The following is a review of A Fall From Grace — Directed by Tyler Perry.
Tyler Perry is a prolific cinematic triple-threat. Perry often both writes, directs, and stars in his own films, which, at least in the US, are well-known. His claim to fame is a series of films that, for the uninitiated, look like nothing more than a rip-off of Big Momma’s House. I think it’s safe to say that while Perry may be well-known in America, Perry and his Madea-character have not made it big outside of North America. I have never seen any of those films, which Spike Lee has previously criticized profusely, and I don’t think anyone I know in Denmark has either. But, for cineastes, his reputation precedes him nonetheless. However, I think it is fair to say that Tyler Perry’s A Fall From Grace is one of the worst and most absurd original films that Netflix has released. Continue reading “REVIEW: A Fall From Grace (2020)”→
The following is a review of Parasite (‘기생충‘) — Directed by Bong Joon-ho.
Bong Joon-ho’s Parasite is a South Korean drama about the class system. The film follows a very poor South Korean family who lives in an abandoned basement. The Kim-family spend their days searching for free WiFi, and they make a living folding pizza boxes. The parents — Ki-Taek (played by Song Kang-ho) and Chung-sook (played by Chang Hyae-jin) — hope that their children — Ki-woo (played by Choi Woo-shik) and Ki-jeong (played by Park So-dam) — can climb the social ladder and make a life for themselves that is prosperous. Ki-woo plans to go to college and make something of himself. However, as their father, Ki-Taek, later warns, plans are unreliable. Continue reading “REVIEW: Parasite (2019)”→
The following is a review of Dragged Across Concrete — Directed by S. Craig Zahler.
S. Craig Zahler’s Dragged Across Concrete is a crime thriller that follows two suspended police detectives — Brett Ridgeman (played by Mel Gibson) and Anthony Lurasetti (played by Vince Vaughn) — who are both desperate for money. Ridgeman wants to relocate his family away from a neighborhood that is unsafe for his daughter, whereas Lurasetti wants to make sure he can give his girlfriend the life she deserves. When they decide to rob criminals, they eventually run into dangerous criminals, as well as Henry Johns (played by Tory Kittles) who is equally desperate for money. They may have bitten off more than they can chew. Continue reading “REVIEW: Dragged Across Concrete (2019)”→
The following is a review of In the Shadow of the Moon — Directed by Jim Mickle.
Not to be confused with the David Sington documentary of the same name, Jim Mickle’s In the Shadow of the Moon is a science-fiction crime film that follows police officer Thomas Lockhart (played by Boyd Holbrook), a father in waiting, as he tries to catch a criminal whose actions have caused several civilians to display suspicious wounds and then violently die as they bleed from their heads’ orifices. The suspected murderer is a young African-American woman (played by Cleopatra Coleman), and Lockhart eventually catches up to her on the night of the murderers.
His night ends violently as he makes her fall onto subway train tracks where she is swiftly run over by an oncoming train. When the suspected murderer returns back to life nine years after she died, Lockhart starts to entertain the thought that she was literally carried away by a moonlight shadow, to quote a 1980s hit song, to a different place, or time, entirely, which was suggested to him by an elusive scientist on the night of her first appearance. Continue reading “REVIEW: In the Shadow of the Moon (2019)”→
Quentin Tarantino’s Once Upon a Time In Hollywood opened in North American theaters a couple of weeks ago, but it was just released in my corner of the world yesterday. To commemorate the release of what Tarantino claims is his penultimate feature film as a director, I decided to rewatch and review every full feature film directed by Quentin Tarantino thus far (not including his partially lost amateur film). Below you’ll find reviews of all of the films listed in the image above. So, without further ado, let’s get to it. Continue reading “REVIEWS: Feature Films Directed by Quentin Tarantino (1992-2015)”→
The following is a review of Cold Case Hammarskjöld — Directed by Mads Brügger.
In Mads Brügger’s Cold Case Hammarskjöld, a Danish filmmaker and journalist teams up with Göran Björkdahl from Sweden who has inherited a particular obsession from his father. Björkdahl is obsessed with the mysterious death of Dag Hammarskjöld, the UN General Secretary who died in a plane crash in Northern Rhodesia in 1961. Together, Brügger and Björkdahl hope to uncover what exactly happened to Hammarskjöld by investigating the theory that he was murdered. But, in doing so, Brügger and Björkdahl come upon a complex conspiracy theory about a mysterious paramilitary organization, the so-called South African Institute for Maritime Research (SAIMR), with sinister plans for the continent. Continue reading “REVIEW: Cold Case Hammarskjöld (2019 – Documentary)”→
The following is a review of Under the Silver Lake — Directed by David Robert Mitchell.
In 2014, David Robert Mitchell’s It Follows was released to critical acclaim. It was one of the first horror films that I ever reviewed and I remember the film mostly for its riveting score and the unique premise of the film which was really more of a parable. In 2016, Mitchell shot his follow-up to the aforementioned horror film. His film, Under the Silver Lake, was eventually acquired by A24, and it competed for the Palme d’Or at the Cannes Film Festival in 2018.
I remember watching the trailer and being intrigued by the cast and the mystery. It was meant to be released that summer, but then A24 pulled it from its release schedule. In 2019, Mitchell’s film was released without much fanfare. Supposedly, this was one of those polarizing films that you either hate or love. Recently, I found myself watching Mark Kermode’s review of Under the Silver Lake during which time I was struck by the severity of his reprimand as he proclaimed: “It’s so tooth-grindingly boring.” I’m a big fan of Mark Kermode, but, I have to say, I really dug Mitchell’s film. Continue reading “REVIEW: Under the Silver Lake (2019)”→