The following is a review of X-Men: Dark Phoenix — Directed by Simon Kinberg.
“You’re always sorry, Charles, and there’s always a speech. But nobody cares anymore,” is the line that is going to be cited to oblivion in reviews of the final Fox-controlled X-Men film, Simon Kinberg’s Dark Phoenix. It is a line uttered by Fassbender’s Magneto-character, and, even though it certainly is in-character, it almost feels like unintentional self-directed criticism on the part of the writer-director. Or, perhaps, one might suggest it speaks to our collective disinterest in these films after Days of Future Past and Logan successfully bid farewell to that era of superhero filmmaking.
As is made painfully clear, one of the actors doesn’t even care anymore, so why should audiences? It hasn’t helped that X-Men: Apocalypse left a sour taste in people’s mouths. And the fact that Disney can now shoehorn the X-Men into their wildly successful Marvel Cinematic Universe whenever they see fit surely hasn’t helped in bringing new audiences to the long-running X-Men film series. Fox’s X-Men is a tired film franchise and that quote perfectly encapsulates the way many feel about these films. Continue reading “REVIEW: X-Men: Dark Phoenix (2019)”→
This post is filled with spoilers for Avengers: Endgame. Do not, I repeat, do not read this list until you’ve seen Avengers: Endgame. Full spoilers below.
Okay, so we’ve all seen the movie right? I think right about now is a good time to actually talk about the little nods or references that were particularly fun or strong in Endgame. However, if you’ve not yet seen the film, then don’t worry at all, the article will be ready when you are. Anyhoo, the following is an unranked list of easter eggs, callbacks, and references that stood out to me. Let’s get to it.
The review does not include spoilers for Avengers: Endgame, (dirs. Anthony & Joe Russo) but you should absolutely expect spoilers for every film that came before it in the connected universe.
“All that for a drop of blood,” Thanos, the Mad Titan, groaned in 2018’s Avengers: Infinity War moments before Doctor Strange relinquished the time stone to save Tony Stark’s life. Soon the not-so-seasoned Avengers turned to dust. The teenaged talking tree, the brave wall-crawler, an African king with a seemingly impenetrable suit made to look like an anthropomorphic big cat, and a quippy, tricker-happy, 70s music-loving outlaw — all gone from one moment to the next. Those left standing were left to live with their mistakes, as the Avengers had now well and truly lost even though a Norse God, multiple supersoldiers, an eccentric billionaire, and a magical surgeon — to name a few — had fought long and hard to save fifty-percent of the known universe. They failed. If those sentences made no sense to you whatsoever, then Avengers: Endgame isn’t for you. If, however, you’ve been waiting to see — nay, obsessing about — what comes next for Earth’s Mightiest Heroes, then Endgame was designed for you. It is a somber epic like nothing you’ve ever seen before. Avengers: Endgame is peerless in scope and attention to detail, as well as moving from start to finish. Continue reading “REVIEW: Avengers: Endgame (2019)”→
By this time next week, I will have seen Avengers: Endgame, the sequel to Infinity War and the 22nd film in the Marvel Cinematic Universe, a total of three times. At this point in time, the MCU is this generation’s Star Wars. The build-up of hype for Endgame has been unreal. Even teasers with barely any new footage receive millions of views. The film is breaking tons of records already before it’s out in the wild. So, today, I thought I’d release ten predictions for Avengers: Endgame. Continue reading “Final Predictions for Avengers: Endgame – Special Features #50”→
The following is a review of Captain Marvel — Directed by Anna Boden and Ryan Fleck.
It’s good to be Marvel. One year ago, the industry was still in shock over the huge success of Marvel’s Black Panther. Only one month later, Avengers: Infinity War would break many records and, along with Black Panther, make sure that the first six months of 2018 was owned by Marvel. Now, in March of 2019, Marvel Studios can finally say that it has Oscars to its name following Black Panther‘s historic wins at the 91st Academy Awards. Some things never change, we are now waiting for another huge Avengers-film. Continue reading “REVIEW: Captain Marvel (2019)”→
The following is a review of Spider-Man: Into the Spider-Verse — Directed by Bob Persichetti, Peter Ramsey, and Rodney Rothman
The late, great, legendary film critic Roger Ebert opened his review of my favorite Spider-Man film, Sam Raimi’s Spider-Man 2, with the line: “Now this is what a superhero movie should be,” a sentence that feels pretty appropriate to use today when describing the first of, likely, many theatrically released Sony Pictures Animation Spider-Man-related films because Into the Spider-Verse is a special movie in virtually every way imaginable. Continue reading “REVIEW: Spider-Man: Into the Spider-Verse (2018)”→