REVIEW: WandaVision – “We Interrupt This Program”

Teyonah Parris and Elizabeth Olsen in Marvel Studios’ WANDAVISION, exclusively on Disney+. — Photo: Chuck Zlotnick / Disney+ / Marvel Studios.

The following is a recap and review of the fourth episode of WandaVision, available exclusively on Disney+. Expect story spoilers and general Marvel Cinematic Universe spoilers. 

In the fourth episode of WandaVision — titled We Interrupt This Program — we are introduced to Monica Rambeau (played by Teyonah Parris), as the show switches perspective and shows us the events of the first three episodes from the perspective of the outside world. Monica Rambeau is ‘Geraldine,’ the neighbor who was thrown out of the bubble universe after having mentioned Ultron to Wanda. In this episode, when Monica disappears after having investigated a missing person’s case, FBI, S.W.O.R.D., and several scientists set up a base outside of Westview, New Jersey for the purpose of figuring out what exactly is going on. Continue reading “REVIEW: WandaVision – “We Interrupt This Program””

REVIEW: The New Mutants (2020)

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‘The New Mutants,’ Still Image — Photo: Claire Folger / 20th Century Studios.

Directed by Josh Boone — Screenplay by Josh Boone & Knate Lee.

For a while there, it seemed like Josh Boone’s The New Mutants would never see the light of day. They wrapped principal photography in September 2017 and originally planned for an April 2018 theatrical release, but, right when Disney executives were working overtime to acquire Fox, the film was delayed over and over again. The film which had been developed by 20th Century Fox was ultimately released by Disney’s 20th Century Studios in the middle of a global pandemic. It felt like the film was quietly being swept under the rug, which may not be far from the truth as the film was the final film from the Fox-era of X-Men. Originally, I was very interested in the film after having seen the early marketing material, which made The New Mutants seem like a true horror film. Now that I have finally seen the film, I can say that the early trailers were more memorable than the film, which is messy and poorly paced. But I will say that it definitely isn’t the complete and utter trainwreck that the constant release delays may have led you to believe. It’s not good, but it certainly isn’t the worst Fox-developed X-Men film. Continue reading “REVIEW: The New Mutants (2020)”

REVIEW: WandaVision – “Now in Color”

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Teyonah Parris in Marvel Studios’ WANDAVISION, exclusively on Disney+. — Photo: Disney+ / Marvel Studios.

The following is a recap and review of the third episode of WandaVision, available exclusively on Disney+. Expect story spoilers and general Marvel Cinematic Universe spoilers. 

In the third episode of WandaVisionNow in Color — the now-pregnant Wanda Maximoff (played by Elizabeth Olsen) is losing some control of her powers, as her pregnancy progresses extremely fast. Meanwhile, her husband, Vision (played by Paul Bettany), is trying his best to read up on what is expected of him and Wanda during the pregnancy. However, as Wanda’s pregnancy causes the whole neighborhood to lose power, Vision starts to notice that something isn’t right in the small town of Westview. Continue reading “REVIEW: WandaVision – “Now in Color””

REVIEW: Mulan (2020)

Liu Yifei as the title character in ‘Mulan (2020),’ available on Disney+. — Photo: Disney / Disney+.

Directed by Niki Caro — Screenplay by Rick Jaffa, Amanda Silver, Lauren Hynek, and Elizabeth Martin.

Niki Caro’s Mulan is an adaptation of the late 1990s Disney animated film of the same name, which itself was based on the story of the folk heroine Hua Mulan. Caro’s film tells the story of a Chinese woman, Mulan (played by Liu Yifei), who disguised herself as a man and enlisted herself in the Imperial Army to protect her frail and injured father, Zhou (played by Tzi Ma), even though she knew it would bring dishonor to her family. In the film, while fighting alongside other brave soldiers, she must do all that she can to save China from an invading army that is fighting alongside a witch (played by Gong Li). Continue reading “REVIEW: Mulan (2020)”

REVIEW: Outside the Wire (2021)

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‘Outside the Wire,’ — Photo: Jonathan Prime / Netflix.

Directed by Mikael Håfström — Screenplay by Rob Yescombe & Rowan Athale.

