The following is a review of The Wandering Earth — Directed by Frant Gwo. Available on Netflix now.
This 2019 release is a two-hour long blockbuster film that has made close to $700 million globally at the box office. There are no superheroes in the film, it isn’t based on Marvel or DC, and it doesn’t belong to a vastly popular science-fiction or fantasy franchise. On top of that, this isn’t an English-language film. In fact, it wasn’t released widely in theaters in Europe or North America.
This is The Wandering Earth, a relentless Chinese blockbuster film that proves that glorious spectacle created outside of North America can rival the best Hollywood has to offer in disaster film — at least when it comes to incredible and unfathomably spectacular action. I’ve got plenty of issues with The Wandering Earth, but the one thing that really impressed me was the science-fiction visuals because, normally, you don’t get these astoundingly well-designed visuals without the direct influence of a major American studio. Continue reading “REVIEW: The Wandering Earth (2019)”→
The following is a review of Extremely Wicked, Shockingly Evil, and Vile — Directed by Joe Berlinger.
Extremely Wicked, Shockingly Evil, and Vile comes from Joe Berlinger, the director of Conversations with a Killer: The Ted Bundy Tapes and is based on Elizabeth Kloepfer’s book The Phantom Prince about her relationship with the infamous serial killer Ted Bundy. Lily Collins stars as Elizabeth ‘Liz’ Kendall, a single mother who has met the perfect guy. He has a nice Volkswagen, he’s nice to her and her kid, and he is fairly attractive.
Zac Efron plays this man who seems to be too good to be true. That’s because he is. Because Efron is Ted Bundy, the man who we know as one of the most infamous serial killers in American history. As authorities catch up to Bundy, Liz becomes caught in a whirlwind with no sense of up or down. Liz doesn’t know if she is being played, or if the system is putting her new man behind bars unjustly. Continue reading “REVIEW: Extremely Wicked, Shockingly Evil and Vile (2019)”→
The following is a review of The Silence — Directed by John R. Leonetti.
John R. Leonetti’s The Silence — not to be confused with Martin Scorsese’s Silence, which has a similar title, or John Krasinski’s A Quiet Place and Susanne Bier’s Bird Box, both of which have similar plots — follows a family during an apocalyptic event in which prehistoric bat-like creatures have come out of hiding to attack and feast on anything and anyone they hear. Stanley Tucci plays the family father, Miranda Otto his wife, and Kiernan Shipka plays one of his children — a deaf teenager. Continue reading “REVIEW: The Silence (2019)”→
The following is a review of Unicorn Store — Directed by Brie Larson.
Unicorn Store — Brie Larson’s directorial debut — had its original world premiere at the Toronto International Film Festival back in 2017, but Larson had to wait until after she had become the titular hero of a superhero franchise before her directorial debut was distributed widely, now in April 2019. You can call it timing — good or otherwise — but, in any case, Brie Larson, an Oscar-winner and popular superhero actress, is now almost a household name. Unfortunately, I don’t think her debut feature, Unicorn Store, was worth the wait. Continue reading “REVIEW: Unicorn Store (2019)”→
The following is a quick review of Antoine Griezmann: The Making of a Legend — Directed by Alex Dell & Damien Piscarel.
The Making of a Legend is a French one-hour Netflix documentary about a famous French football player named Antoine Griezmann, who, in recent years, has become one of the frontmen for the French national team and a world-class player in Spain. In this documentary, Alex Dell and Damien Piscarel tell you the story of how Griezmann went from being a dismissed French talent to becoming a star player for the French national team that won the World Cup last year. Continue reading “REVIEW: Antoine Griezmann: The Making of a Legend (2019 – Documentary)”→
The following is a review of Triple Frontier — Directed by J. C. Chandor.
From the director of All is Lost and A Most Violent Year, J. C. Chandor, and the writer of The Hurt Locker and Zero Dark Thirty, Mark Boal, Netflix’s Triple Frontier — named for the tri-border area of Argentina, Brazil, and Paraguay — includes arguably the most star-studded blockbuster-like cast for a Netflix Original Film yet. Continue reading “REVIEW: Triple Frontier (2019)”→
The following is a quick review of Isn’t It Romantic — Directed by Todd Strauss-Schulson.
Released in theaters on Valentine’s Day in North America and at the end of February on Netflix elsewhere, Isn’t It Romantic is a film about a woman tired of a stale film genre who, then, suddenly finds herself inside of such a film. The film follows Rebel Wilson’s Natalie, an Australian woman living in New York City whose mother turned her off romantic-comedies as they presented scenarios that ‘weren’t made for girls like them.’ Continue reading “REVIEW: Isn’t It Romantic (2019)”→