The following is a review of Glass — Directed by M. Night Shyamalan.
Unbreakable is my favorite film from writer-director M. Night Shyamalan, whose career has been one of the bumpiest rides for any filmmaking talent in recent memory, and Split, Shyamalan’s 2017 secret continuation of the Unbreakable-universe, gave me one of my favorite experiences in a movie theater at the very end of the film, when Bruce Willis appeared out of nowhere to reveal that Mr. Glass, David Dunn, and The Beast exist in the same world. Continue reading “REVIEW: Glass (2019)”→
The following is a review of FYRE: The Greatest Party That Never Happened — Directed by Chris Smith.
Nowadays it’s tough to be informed about every tiny little thing social media cares about. When I’m not terrified about why an elderly star’s name is trending on Twitter, I don’t pay a lot of attention to what is trending on social media — something has to stand out, or my timeline has to tweet about it constantly, for me to really notice (unless it’s relevant to my interests, of course). Continue reading “REVIEW: FYRE: The Greatest Party That Never Happened (2019 – Documentary)”→
The following is a review of IO — Directed by Jonathan Helpert.
Netflix is starting to build itself a — let’s call it — ‘fascinating’ library of original films. The service is filled to the brim with poor-to-average comedies, many of which feature Adam Sandler and his friends, and yet Netflix has started to make a name for itself as a place where unconventional or unmarketable films from great, noteworthy filmmakers are given a global reach.
But, in between these two piles of films of varying success, a film like IO exists. IO has a small but recognizable cast, the film is made by an up-and-coming filmmaker, and it struggles with themes present in films that sci-fi aficionados adore. Continue reading “REVIEW: IO (2019)”→
The following is a review of Før Frosten (also known as ‘Before the Frost‘) — Directed by Michael Noer.
Før Frosten is Michael Noer’s fifth narrative feature film. Noer, whose last feature film was the remake of Papillon starring Charlie Hunnam and Rami Malek, has returned to his native country to make a dirty and cold period drama about the pursuit of happiness and survival in 19th Century Denmark. Continue reading “REVIEW: Før Frosten (2019)”→
The following is a review of The Last Laugh — Directed by Greg Pritkin
Greg Pritkin’s Netflix film, The Last Laugh, which is dedicated to the late filmmaker Paul Mazursky, follows Al Hart (played by Chevy Chase), an elderly man who used to be the manager of comedians, as he somewhat reluctantly agrees to stay at the retirement home ‘Palm Sunshine.’ At the retirement home, he meets his old client Buddy Green (played by Richard Dreyfuss), with whom it is decided that he must go on tour in an effort to stay alive and realize a dream. Continue reading “REVIEW: The Last Laugh (2019)”→
The following is a review of Brexit: The Uncivil War — Directed by Toby Haynes.
HBO’s latest TV-film, Brexit: The Uncivil War, comes from the director of a number of Doctor Who-episodes as well as the brilliant Sherlock-episode “The Reichenbach Fall,” Toby Haynes, who has now reteamed with Sherlock-star Benedict Cumberbatch to retell the story of the infamous portmanteau term, the solution for which still confuses and frustrates many people around the world. Continue reading “REVIEW: Brexit: The Uncivil War (2019)”→
The following is a review of Mary Poppins Returns — Directed by Rob Marshall.
Whether P. L. Travers liked it or not, Robert Stevenson’s Mary Poppins is a recognized children’s’ musical classic. Though not exactly timeless, I think it is remarkable that both my mother and my sister and I all grew up watching Stevenson’s film. When I rewatched Mary Poppins recently, I must admit that I did not love it like I’ve been told I did when I was a child. Continue reading “REVIEW: Mary Poppins Returns (2018)”→