The following is a review of Triple Frontier — Directed by J. C. Chandor.
From the director of All is Lost and A Most Violent Year, J. C. Chandor, and the writer of The Hurt Locker and Zero Dark Thirty, Mark Boal, Netflix’s Triple Frontier — named for the tri-border area of Argentina, Brazil, and Paraguay — includes arguably the most star-studded blockbuster-like cast for a Netflix Original Film yet. Continue reading “REVIEW: Triple Frontier (2019)”→
The following is a quick review of Isn’t It Romantic — Directed by Todd Strauss-Schulson.
Released in theaters on Valentine’s Day in North America and at the end of February on Netflix elsewhere, Isn’t It Romantic is a film about a woman tired of a stale film genre who, then, suddenly finds herself inside of such a film. The film follows Rebel Wilson’s Natalie, an Australian woman living in New York City whose mother turned her off romantic-comedies as they presented scenarios that ‘weren’t made for girls like them.’ Continue reading “REVIEW: Isn’t It Romantic (2019)”→
The following is a review of High Flying Bird — Directed by Steven Soderbergh.
Acclaimed filmmaker Steven Soderbergh rose to directorial stardom with Erin Brockovich and his Ocean’s-heist trilogy. In 2018, Soderbergh’s low-budget thriller Unsane was released to strong critical reception. What made that film so interesting was the fact that the entirety of the film was shot on iPhone 7 Plus cameras. Now, in 2019, Netflix has given Soderbergh a worldwide audience for his second iPhone-film High Flying Bird, a sports drama centered around an NBA lockout. Continue reading “REVIEW: High Flying Bird (2019)”→
The following is a review of Polar — Directed by Jonas Åkerlund.
Netflix’s Polar — from prominent Swedish music video director Jonas Åkerlund — is an action-comedy film based on a Dark Horse graphic novel of the same name starring Danish star Mads Mikkelsen as Duncan Vizla, a retired hitman who, after an attempt is made on his life, comes out of retirement to take down those who have wronged him, and to save his neighbor (played by Vanessa Hudgens) from the people that tried to take him out. Continue reading “REVIEW: Polar (2019)”→
The following is a review of FYRE: The Greatest Party That Never Happened — Directed by Chris Smith.
Nowadays it’s tough to be informed about every tiny little thing social media cares about. When I’m not terrified about why an elderly star’s name is trending on Twitter, I don’t pay a lot of attention to what is trending on social media — something has to stand out, or my timeline has to tweet about it constantly, for me to really notice (unless it’s relevant to my interests, of course). Continue reading “REVIEW: FYRE: The Greatest Party That Never Happened (2019 – Documentary)”→
The following is a review of IO — Directed by Jonathan Helpert.
Netflix is starting to build itself a — let’s call it — ‘fascinating’ library of original films. The service is filled to the brim with poor-to-average comedies, many of which feature Adam Sandler and his friends, and yet Netflix has started to make a name for itself as a place where unconventional or unmarketable films from great, noteworthy filmmakers are given a global reach.
But, in between these two piles of films of varying success, a film like IO exists. IO has a small but recognizable cast, the film is made by an up-and-coming filmmaker, and it struggles with themes present in films that sci-fi aficionados adore. Continue reading “REVIEW: IO (2019)”→