Theatrical Release Poster — Focus Features / Universal Pictures
The following is a review of Thoroughbreds — Directed by Cory Finley.
Remember My Chemical Romance? It was a rock band that my sister loved back in the day. I really liked their album The Black Parade, and every now and then some of the band’s songs come to mind. When I was watching writer-director Cory Finley’s directorial debut Thoroughbreds, I started to think about their song “Teenagers” — more specifically about the line “All teenagers scare the living shit out of me. They could care less as long as someone will bleed.” The late-great acting talent Anton Yelchin, in what seems to be his final role on film, has a similar line in the film, but he manages to express himself in much fewer words: “fucking evil children.” (more…)
The following is a review of Mission: Impossible – Fallout – Directed by Christopher McQuarrie.
The first James Bond novel was published in 1953. Nine years later, Sean Connery first played the central character on the big screen. Since then we’ve seen twenty-five Eon Productions Bond-films. In those films, six different actors have played Agent 007 to varying success. So far, all spy franchises have lived in the shadow of Ian Fleming’s creation. Every actor who becomes a leading spy character has been compared to Connery, Moore, Brosnan, Craig, and so on and so forth. (more…)
I know I’m a little bit late to it, but I’m finally seeing Mission: Impossible – Fallout in theaters today. So, last night I decided to marathon the five films that came before it. I ended up taking some notes, and, in this article, I’ve presented them here as reviews or smaller bite-sized mini-reviews, along with an estimated review score for each of the previous films except for Rogue Nation, which I reviewed in 2015. (more…)
The following is a review of A Quiet Place — Directed by John Krasinski.
Actor-turned-director John Krasinski’s third feature film as a director is the horror-thriller film A Quiet Place, which follows the Abbott family in the dystopian near-future wherein the entire world seems abandoned and empty due to the existence of blind, mysterious, and violent creatures that hide and wait for something as harmless as the sound of a pin drop to pounce on any pray alive to be taken. (more…)
The following is a review of You Were Never Really Here — Directed by Lynne Ramsay.
After I saw Lynne Ramsay’s You Were Never Really Here the day before yesterday, I decided to reread one of Roger Ebert’s excellent reviews of Taxi Driver — the Scorsese classic which this Lynne Ramsay film, rightly, has been compared to a lot. In the review, Ebert smartly noted that Travis Bickle’s response to his own iconic line “Are you talking to me?” — “Well, I’m the only one here,” — was the truest line in a film about loneliness and alienation. (more…)
The following is a review of Phantom Thread — Directed by Paul Thomas Anderson.
When Daniel Day-Lewis — one of the most decorated and, arguably, one of the best actors of all-time — signs on to star in a film, you pay attention to that film. When someone like Day-Lewis then re-teams with a director who, when they last worked together, brought an Oscar-winning performance out of the thespian, you become excited by every piece of news about it. (more…)
The following is a review of A Cure for Wellness – Directed by Gore Verbinski
A Cure for Wellness follows Lockhart (played by Dane DeHaan), an overworked and ambitious executive, who is sent to the Swiss Alps to retrieve Pembroke (played by Harry Groener), his company’s CEO, from a wellness center. It was supposed to be a quick retrieval. He didn’t intend to stay there for more than a few hours, but when Lockhart wakes up from a car crash he appears to have broken his leg. (more…)