Star Wars: The Mandalorian and Grogu (2026) | REVIEW

Din Djarin, also known as ‘The Mandalorian,’ and Grogu get ready to take off in their spaceship in Jon Favreau’s The Mandalorian and Grogu — PHOTO: Walt Disney Studios Motion Pictures (Still image from trailers).

Directed by Jon Favreau — Screenplay by Jon Favreau, Dave Filoni, and Noah Kloor.

Now, don’t get me wrong. For someone who, after the release of George Lucas’ prequel trilogy, once (and for a while there) was worried he would never get to see another movie set in that faraway galaxy, getting to see a new Star Wars movie in theaters is probably always going to feel like a treat. But I have to say that I don’t think I’ve ever been looking forward to a live-action Star Wars theatrical release less than here with The Mandalorian and Grogu. This is coming from someone who has seen every single episode of the Disney+ show it spun off from, who loved the first two seasons of the series, and who enjoys the titular duo a great deal. But despite that and the seven-year wait between this and the last theatrically released Star Wars film (J. J. Abrams’ critically panned The Rise of Skywalker), and even though last year’s second season of Andor was a miracle of intelligent and political storytelling that rivals the best films in the franchise, something about this next big release just feels off. Maybe it’s just because of the disappointing third season of the show, but it could also be the ill-judged marketing campaign (what with the faux-beer commercial as their Super Bowl ad). I have long sensed that the main problem is that the studio and the storytellers have, through three seasons, trained audiences to expect these stories on a streaming service, and even though this is an expensive Star Wars story that you’re putting the next ‘chapter’ of on the big screen, it doesn’t change the fact that people are going to view this as a TV-movie because of its origin on the streaming service. Nevertheless, I was hopeful that this would still be an enjoyable moviegoing experience. Having now seen it, I can say that, as a fan of this universe and these characters, I enjoyed seeing them on another adventure fine enough, but I was largely underwhelmed by what I was presented with, and I am really concerned about what this film may mean for the future of the franchise.

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Ahsoka: Season One (2023) | REVIEW

Rosario Dawson as Ahsoka Tano in AHSOKA — PHOTO: Disney+ / Lucasfilm.

Series created by Dave Filoni — Episodes directed by Dave Filoni, Steph Green, Peter Ramsey, Jennifer Getzinger, Geeta Vasant Patel, and Rick Famuyiwa.

Ever since the now-Disney-owned Star Wars franchise ended its sequel film trilogy to mixed reception in 2019, the stories about a galaxy of heroes set a long time ago have had its live-action portion relegated to streaming television, even though its films once revolutionized and forever changed Hollywood. On the one hand, it makes sense to try to grow the franchise on the small screen and win over new audiences that may one day follow the lasersword-wielding heroes back to the big screen. However, what I find to currently be the case is that rather than telling bold new stories to gain a new audience on the small screen, what the head honchos at Lucasfilm are doing is, instead, servicing die-hard fans. Now, this isn’t necessarily a bad thing if the shows are executed at a relatively high level, but, more often than not, what we have been getting are these almost vapid easter-egg-filled series that either don’t have enough meat on the bone to justify a full series (and thus ought to have been a film instead) or a series that doesn’t have enough episodes to have complete and rich story and character arcs.

Continue reading “Ahsoka: Season One (2023) | REVIEW”

REVIEW: The Mandalorian – Season Three (2023)

Lizzo and Jack Black in THE MANDALORIAN in THE MANDALORIAN, exclusively on Disney+. — PHOTO: Lucasfilm / Disney+.

Series Created by Jon Favreau — All Episodes Available on Disney+ Now.

To a certain extent, The Mandalorian was once the kind of show that united the Star Wars fanbase after the divisive sequel trilogy. However, the show that spun off from the excellent second season of the show — The Book of Boba Fett — was not only uneven, it also undid the very end of The Mandalorian season two through these episodes that were always more episodes of The Mandalorian than The Book of Boba Fett, even though they were sandwiched into the latter show. Since then, live-action Star Wars on Disney+ has featured the very satisfying but safe nostalgic Obi-Wan Kenobi show, as well as the outstanding course-correcting dark and mature Star Wars series Andor. It was always going to be hard for this third season to live up to Andor, but what is really frustrating is that it doesn’t even live up to its own previous seasons. The third season of The Mandalorian is a little bit of a disappointment.

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REVIEW: ANDOR – Season One (2022)

Cassian Andor (Diego Luna) in Lucasfilm’s ANDOR, exclusively on Disney+. ©2022 Lucasfilm Ltd. & TM. All Rights Reserved.

Series Created by Tony Gilroy — Available on Disney+ now.

Since Disney acquired the rights to Star Wars, it has been somewhat of a bumpy ride. Their so-called sequel trilogy features a safe-but-satisfying opener (The Force Awakens), an excellent and thrilling second film that divided the fanbase and revealed toxicities (The Last Jedi), and a conclusion that, in trying too hard to satisfy toxic fans, went back on what the previous film had set up and ended the trilogy on a whimper (The Rise of Skywalker). Even the spin-off films have divided opinions due to them over-explaining things that needed no explanations. As live-action Star Wars has embraced streaming, it has been with similar ups and downs. The Mandalorian is a bonafide hit (but in its most memorable moments it has still clung to fan service). The Book of Boba Fett was good in glimpses but its best episodes are essentially episodes of The Mandalorian. Finally, though richly satisfying, Obi-Wan Kenobi was a safe and fan-service-laden limited series that was yet another reminder of how insular Star Wars storytelling can often feel. As a huge Star Wars fan, it pleases me greatly to be able to affirm that ANDOR, a prequel spin-off series of Rogue One: A Star Wars Story, is a breath of fresh air in that it is a mature, dark, and gritty series that makes the Empire and the Rebellion feel real again.

