It is kind of incredible just how much streaming services have overtaken the top tier of what we still refer to as ‘television shows.’ Perhaps we need to find another name for these series. Some of them are released all at once, some are released week-by-week, but almost all of the shows on my list were released on streaming services, and, in my case, I watched all ten of my top ten television shows on streaming services. In the 2020-edition, there are plenty of ‘familiar faces,’ as it were, but it’s also the first time that both Apple TV+ and Disney+ have made an appearance on any of my end of the year-lists. But where do the top shows on these relatively new streaming services land on my top ten, and what is the best show of the year? Let’s have a look!Continue reading “Top Ten TV-Shows of 2020”
In this edition of my monthly movie and television catch-up article series titled ‘Additional Bite-Sized Reviews,’ I reveal my mixed thoughts on the Emma Stone-vehicle Cruella, and then I recommend three television shows, one of which I’ve been meaning to review for several months. This edition of Additional Bite-Sized Reviews is jam-packed!Continue reading “Additional Bite-Sized Reviews, Summer ’21: ‘Mare of Easttown,’ ‘Cruella,’ and More”
When British filmmaker Sir Steve McQueen makes a film, you pay attention. McQueen has quietly become one of the best directors of his generation with critical darlings such as the perhaps underseen Michael Fassbender-led films Hunger and Shame, the Oscar-winning Solomon Northup-biopic 12 Years a Slave, and his 2018 heist film Widows, which did not get the awards attention it deserved. In 2020, McQueen released a collection of films — an anthology — titled Small Axe at film festivals and later on, for example, BBC or Prime Video (on the Danish Broadcasting Corporation’s streaming service in my territory).Continue reading “REVIEWS: Steve McQueen’s ‘Small Axe’ Film Series (2020)”
The following is a recap and review of the ninth and final episode of WandaVision, available exclusively on Disney+. Expect story spoilers and general Marvel Cinematic Universe spoilers.
In the ninth (and supposedly final) episode of WandaVision — appropriately titled The Series Finale — Wanda Maximoff (played by Elizabeth Olsen) must fight for her family’s continued existence as Agatha Harkness (played by Kathryn Hahn) threatens their safety by trying to absorb Wanda’s life force and powers. Meanwhile, the Vision (played by Paul Bettany) goes up against an all-white version of himself, who is on a mission to terminate Wanda Maximoff. In the series finale, our friends and foes battle it out while the future of the Hex is very much up in the air.Continue reading “REVIEW: WandaVision – “The Series Finale””
The following is a review of the sixth and final season of BoJack Horseman (Parts I and II) — Available on Netflix.
In the final season of BoJack Horseman, the titular character goes to rehab as he decides it is time to grapple with his own trauma and the trauma that he has caused. But sometimes it isn’t good enough to exercise personal growth, and BoJack Horseman (voiced by Will Arnett) may have to be put through the wringer by unrelenting gossip journalists that hope to ‘cancel,’ so to speak, our titular character.Continue reading “REVIEW: BoJack Horseman – Season Six (2019-2020)”
Series Created by Ronald D. Moore, Matt Wolpert, and Ben Nedivi — Available Now on Apple TV+.
In Additional Bite-Sized Reviews, Feb. ’21, Pt. II, I wrote about my experience of finally binge-watching the entire first season of Apple TV+’s For All Mankind, which was originally released back in 2019. The alternate-reality angle of the show was what had originally made me interested in the show, and, ultimately, the execution was what kept me hooked throughout the solid but somewhat bumpy first season. To reiterate, the show is, essentially, ‘what if the Soviet Union had reached the Moon first and, as a result, the United States continued and accelerated the space race.’Continue reading “REVIEW: For All Mankind – Season Two (2021)”
Series Created by Robert Kirkman — Available Now On Amazon Prime Video.
It’s always nice to see, when something you’ve loved for years is adapted successfully. Over five years ago, I read the first forty issues, or so, of Robert Kirkman’s Invincible, a superhero comic book series from Image Comics. I loved the comic book series back then, I still do, and I was excited when it was announced to be adapted as both an animated series and a film. That interest reached a fever pitch when the voice cast was announced. Steven Yeun (voicing Mark Grayson, Invincible), J. K. Simmons (voicing Nolan Grayson, Omni-Man), Sandra Oh (voicing Debbie Grayson), and Gillian Jacobs (voicing Atom Eve) voice the most pivotal characters, but it doesn’t stop there. Other great actors such as Seth Rogen, Mahershala Ali, and Walton Goggins all play important characters. Once you actually watch the show, you’ll see exactly why the cast is so star-studded. Because Invincible could be the ‘next big thing.’Continue reading “REVIEW: Invincible – Season One (2021)”
In this edition of my monthly movie and television catch-up article series titled ‘Additional Bite-Sized Reviews,’ I recommend an underseen horror film that I, however, have mixed feelings on, and then I tell you about my experience of watching the second season of Apple TV+’s Servant, which, I thought, didn’t advance the plot all that much.Continue reading “Additional Bite-Sized Reviews, Mar. ’21: ‘The Empty Man’ and ‘Servant’”
The following is a recap and review of the eighth episode of WandaVision, available exclusively on Disney+. Expect story spoilers and general Marvel Cinematic Universe spoilers.
In the eighth episode of WandaVision — titled Previously On — we learn more about who Agatha Harkness (played by Kathryn Hahn) really is, before she and Wanda Maximoff (played by Elizabeth Olsen) take a trip down memory lane to rewatch and expand upon pivotal moments in Wanda’s life, which reveals why the Hex bubble universe was even created in the first place. Continue reading “REVIEW: WandaVision – “Previously On””