Sometimes biopics — or biographical pictures — get a bad rap. Some people think of them merely as Wikipedia entries on the big screen, others think they just exist for studios to promote during awards season — people like to say that biopics are Oscar-bait. But today I want to showcase my ten favorite biographical pictures of the 2010s. I’ll also preface this list by saying that I reserve the right to change this list for the remainder of 2019 in case something new is good enough to make it onto this list. Continue reading “Best of the 2010s: Top Ten Biographical Pictures”→
We are already halfway through the year. 2019 isn’t coming to an end just yet, but we’ve already seen plenty of shows, episodes, or movies that we’ll remember the year for. In today’s article, you’ll find bite-sized notes and comments on the best films, shows, or performances from the first half of the year. Sure, my official awards winners and top tens won’t be published until the end of the year, but this is a great milestone or halfway-mark to look back upon some day in the future. Please follow the links below to read individual reviews of each film or series. Continue reading “Halfway Through the Year: 2019 – Special Features #52”→
The following is a review of Us — Directed by Jordan Peele.
No directorial debut this decade has made as much noise as Jordan Peele’s Get Out did. The social-horror film was made by a comedian from a popular two-man sketch comedy group who, as it turned out, had his finger on the pulse of America. Get Out is not just one of the most discussed films of the decade, it’s also one of the most interesting, one of the most rewatchable, and, arguably, one of the best. Though Us may not be as sharp, potent, or intelligent as Get Out, Peele here proves that he is no one-hit wonder. Get Out wasn’t a fluke, Jordan Peele knows exactly what he’s doing. Continue reading “REVIEW: Us (2019)”→
The following is a review of Marvel Studios’ Black Panther — Directed by Ryan Coogler.
We’ve seen plenty of superhero films before. We’ve seen superhero films with social commentary before. We’ve had people of color as the leads of comic book films before — you need only look at the forgotten Blade-trilogy, which definitely deserves a rewatch, to figure that out. Continue reading “REVIEW: Black Panther (2018)”→
The following is a review of Disney’s The Jungle Book, a Jon Favreau Film. The reviewed film was seen in IMAX 3D.
Jon Favreau is a great director that has shown his talents both with blockbusters, like Iron Man, and with smaller, personal films, like Chef, so when he was announced for the ‘live-action’ Disney remake of the famous Rudyard Kipling stories the film community was very excited. I am so happy to write here that The Jungle Book might be the very best film Favreau has ever made, as well as Disney’s best attempt at improving and updating an animated classic. Continue reading “REVIEW: The Jungle Book (2016)”→
The following is a spoiler review for 12 Years A Slave.
At the 86th Academy Awards in early 2014, 12 Years A Slave was nominated for 9 awards, and only American Hustle & Gravity were nominated for more (both 10). In a less stellar year for movies — and with a little bit of luck on their side — Ejiofor and Fassbender might have left the night with Academy Awards, but, in the end, the film only received 3 Oscars. But it did receive the most important award of them all – Best Picture. And the film deserves the honor. Continue reading “REVIEW: 12 Years A Slave (2013)”→