I really enjoyed doing this for the last two years, so it’s happening again! It has become a tradition of mine. The 92nd Academy Awards ceremony was only just held a few days ago, and I’ve only seen, like, a handful of films from 2020 at this point. I think I have a pretty good idea of what is coming out this year, though. So, without further ado, let’s get to it. Continue reading “Early 93rd Academy Awards Predictions – Special Features #63”→
What happened at the 92nd Academy Awards was incredible. Just ask most Oscar experts and they will agree. This was, based on statistics and precursor awards results, supposed to be Sam Mendes’ and 1917‘s night. Though I desperately wanted Parasite to win all of the night’s biggest awards, my head was telling me no. Therefore, in my final predictions, I went with the safe bet and said 1917 would win Best Director and Best Picture. I’ve never been so happy to be wrong about an Oscar-prediction. In the end, the latest South Korean masterpiece — Bong Joon-ho’s Parasite — won the night’s two biggest awards (as well as two other prestigious golden statuettes). The Academy made the right choice. This time, in my opinion, the Best Picture winner is actually the best film of the year. The Academy finally got it right, as they say. Continue reading “Parasite Won Best Picture and Made History – Special Features #62”→
It’s time. This awards season has been rather short. This has been both been a good and a bad thing, though Film Twitter seems convinced that it’s only been a bad thing. Sure, AMPAS’ predictions were somewhat disappointing, and, frustratingly, many of the upcoming winners seem obvious at this point. It almost feels like only a little bit more than a handful of categories are competitive going into the big night. Today, I’m giving my final predictions for the big Oscar night — the Super Bowl for the film community. Continue reading “Final 92nd Academy Awards Predictions: Winners – Special Features #61”→
The nominations for the 92nd Academy Awards have been released by AMPAS. We now know the names of the individuals who might become Oscar winners in a month. For the full list of nominations, click here. There is a lot to talk about this time around. One film clearly overperformed much to many pundits and critics’ chagrin, while the Academy made some of the classic problematic mistakes that awards seasons tend to result in at some point or another.
The following is a review of Green Book — Directed by Peter Farrelly.
Today, as I was sitting in the theater watching Green Book, less than ten hours after it had won Best Picture at the 91st Academy Awards, I was briefly reminded of Mark Kermode’s thoughts on revisiting Moonlight after it had become an Oscar contender and then Best Picture winner. In his video, the British film critic remarked that he found himself seeing the film in a different light. It was no longer an indie hit — it had evolved and he saw different things in it. The film had risen to meet the expectations that the label ‘Best Picture winner’ brings with it. Continue reading “REVIEW: Green Book (2018)”→
It’s time. This awards season has felt really long, and, with how incompetent AMPAS has been in preparation for the big night, Oscars-night seems so mysterious and uncertain. Add to that the fact that there are so many different categories that we don’t really know which film is going to win including Best Picture, and we are left with a show that is probably going to be very interesting. Today, I’m giving my final predictions for the big Oscar night — the Super Bowl for the film community. Continue reading “Final 91st Academy Awards Predictions: Winners – Special Features #48”→