Tag: Netflix

The Whisper Man (2026) | REVIEW

A distraught Adam Scott looks up at Robert De Niro in THE WHISPER MAN — PHOTO: Netflix (Still image from the trailer).

Directed by James Ashcroft — Screenplay by Ben Jacoby and Chase Palmer.

Every once in a while, something goes straight-to-streaming that looks the part, so to speak, of something that, once upon a time, would not only go to theaters but also draw a crowd. As The Whisper Man is evidence of, a serial killer movie with an A-list star and an otherwise recognizable cast is now likely to land on a streamer and face the potential sad fate of being buried in a vast and ever-growing content library while the world moves on. Although The Whisper Man is certainly nowhere near as good as the stone-cold classics of the genre that it is clearly inspired by, it is, however, too watchable to deserve being fully ignored or be treated as background noise for your nightly doomscrolling. It definitely won’t wow you, but I suspect that thriller die-hard fans will feel that this is the kind of film that definitely scratches the right itch, even if it isn’t particularly memorable.

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The Last House (2026) | REVIEW

Greta Lee in THE LAST HOUSE — PHOTO: NETFLIX (Still image from trailers).

Directed by Louis Leterrier (The Incredible Hulk; Grimsby; Fast X) — Screenplay by Matthew Robinson.

Louis Leterrier’s The Last House is a sci-fi survival thriller-adjacent film about a family of four — parents Ann (played by Greta Lee) and Jason (played by Wagner Moura) and children Ruth (played by Riley Chung, Emma Ho, and Arden Cho) and Graham (played by Noah Alexander Sosnowski and Gabriel Barbosa) — as they experience a seemingly worldwide supernatural occurrence in which barriers of water form around houses thus blocking anyone from getting out of their homes and making it impossible for any person stuck outside to get in. You can drill holes in the door and try to smash your windows, but then the characters in the world would see water form up and block the holes and prevent the windows from shattering and falling apart. Although the electricity works (for now) and they have air coming in and access to running water, they only have a limited amount of food and medicine, and they have no way of contacting the outer world other than to hold up signs for neighbors to see. Meanwhile, rain often falls outside their windows, and soon they start getting the idea that some creature, or creatures, may be outside and that they may be a serious threat to their lives.

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Interview with the Vampire – The Vampire Lestat (2026) | TV REVIEW

Sam Reid as Lestat de Lioncourt in Anne Rice’s The Vampire Lestat: Episode 3 — PHOTO: Sophie Giraud/AMC.

The following is a review of the third season of Interview with the Vampire — Series created by Rolin Jones.

Given my nostalgia for the 1994 Neil Jordan adaptation of Anne Rice’s Interview with the Vampire and, in general, my fascination with narratives about vampires (I have opinions on everything from CW’s The Vampire Diaries to Jim Jarmusch’s Only Lovers Left Alive, and beyond), it probably won’t surprise anyone that I fell head over heels in love with the Rolin Jones and AMC adaptation of Anne Rice’s Vampire Chronicles once I finally got to see it. The first two seasons of the show are impressively sumptuous but also written and acted in ways that change your relationship with the iconic characters at its center. It is an all-around rich-feeling show that I cannot recommend enough to fans of the various subgenres it contains. At the center of the entire series, we have performances from Jacob Anderson and Sam Reid that are genuinely among the best acting on television I’ve seen in quite some time. Given the fact that I am particularly spellbound by Aussie actor Sam Reid’s devilishly complex portrayal of Lestat de Lioncourt, a larger-than-life French vampire that is older than the United States of America, I was so excited to find out what exactly a season all about him would be like, and that is exactly what the third season — titled The Vampire Lestat — was.

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2026 TV Review Catch-Up, June Update | Bite-Sized Reviews

Top Row: The Chestnut Man (Netflix); DTF St. Louis (HBO); Fallout: Season Two (Prime Video).
Bottom Row: Ponies (Peacock); Rooster (HBO); Something Very Bad Is Going to Happen (Netflix).

We’re right around halfway through 2026, and there have been so many shows to watch that I almost feel a little bit overwhelmed at times. Therefore, I like to do these TV Review Catch-Ups, so as to get my thoughts out there on a wide variety of shows that I watched and perhaps enjoyed, but which didn’t really inspire me to dedicate entire solo reviews for. So, instead, here I’ve collected my thoughts in bite-sized form in a review compilation. This time around, I’m giving you my thoughts on 1) a returning Danish Netflix series, 2) a very odd HBO dramedy, 3) a video-game adaptation whose second season may not have fully blown me away, 4) an underseen period piece spy-dramedy, 5) another Bill Lawrence comedy, and 6) an unsettling Netflix original series from earlier this year.

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Ladies First (2026) | REVIEW

Sacha Baron Cohen as Damian Sachs in Netflix’s LADIES FIRST — PHOTO: Netflix (Still image from trailers).

Directed by Thea Sharrock — Screenplay by Natalie Krinsky, Cinco Paul, and Katie Silberman.