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REVIEW: Obi-Wan Kenobi (2022)

Ewan McGregor is back as the titular Jedi in Lucasfilm’s OBI-WAN KENOBI, exclusively on Disney+. © 2022 Lucasfilm Ltd. & ™. All Rights Reserved.

All Six Episodes of the Limited Series Were Directed by Deborah Chow.

Set a decade, or so, after the events of George Lucas’ Star Wars: Episode III – Revenge of the Sith, Obi-Wan Kenobi follows the character of the same name (played by Ewan McGregor, now returning to the role), as he has gone into hiding on Tatooine, where he is watching over young Luke Skywalker from afar. Sith Inquisitors are still hunting for Jedi throughout the galaxy, including Kenobi who Reva (played by Moses Ingram), the Third Sister, is especially interested in. However, Obi-Wan Kenobi is forced out of hiding after young Princess Leia Organa (played by Vivien Lyra Blair) is kidnapped by criminals. Kenobi is Leia’s only hope, and that is exactly what Reva, who orchestrated the kidnapping, had expected and hoped for. As Kenobi leaves Tatooine, he has to reconnect to the Force, but this also means that he risks being confronted by the Inquisitors or even Darth Vader.

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REVIEW: The Book of Boba Fett (2021-2022)

Boba Fett (Played by Temura Morrison) in Lucasfilm’s THE BOOK OF BOBA FETT, exclusively on Disney+. — PHOTO: Lucasfilm / Disney+.

Series Created by Jon Favreau — All Episodes Are On Disney+ Right Now.

Jon Favreau’s The Book of Boba Fett is a spin-off of the extremely popular Disney+ Star Wars live-action series The Mandalorian. The Book of Boba Fett follows the titular character (played by Temura Morrison), who became a fan-favorite character in the Original Trilogy (and who made his in-universe return in The Mandalorian), as he tries to become the new daimyo of Tatooine for the purpose of controlling the territory that once belonged to Jabba the Hutt. But he isn’t the only one who wants to control what can and can’t happen on the desert planet.

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REVIEW: The Mandalorian – Seasons One and Two (2019/2020)

The Mandalorian Still Image
‘The Mandalorian,’ Still Image — Photo: Disney / Disney Plus / Lucasfilm.

Had it not been for the fact that I think there is a notable jump in quality from the first to the second season of the Disney+ Original series, it would’ve been really difficult for me to separate the two first seasons of the first-ever Star Wars live-action series. You see, while, for Americans, there was an entire year in between the two seasons, Disney+ didn’t arrive in Denmark until September of 2020, and Disney made the decision to release the first season week-by-week. They did this so that when it ended, the second season would be ready to begin, but they also did it in an attempt to keep people on the streaming service for as long as possible. Continue reading “REVIEW: The Mandalorian – Seasons One and Two (2019/2020)”

REVIEW: The LEGO Star Wars Holiday Special (2020)

Film Poster - Lego Star Wars
Release Poster – Disney+

Directed by Ken Cunningham — Available on Disney+.

It can be difficult to enjoy Star Wars fully when the fanbase is as fractured as it has been these last few years. A significant part of the fandom has a deep hatred for a film that I like quite a bit, and it has made it so draining to debate Star Wars opinions these days. These last few weeks, I have been watching the second season of The Mandalorian, which I will hopefully be reviewing soon, and it, along with this LEGO Star Wars Holiday Special released on Disney+, truly reminded me why I have always loved Star Wars so much that even online disputes can’t ruin it for me. The LEGO Star Wars Holiday Special is genuinely wonderful and a good time for the whole family. Continue reading “REVIEW: The LEGO Star Wars Holiday Special (2020)”

REVIEW: Star Wars: Episode IX – The Rise of Skywalker (2019)

Theatrical Release Poster – Disney / Lucasfilm

The following is a review of Star Wars: Episode IX – The Rise of Skywalker — Directed by J. J. Abrams.

Although the subtitle of this film suggests otherwise, Disney has been pretty adamant in saying that the Skywalker saga (i.e., the episodes) is coming to an end with this ninth episode, which thus ends Disney’s sequel trilogy. It has been a trilogy that has been bumpier than I expected it to be, which is largely due to Lucasfilm hirings and firings, as well as the return of a rabid, entitled, and toxic part of the Star Wars fandom, which has been determined to have its say on what can and cannot be appreciated about these films. This part of fandom has been absolutely infuriating, and it has robbed Star Wars fans of the happiness that one should get when discussing something that you love. J. J. Abrams’ The Force Awakens was an undeniably satisfying and very rewatchable table-setter, and Rian Johnson’s The Last Jedi was an ambitious, bold, and critically acclaimed exploration of legacy, legends, and failure. Now we have The Rise of Skywalker, J. J. Abrams’ curtain-closer. Though I did ultimately enjoy parts of the film, I have to admit and acknowledge that this is definitely the sequel trilogy’s low point — and, arguably, the entire franchise’s nadir — in part due to Abrams’ obvious attempt to appease parts of the fandom that could only be pacified by reversing decisions that were made in Rian Johnson’s film.

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Solo: A Star Wars Story’s Opening Weekend is So Low – Special Features #24

Bad news. It looks like Solo: A Star Wars Story could turn out to be a box office flop, if the recent projections for its opening weekend are to be believed. The spin-off film that was reshot by seasoned director Ron Howard may turn out to be the first box office disaster of the Disney era of Star Wars.
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