RETRO REVIEW: Oslo, 31. August (2011)

‘Anders’ (played by Anders Danielsen Lie) eavesdrops on conversations in a cafe in Oslo, Norway — PHOTO: Nordisk Film.

Directed by Joachim Trier — Screenplay by Joachim Trier & Eskil Vogt.

Five years after having released his first film as a director, Reprise, the Danish-born Norwegian Director, Joachim Trier, his second film came out. It, Oslo, 31. August, is the second film in his critically acclaimed Oslo film trilogy. If you read my retro review of his feature-length debut, then you know how impressed I was by Trier’s Reprise. I’m here to tell you that somehow he outdid himself here. Oslo, 31. August hit me like a ton of bricks.

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RETRO REVIEW: Reprise (2006)

Phillip and Erik get ready to submit the manuscripts for their debut novels in Joachim Trier’s REPRISE — PHOTO: Nordisk Film.

Directed by Joachim Trier — Screenplay by Joachim Trier & Eskil Vogt.

The Danish-born Norwegian filmmaker Joachim Trier has quickly made a name for himself over the years with films such as his three Oslo films, the first of which I’m reviewing in this article, and right now he is one of the hottest directors in all of Scandinavia next to Ruben Östlund (The Square), the Swedish auteur, and Thomas Vinterberg (Jagten), the Danish co-creator of the Dogme-movement. Already with his first film, Joachim Trier — not to be confused with the Danish auteur (and other co-creator of the aforementioned Dogme-movement), Lars Von Trier, even though they are supposedly distant relatives — shows signs that suggest the Norwegian director is something special. So much raw talent is already there to be seen and admired.

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RETRO REVIEW: You Only Live Twice (1967)

James Bond (Sean Connery) watches a sumo wrestling match in Japan in YOU ONLY LIVE TWICE — Photo: United Artists / Eon Productions.

Directed by Lewis Gilbert — Screenplay by Roald Dahl.

After having released a Bond-film for every year from 1962 to 1965, Eon Productions and United Artists took a year-off before the next film in the franchise was released. Filmed mostly in Japan, You Only Live Twice was the second-to-last official Sean Connery Bond-film (and his last Bond-film before George Lazenby took over for one film). This fifth official Bond-film was the first Bond-picture to be directed by Lewis Gilbert who was hot off the heels after having won the Special Jury Prize at the Cannes Film Festival the year before for his film Alfie. Interestingly, 1967 also marked the first time that an unofficial/Non-Eon Bond-film, the David Niven-led Casino Royale, was released. Niven’s film was released a few months prior to the release of You Only Live Twice, and it may have had a negative impact on the box office potential of Connery’s fifth Bond-film.

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RETRO REVIEW: Thunderball (1965)

James Bond (Sean Connery) swims with sharks — Photo: United Artists / Eon Productions.

Directed by Terence Young — Screenplay by Jack Whittingham, Richard Maibaum, and John Hopkins.

In this day and age, where we just had a six year wait between Sam Mendes’ SPECTRE and Cary Joji Fukunaga’s No Time To Die, it actually is a little bit tough to wrap you head around the fact that United Artists and Eon Productions released a Bond-film every year from 1962 to 1965. Add to that, the fact that Terence Young directed three of those films and it becomes even more astounding. However, this was actually Young’s final Bond-film, and that occasion was marked by the fact that the budget was much, much bigger than when Young introduced audiences to the character.

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RETRO REVIEW: Goldfinger (1964)

Shirley Eaton as Jill Masterson in GOLDFINGER — Photo: United Artists / Eon Productions.

Directed by Guy Hamilton — Screenplay by Richard Maibaum and Paul Dehn.

Here we go. Goldfinger is the first major James Bond-film. This is arguably the most iconic film in the franchise. Following the commercial success of Terence Young’s Dr. No and From Russia With Love, the producers handed Guy Hamilton, who had turned down the directing duties on Dr. No, the reins to the film series and provided the production a sizable budget of $3 million (the previous two films’ budgets combined). This was the movie that changed everything for the franchise, and, looking at it today, it is easy to see why.

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RETRO REVIEW: From Russia With Love (1963)

Robert Shaw as Red Grant and Sean Connery as James Bond in FROM RUSSIA WITH LOVE — Photo: United Artists / Eon Productions.

