Jeffrey Rex Bertelsen is an aspiring film and television critic from Denmark. Jeffrey graduated from the University of Copenhagen in 2018, and he holds a Master of Arts degree in English Studies with a minor in Film and Media Studies. Harry Potter fans will want to know that he is a Ravenclaw. Star Wars fans will be interested in knowing that he loves Star Wars: The Last Jedi. Cineastes will want to know that his favorite film of the first decade of the 21st Century is Guillermo Del Toro's El Laberinto del Fauno.
Overview provides my readers with a brief overview of the articles or reviews that I have written, as well as additional bite-sized thoughts on films or shows about which I do not intend to write thorough reviews. In August 2020, among other things, I wrote about the latest Pixar film, Christopher Nolan’s latest major motion picture, and an incredible Apple TV+ documentary.
The following is a review of Boys State — Directed by Jesse Moss & Amanda McBaine.
Jesse Moss and Amanda McBaine’s Boys State is a documentary about an American leadership and citizenship summer program that teaches young Americans about how politics, government, and campaigning works. Although the documentary focuses on a ‘Boys State,’ there are apparently identical summer programs for young women. The documentary focuses on the 2018 Texas Boys State and the gubernatorial campaigns of the competing Texas Boys State parties the Nationalists and the Federalists, during which it becomes clear that young Americans have learned a lot about politics from the difficult and contentious state of American politics. Continue reading “REVIEW: Boys State (2020 – Documentary)”→
A couple of weekends ago, I noticed that two films that had been on my watchlist for a very long time had been released on HBO Nordic. What these two films had in common was their lead actor. Both films featured British actor Jack O’Connell prominently. O’Connell is a BAFTA Award-winning young actor who I had previously only seen in the British horror flick Eden Lake, so I didn’t know a lot about him. Therefore I spent the weekend checking out both films to familiarize myself with one of Britain’s finest actors of his generation. Continue reading “Double Feature: Jack O’Connell – Special Features #72”→
The following is a review of Tenet — Directed by Christopher Nolan.
In December of 2019, I sat down in an IMAX theater to watch the ninth episode of the so-called Skywalker-saga, Star Wars: The Rise of Skywalker. Accompanying the latest Disney space opera was an early preview of Christopher Nolan’s upcoming film Tenet. The lengthy, overwhelming, and jaw-dropping clip was riveting and showed a lot of promise. As a Star Wars fan, it hurts to admit that that clip was so good, in fact, that the Disney-film it preceded struggled to live up to it. In fact, during the last eight months, I’ve thought a lot about that preview, while I have yet to revisit The Rise of Skywalker. Christopher Nolan’s ambitious spy flick has, in the wake of the COVID-19 pandemic, been proclaimed to be the potential savior of the theatrical experience, which has, understandably, struggled immensely this summer. Continue reading “REVIEW: Tenet (2020)”→
The following is a review of the documentary Anelka: L’Incompris — Directed by Frank Nataf.
Once upon a time, I reviewed another Netflix documentary about a French professional footballer. I remember being perplexed as to why that documentary, Antoine Griezmann: The Making of a Legend, insinuated that Antoine Griezmann, its subject, was already becoming a legend of the game, and I also remember how it felt like the documentary was more fascinated with France’s achievement at the World Cup than Griezmann’s own achievements as a footballer. That documentary felt incomplete because it was about a footballer whose career was by no means over and, again, because it felt like the documentarians really wanted to focus on the World Cup. Continue reading “REVIEW: Anelka: L’Incompris (2020 – Documentary)”→
The following is a review of Onward — Directed by Dan Scanlon.
Onward is the 22nd Pixar Animation Studios film, as well as Dan Scanlon’s second Pixar film as a director after 2013’s Monsters, Inc.-sequel titled Monsters University. In recent years, Pixar has been focused on making sequels — such as Toy Story 4 or Finding Dory — to several popular original films, but 2020 was meant to be the first time in several years where the animation studios’ two films — Onward and the upcoming Soul — were both new original films. Continue reading “REVIEW: Onward (2020)”→
The following is a review of The Last Full Measure — Directed by Todd Robinson.
Todd Robinson’s The Last Full Measure is a war drama that tells the true story of William H. Pitsenbarger (played by Jeremy Irvine), a Vietnam War-hero, who died defending a unit of soldiers during a tough battle in 1966. The film, however, primarily follows Scott Huffman (played by Sebastian Stan), a relatively young Pentagon bureaucrat, thirty-two years later. After having met with Pitsenbarger’s parents and the soldiers that he saved, Huffman risked his career to tell Pitsenbarger’s story in an effort to have him awarded the Medal of Honor posthumously. Continue reading “REVIEW: The Last Full Measure (2020)”→
Odds are that you have probably, at some point in time, had to ask someone to tilt their telephone so that when they take a photo with their smartphone, then the picture will be nice and wide. For Damien Chazelle’s latest short film about a stunt double, the Oscar-winning director has opted against that piece of advice as he strives for Vertical Cinema. Steven Soderbergh, and other notable directors, have already toyed with shooting feature-length films with iPhones, but Chazelle’s film has been shot in portrait mode, thus producing vertical video, in an attempt to showcase the camera features on an iPhone 11 Pro. Continue reading “Vertical Cinema: Damien Chazelle and Apple Team Up for Short Film”→
The following is a review of Train to Busan: Peninsula (‘반도’) — Directed by Yeon Sang-ho.
Due to the COVID-19 pandemic, cinephiles have stayed away from their beloved cinemas for several months, but, at the end of July, I finally went back to the movie theater. Now, obviously, I should say that this was only possible for me because I live in Denmark where movie theaters have been open since the end of May 2020. Please note that you should absolutely only go to the movie theaters if it is safe to do so where you live. But I will say that it was good to be back, even though the movie that I returned to the movie theater to watch maybe didn’t give me the escapism that I may have needed. After all, this is a movie about a dangerous epidemic in an Asian country that leads to quarantines and lockdowns. Nevertheless, I was very happy to be able to watch a new movie in an actual movie theater for the first time in several months. Again, it was good to be back. Continue reading “REVIEW: Train to Busan: Peninsula (2020)”→
Overview provides my readers with a brief overview of the articles or reviews that I have written, as well as additional bite-sized thoughts on films or shows about which I do not intend to write thorough reviews. In July 2020, among other things, I wrote about films from directors such as Brian De Palma, Roman Polanski, and Gina Prince-Bythewood.