Jeffrey Rex Bertelsen is an aspiring film and television critic from Denmark. Jeffrey graduated from the University of Copenhagen in 2018, and he holds a Master of Arts degree in English Studies with a minor in Film and Media Studies. Harry Potter fans will want to know that he is a Ravenclaw. Star Wars fans will be interested in knowing that he loves Star Wars: The Last Jedi. Cineastes will want to know that his favorite film of the first decade of the 21st Century is Guillermo Del Toro's El Laberinto del Fauno.
The following is a review of Toy Story 4 — Directed by Josh Cooley.
I once wrote that I am ‘a part of the Pixar-generation,’ i.e. I’ve grown up with their films and Toy Story was one of the first films I saw. I’ve loved almost all of the Pixar-films, and I love the Toy Story-films most of them all. The first film was a childhood favorite of mine. The second film was almost equally brilliant and becomes better the more I watch it. And, especially for my generation, the third film was a cathartic and nostalgic heartbreaker that had adults bawling their eyes out in crowded theaters or airplanes.
Toy Story is a special film series. The first three films are all some of the greatest animated films ever made and arguably include a couple of masterpieces among them. But it is also a film series that ended on the perfect note with Toy Story 3. So, I cannot say that I ever really wanted a fourth film. However, Toy Story 4 from feature film debut director Josh Cooley is another heartwarming and heartbreaking coming-of-age tale featuring childhood playthings. Though we didn’t need it, Pixar has, thankfully, brought us yet another great installment in this beloved film series, even though the fourth film isn’t as much of an instant classic as the first three films were. Continue reading “REVIEW: Toy Story 4 (2019)”→
Bad news, true believers, Spider-Man may be out of the Marvel Cinematic Universe. First reported by DEADLINE, it appears that, in trying to negotiate the terms of a deal to extend Sony and Disney/Marvel Studios’ partnership in producing films starring Marvel’s web-slinger, Sony has refused to return to the negotiating table. Sony owns the film rights to the character, but, since February of 2015, Sony and Marvel Studios have had a partnership that led to Spider-Man’s appearance in Captain America: Civil War, Avengers: Infinity War, and Avengers: Endgame, as well as the creative direction — guided by Marvel Studios president Kevin Feige — for the Sony solo-films Spider-Man: Homecoming and Spider-Man: Far From Home which were both co-produced by Marvel Studios and featured Disney-owned characters such as Iron Man and Captain America. Continue reading “BREAKING NEWS: The MCU May Have Just Lost Spider-Man — UPDATED”→
The following is a review of the second season of Mindhunter — Created by Joe Penhall.
In my first season review of Netflix’s MINDHUNTER, I wrote that it is like catnip for true crime aficionados. I stand by that, but it really hurts being without that catnip for two years. I’ve lost count of the number of times I’ve rewatched the first season of the show, so when it became clear that it was finally making its anticipated return I was excited, and before I published this review I made sure to watch the entire season twice. Rest assured, the second season of MINDHUNTER proves that the wait has been worth it. The excellent true-crime series about methodology and research is back, and this time around they get to interview exactly who they want. Continue reading “REVIEW: MINDHUNTER – Season Two (2019)”→
The following is a spoiler review of Once Upon a Time in Hollywood — Directed by Quentin Tarantino.
Quentin Tarantino has claimed that he will only direct ten feature films, and, since he considers his latest film to be his ninth, that puts a lot of pressure on this penultimate effort as a director. Having just recently rewatched and reviewed his filmography as a director, I had prepared myself for this undeniable event film for cinephiles. When I walked out of the theater, I had a soft smile on my face, and I kept on repeating these words to my mother and sister, who had seen the film with me: “I think this is his most moving movie yet.” Once Upon a Time in Hollywood is tense but also laidback, sometimes violent but generally quite kind, and much to my own surprise, as Tarantino ended his film, I had a lump in my throat — I got a little bit choked up. Continue reading “REVIEW: Once Upon a Time in Hollywood (2019)”→
Quentin Tarantino’s Once Upon a Time In Hollywood opened in North American theaters a couple of weeks ago, but it was just released in my corner of the world yesterday. To commemorate the release of what Tarantino claims is his penultimate feature film as a director, I decided to rewatch and review every full feature film directed by Quentin Tarantino thus far (not including his partially lost amateur film). Below you’ll find reviews of all of the films listed in the image above. So, without further ado, let’s get to it. Continue reading “REVIEWS: Feature Films Directed by Quentin Tarantino (1992-2015)”→
The following is a review of Scary Stories to Tell in the Dark — Directed by André Øvredal.
Scary Stories to Tell in the Dark is an adaptation of a trilogy of children’s horror short story collections of the same name from author Alvin Schwartz. The film has been in development since 2013, and now Norwegian filmmaker André Øvredal has finally brought the children’s short stories to the big screen in the form of a horror film that’s frankly really enjoyable if you know what you’re getting into. This is just scary enough to severely frighten teens, but I don’t think it is so frightening that it’ll haunt them at night unless they are young tweens, but you and your kids’ mileage may vary. It’s a cute and fairly effective horror film that, I think, has the potential to become a favorite for teens. Those who dug Annabelle Comes Home will be happy with this similarly cutesy horror film. Continue reading “REVIEW: Scary Stories to Tell in the Dark (2019)”→
The following is a short review of The Kid — Directed by Vincent D’Onofrio.
Maybe it’s an unfair and impolite thought, but whenever an actor-turned-director gets an A-list cast for his next feature, I start to worry that the star-studded cast only agreed to appear in the film as a favor to a good friend who is trying their hand at a new thing that he or she is relatively inexperienced at. The Kid, a new somewhat-biographical western, is Vincent D’Onofrio’s second feature film as a director. His sophomore effort as a director features a cast that includes Ethan Hawke, Chris Pratt, and Dane DeHaan. I may never learn if they joined this film as a favor or not, but I can say that I enjoyed this film quite a bit. Continue reading “REVIEW: The Kid (2019)”→