In 2020, Netflix found some success by placing a Marvel star in a fast-paced action movie with a somewhat forgettable plot with the Chris Hemsworth-led Extraction, which I liked. Now, in 2021, Netflix is hoping that they can do the same thing again with Outside the Wire, a science fiction action film starring Anthony Mackie, from the director of the John Cusack-led 1408, which I actually also like quite a bit. Unfortunately, Outside the Wire is nowhere near as effective of an action film as Extraction was, and they forgot to make it as fast-paced as the aforementioned film. Instead, we’re left with a serviceable but incredibly forgettable and generic science fiction flick. Continue reading “REVIEW: Outside the Wire (2021)”

REVIEW: WandaVision – Episodes 1 and 2

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Elizabeth Olsen is Wanda Maximoff and Paul Bettany is Vision in Marvel Studios’ WANDAVISION, exclusively on Disney+. — Photo: Disney+ / Marvel Studios.

The following is a recap and review of the first and second episodes of WandaVision, available exclusively on Disney+. Expect story spoilers and general Marvel Cinematic Universe spoilers. 

When we last saw Wanda Maximoff (played by Elizabeth Olsen), she attended Tony Stark’s funeral at the end of Avengers: Endgame. However, the last time we saw Vision (played by Paul Bettany) he was lying lifeless on the ground after Thanos had ripped out the mind stone from Vision’s forehead in Avengers: Infinity War. Therefore it would be a massive understatement to say that it is more than odd to see Vision and Wanda together in a 1950s, or 1960s, sitcom-style television series in Marvel Studios’ first Disney+ series WandaVision. Continue reading “REVIEW: WandaVision – Episodes 1 and 2”

REVIEW: The Mandalorian – Seasons One and Two (2019/2020)

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‘The Mandalorian,’ Still Image — Photo: Disney / Disney Plus / Lucasfilm.

Had it not been for the fact that I think there is a notable jump in quality from the first to the second season of the Disney+ Original series, it would’ve been really difficult for me to separate the two first seasons of the first-ever Star Wars live-action series. You see, while, for Americans, there was an entire year in between the two seasons, Disney+ didn’t arrive in Denmark until September of 2020, and Disney made the decision to release the first season week-by-week. They did this so that when it ended, the second season would be ready to begin, but they also did it in an attempt to keep people on the streaming service for as long as possible. Continue reading “REVIEW: The Mandalorian – Seasons One and Two (2019/2020)”

REVIEW: Richard Jewell (2019)

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‘Richard Jewell,’ Still Image — Photo: Claire Folger / Warner Bros.

Directed by Clint Eastwood — Screenplay by Billy Ray.

There is a lot to say when it comes to Clint Eastwood’s Richard Jewell, which is a biopic about the security guard who discovered a bomb during the 1996 Summer Olympics in Atlanta, then alerted authorities, and was later wrongly accused of having planted it. While the film is not without problems, on the whole, I thought that Clint Eastwood’s 2019 picture was a success. This is a heartbreaking and infuriating film about the investigation into the Centennial Olympic Park bombing and the media circus and harsh media trial that followed as a result of an FBI leak, and at the center of the film is a breakthrough performance that I don’t think got the praise it deserved. Continue reading “REVIEW: Richard Jewell (2019)”

REVIEW: Soul (2020)

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‘Soul,’ Still Image — Photo: Disney / Pixar.

Directed by Pete Docter — Screenplay by Pete Docter, Mike Jones, and Kemp Powers.

For years, critics all over the world have praised Pixar for their storytellers’ ability to make animated films that appeal to people of all ages. Often animated films will only reserve a couple of jokes to please parents and other adults, but Pixar tends to go the extra mile and provide us with films that enthrall both children and adults such as Coco, Up, and the Toy Story-films. However, with their latest film, Pete Doctor’s Soul, I think that Pixar has made an animated film that actually appeals more to adults than children. I have even had conversations with friends, who agree that Pixar’s latest great animated film actually feels like a film designed primarily for a grown-up audience. However, even though that could be true, Pete Docter’s Soul is yet another home run from an exceptional animation studio that is as good as it has ever been. Continue reading “REVIEW: Soul (2020)”

Additional Bite-Sized Reviews, Dec. ’20: ‘Unhinged,’ ‘The Good Traitor,’ and ‘Equinox’

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‘Vores Mand i Amerika,’ Still Image — Photo: Katalin Vermes / Nimbus Film.

In the first-ever monthly movie and television catch-up article series titled ‘Additional Bite-Sized Reviews,’ I take a look at a solid Danish film from 2020, I tell you whether or not you should watch the new Danish television series that was released on Netflix on New Year’s Eve, and I also finally tell you what I think about the Russell Crowe starring vehicle Unhinged. Continue reading “Additional Bite-Sized Reviews, Dec. ’20: ‘Unhinged,’ ‘The Good Traitor,’ and ‘Equinox’”