their song “Teenagers” — more specifically about the line “All teenagers scare the living shit out of me. They could care less as long as someone will bleed.” The late-great acting talent Anton Yelchin, in what seems to be his final role on film, has a similar line in the film, but he manages to express himself in much fewer words: “fucking evil children.” Continue reading “REVIEW: Thoroughbreds (2018)”→
The following is a review of The Nun — Directed by Corin Hardy.
A funny thing happened when I sat down in a local movie theater room to watch The Nun — the newest The Conjuring spin-off film (this one having been inspired by a demon from James Wan’s The Conjuring 2). It was a packed theater full of people of all ages, shapes, and sizes, and right behind me, three young men sat and talked with one another. When the film opened with a scene from The Conjuring 2, I could hear one of them say: “wait, is this a Conjuring-movie?” Then another one said with his mouth full of popcorn: “oh, I haven’t seen the second one yet.” Continue reading “REVIEW: The Nun (2018)”→
The following is a review of Netflix’s Next Gen — Directed by Kevin R. Adams & Joe Ksander.
You may be surprised when the first acting credit that pops on the screen in the relatively unpromoted Netflix animated film Next Gen is that of actor-director John Krasinski. At the very least, I was surprised to see names like Krasinski’s, but also other actors like Jason Sudeikis and Michael Peña. You start to ask yourself how this animated movie had managed to go relatively unnoticed with those names attached to it, and then you hope that you’ve found a new hidden gem. Next Gen isn’t quite that good, but I did enjoy it for what it was. Continue reading “REVIEW: Next Gen (2018)”→
Today I’m revealing the second half of the 2017 nominations for this blog’s IJR Awards (I’m Jeffrey Rex Awards, but you probably already guessed that). The final legend award (Film Legend) isn’t getting any nominees, instead I’ll reveal the winner, or honoree, when all of the winners are to be announced on March 1st. Continue reading “IJR Awards 2017: Film and Documentary Nominations Announced”→
The following is a review of the Netflix Original Film MUTE — Directed by Duncan Jones.
Duncan Jones’ fourth feature film MUTE, which is dedicated to his late father David Bowie and his late nanny Marion Skene, is a science-fiction film in the vein of Ridley Scott’s Blade Runner. It tells the story of a search for a missing person in the melting pot of a futuristic and dirty Berlin, which, in true Blade Runner fashion, is bathed in neon lights and bluish colors. The film’s protagonist is an unlikely outsider — a tall and mute bartender named Leo (played by Alexander Skarsgård) who lost the ability to speak as a child in a violent motorboat propellor accident. Continue reading “REVIEW: MUTE (2018)”→