Sometimes biopics — or biographical pictures — get a bad rap. Some people think of them merely as Wikipedia entries on the big screen, others think they just exist for studios to promote during awards season — people like to say that biopics are Oscar-bait. But today I want to showcase my ten favorite biographical pictures of the 2010s. I’ll also preface this list by saying that I reserve the right to change this list for the remainder of 2019 in case something new is good enough to make it onto this list. Continue reading “Best of the 2010s: Top Ten Biographical Pictures”→
The BAFTAs are over. The Oscars are over. The book on 2018 films is about to be closed, but, wait, there’s more! Before we switch our focus completely onto the films of 2019 and the future awards season, I’d like to, as always, submit and present my own top ten films of the year-list. What was my favorite film of the year? What film got the honor of being my one and only honorable mention? It’s time to reveal the top ten films of 2018. Continue reading “Top Ten Films of 2018”→
The film nominations for the 2019 Golden Globe Awards have been announced. As always there are surprises, and, of course, there are some snubs that really hurt. In Special Features #36, I present you with the complete film nominations list as well as five reaction sections to the film nominations. In short: Oh, Hollywood Foreign Press Association, I am so angry with you today. Continue reading “Golden Globes Film Nominations: Reaction – Special Features #36”→
The following is a review of Widows — Directed by Steve McQueen.
Based on Linda La Plante’s 1980s crime drama of the same name, Widows is only the fourth feature film from Academy Award, BAFTA Award, and BFI Fellowship-winning film director Steve McQueen, who has now teamed up with crime writer Gillian Flynn (Gone Girl & Sharp Objects). After having made films about Irish history, sex addiction, and the American history of slavery, McQueen’s latest film tackles themes such as class, politics, and gender via an audience-pleasing genre. Continue reading “REVIEW: Widows (2018)”→
Believe it or not, 2017 is coming to an end. Sure, we’re still in October, but, before you know it, Thanksgiving will have come and gone and you’ll be ready to unpack Christmas presents. This year has gone by so fast. So, today I want to take a look at what films we should look forward to in 2018. Continue reading “2018 Movie Preview – Special Features #7”→
As always Favorite Thespians contains three separate sections: one section on the first film I saw the thespian in (“On My Radar”), another section on 5 films you need to see to know the thespian (“Homework”), and a section on my favorite performance from him/her. This month I’m focusing on a guy who might be the most underappreciated actor working today: Chiwetel Ejifor. Continue reading “Favorite Thespians #5 – Chiwetel Ejiofor”→
As always Favorite Thespians contains three separate sections: one section on the first film I saw the thespian in (“On My Radar”), another section on 5 films you need to see to know the thespian (“Homework”), and a section on my favorite performance from him/her. This month I’m focusing on one of my favorite actors right now, Michael Fassbender. Continue reading “Favorite Thespians #4 – Michael Fassbender”→