Directed by Terence Young — Screenplay by Richard Maibaum.

Dr. No was a huge financial success, so United Artists doubled the budget for its follow-up, From Russia With Love, which was allegedly the final film President John F. Kennedy screened at the White House. Though it is, naturally, a little bit dated, Terence Young’s From Russia With Love is a significant improvement on Dr. No. This feels much more ambitious and extravagant, even though it does suffer from some of the same issues that the first film did.

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RETRO REVIEW: Quantum of Solace (2008)

Daniel Craig as James Bond and Judi Dench as M in QUANTUM OF SOLACE — Photo: Sony Pictures Releasing / Eon Productions.

Directed by Marc Forster — Screenplay by Paul Haggis, Neal Purvis, and Robert Wade.

Although Quantum of Solace is often disregarded as nothing more than the nadir of Daniel Craig’s tenure as James Bond, which it is, I don’t think this film is as disastrous as others may. I have previously described this film as a misstep or a disappointment, but, in reality, Quantum of Solace feels like it is a film that was stuck in the mud already in pre-production due to the late 2000s WGA screenwriters’ strike. Quantum of Solace probably should have had its production delayed, but instead the producers opted to fast-track it, and, to me, that resulted in the follow-up to Casino Royale not being able to reach its potential. The most interesting thing about Quantum of Solace, though, is the fact that it brought the continuity and ongoing story arc, which would come to be indicative of Craig’s tenure, to the franchise.

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RETRO REVIEW: Casino Royale (2006)

Eva Green as Vesper Lynd and Daniel Craig as James Bond in CASINO ROYALE — Photo: Sony Pictures Releasing / Eon Productions.

Directed by Martin Campbell (GoldenEye) — Screenplay by Neal Purvis, Robert Wade, and Paul Haggis.

Now that Daniel Craig’s tenure as James Bond appears to have come to an end after the release of 2021’s No Time To Die, I thought it would be fitting to take another look back at his first Bond-film, Casino Royale. From GoldenEye-director Martin Campbell, 2006’s Casino Royale was meant to reinvigorate the franchise and bring it into a new era distinctly different from Pierce Brosnan’s tenure that ended in 2002. With this film, the series’ new leading man, Daniel Craig, who was, bafflingly, the subject of much online and press criticism due to his blonde hair and blue eyes, proved to the world that he had the potential to be arguably the best Bond on the big screen.

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RETRO REVIEW: The Matrix Revolutions (2003)

Keanu Reeves as Neo and Hugo Weaving as Agent Smith — Photo: Warner Bros.

Directed by Lana & Lilly Wachowski — Screenplay by Lana & Lilly Wachowski.

Filmed concurrently with Reloaded, The Matrix Revolutions was met with a lot of disappointment when it was released. In the years since they were released, Reloaded and Revolutions have mostly been disregarded as underwhelming sequels to the original 1999 film. As you would know, if you had read my reviews of the previous two films, I think that Reloaded was a frustrating sequel to a near-masterpiece. So, how do I feel about the trilogy capper? Honestly, I kind of feel similarly, even though I have to say that I don’t think the ending itself is as disappointing as I’ve heard some remark. I quite like the ending, even if it is a little bit on the nose philosophically.

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RETRO REVIEW: The Matrix Reloaded (2003)

Keanu Reeves as Neo in THE MATRIX RELOADED — Photo: Warner Bros.

Directed by Lana & Lilly Wachowski — Screenplay by Lana & Lilly Wachowski.

Released four years after the original science-fiction action modern classic, The Matrix, the Wachowskis returned to the story with which they had made their names in Hollywood. This continuation was filmed concurrently with the trilogy conclusion Revolutions, which was, incredibly, released in the very same year as Reloaded (half a year later). The Wachowskis tried to recapture the spirit of the original film and to continue its story in a way that would both up the ante narratively as well as with the inventiveness of the action. While I don’t think this first sequel is a complete miss, I must, however, say that I think Reloaded missed that mark. I think it is an underwhelming sequel with unexciting subplots and action that fails to be as breathtaking as in the original film. However, although it is a mixed bag, it is certainly not without some notable bright spots and some memorable sequences.

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