Netflix is slowly changing its reputation. For the longest time, people saw Netflix as a dumping ground for original films. But even though Netflix still hasn’t managed to learn exactly how they can promote all of their films on the service, it would be foolish to call Netflix a dumping ground nowadays. Instead, I think it is time to accept the fact that Netflix is a place where certain dreams come true. Maybe not for actors or other hopefuls, but for filmmakers — both those who have lost major studio backing and those who are just starting to make a name for themselves. (more…)
The following is a review of Overlord — Directed by Julius Avery.
I won’t be the first or the last person to make this comparison, but Avery’s Overlord could’ve easily been the basis for a Wolfenstein game, a hugely popular and long-running video game series — the title font on the poster above is even similar to the font used for the latest Wolfenstein-logo. (more…)
The following is a review of The Other Side of the Wind — Directed by Orson Welles.
Legendary filmmaker Orson Welles, who died in 1985, has had his final film released as a Netflix film in 2018. That is one of those sentences that makes no sense to anyone unfamiliar with the situation. It isn’t a spoof film. It isn’t a joke. The Other Side of the Wind is actually a long-discussed unfinished Welles project that is now finally seeing the light of day thanks to a streaming service. (more…)
The following is a review of the Netflix Documentary Shirkers — Directed by Sandi Tan.
In the early 1990s, a group of teenage Singaporean cinephiles became filmmakers when they wrote, cast, produced, and shot their independent road movie, Shirkers. Though the film was directed by their American mentor Georges Cardona, the premise and the script came from Sandi Tan who also played the protagonist. As Sandi Tan waited to go into post-production on Shirkers, Cardona, who was in possession of the film reels, ignored her and disappeared out of nowhere with the film — leaving her and her friends empty-handed and without the film that a film critic friend of theirs thought was childish but ahead of its time. (more…)
The following is a review of Bohemian Rhapsody — Directed by Bryan Singer.
The best word to describe the reported principal photography process for Bohemian Rhapsody is ‘problematic.’ Production of the film was temporarily stopped due to director Bryan Singer. Bryan Singer was eventually fired before the film was even finished. Hoping to save the film, the studio behind it hired director Dexter Fletcher to complete the film and take it across the finishing line in the best state possible. As it turns out, Bohemian Rhapsody — the film — is not as interesting as the notorious making of the film seems to have been. (more…)
The following is a review of the Netflix limited series The Haunting of Hill House — Directed by Mike Flanagan.
With films like Oculus, Ouija: Origin of Evil, Hush, and Gerald’s Game, filmmaker Mike Flanagan has started to make quite a name for himself. He has become a reliable horror filmmaker, and after Gerald’s Game, in particular, it certainly felt like he had gotten into the right meeting rooms. Suddenly, he had signed on to adapt Stephen King’s Doctor Sleep, and right now he is ready with these ten episodes of The Haunting of Hill House — a great Netflix’s horror series that is as sad as it is terrifying. (more…)
The following is a review of First Man — Directed by Damien Chazelle.
Do kids still dream of becoming astronauts? — That is one of the many things I thought of after I saw First Man — the latest film from Damien Chazelle (Guy and Madeline on a Park Bench; Whiplash; La La Land). When I was a kid I remember I sometimes would play and try to jump in slow motion, because I imagined that would be what it would be like to jump on the moon. (more…)