Thea Sharrock’s Ladies First is an English-language remake of Netflix’s 2018 French romantic-comedy Je ne suis pas un homme facile (international title: I Am Not An Easy Man) from director Éléonore Pourriat. The film follows Damien Sachs (played by Sacha Baron Cohen), a chauvinist high-ranking executive at an advertising agency, who gets recently promoted creative director Alex Fox (played by Rosamund Pike) to quit her job. She decides to leave when it becomes clear to her that he doesn’t care at all what she thinks and only promoted her for show. As Damien follows her out of their place of employment, he knocks himself out. He then wakes up in a world where positions of power have shifted into some kind of matriarchal society. To get back to his own world, Damien is told that he must rise through the ranks at the advertising agency, all the while overcoming the workplace and societal discrimination that women endure in the patriarchal society from which he originates.

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Apex (2026) | REVIEW

Trailer title card — PHOTO: Netflix (Still image from trailers).

Directed by Baltasar Kormákur (Everest; Beast) — Screenplay by Jeremy Robbins.

Baltasar Kormákur’s Apex is a straight-to-streaming Netflix survival thriller that follows Sasha (played by Charlize Theron), a rock climber who lost her partner, Tommy (played by Eric Bana), in a rock-climbing accident. Some time later, Sasha finds herself in the wilderness of Australia, where she encounters Ben (played by Taron Egerton), a stranger who knows the surroundings like the back of his hand. After he intervenes and helps Sasha from a possible confrontation with two strange hunters, Ben gives Sasha two routes to her desired location, and she chooses the harder one. After kayaking, she sleeps in the wilderness and awakes to see that some of her things have been stolen. She makes her way to Ben’s camp, eventually, and he gives her the supplies she needs. But here she learns that his intentions aren’t good. He takes out a crossbow and gives her a chance to run for her escape, as he now intends to hunt her.

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War Machine (2026) | REVIEW

Trailer title card — PHOTO: Netflix (Still image from trailers).

Directed by Patrick Hughes — Screenplay by Patrick Hughes.

It is so strange that one of the biggest Netflix releases in the first half of the year is titled War Machine. Now, you might be thinking that you don’t really see how that is odd or particularly significant. But if you, like me, have paid attention to Netflix’s releases over the years, since they became a major streaming service, then you would know that one of the first major Netflix film acquisitions was that of David Michôd’s War Machine, a satirical war film starring Brad Pitt, Tilda Swinton, Ben Kingsley, and others. That 2017 release was a largely forgettable flick that is probably rarely seen these days, as it is likely lost in the vast Netflix library by now, but you would think that Netflix wouldn’t want to create confusion about two of their own releases. Although the 2017 release was a satirical war film and the 2026 flick is more at home alongside other sci-fi action films like it, the title isn’t the only thing these two movies have in common, as they’re both, in one way or another, related to America’s presence in Afghanistan. So, as you might be asking yourself, which is the better film at the end of the day? At the end of the day, I’m not sure one is drastically better than the other.

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Thrash (2026) | REVIEW

Trailer title card — PHOTO: Netflix (Still image from trailers).

Directed by Tommy Wirkola — Screenplay by Tommy Wirkola.

Norwegian filmmaker Tommy Wirkola, best known for the Christmas action-comedy film starring David Harbour titled Violent Nights, is the writer-director behind this week’s big Netflix film release, Thrash. Thrash is a survival thriller with a, as you might expect given Wirkola’s involvement, tongue-in-cheek comedic approach. It is a film about shark-infested waters in a flooded American town that has been hit by intense waves as a result of an intense hurricane.

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TV Review Catch-Up – 2025, pt. II of II | Bite-Sized Reviews

Top Row: The White Lotus: Season Three (HBO); Dexter: Resurrection (Paramount+ / Showtime).
Bottom Row: Smoke (Apple TV+); MONSTER: The Ed Gein Story (Netflix).

Just like list time: It does what it says on the tin, as one might say. This is the second part of my TV review catch-up for 2025, which includes some of my thoughts on TV shows in bite-sized portions. There are still two other shows that I want to review from last year, but they’ll get their own full individual reviews sometime soon. Anyway, in this article, you’ll find my thoughts on an Apple show I had mixed feelings on, a Netflix anthology series that didn’t work for me this season, a show about a strong return for an iconic character, and a season of one of HBO’s most popular shows over the last few years.

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The Rip (2026) | REVIEW

Matt Damon and Ben Affleck in THE RIP — PHOTO: NETFLIX (Still image from trailers).

Directed by Joe Carnahan — Screenplay by Joe Carnahan.

We’re only a few weeks into the new year, and we already have a freshly made and relatively high-profile action thriller to feast on. That high-profile feature is Netflix’s The Rip, which brings together famous friends Matt Damon and Ben Affleck in a film built around drug money, dirty cops, and snitches. The Rip, from The Grey-filmmaker Joe Carnahan (who, in recent years, has been making plenty of B-movie action films), is the first 2026 film that I am reviewing, and it also happens to be the first 2026 film that I thoroughly enjoyed. It’s not high art, but it is exactly the kind of straight-to-streaming action thriller star-vehicle that you would want to chew on in January. 

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