When British filmmaker Sir Steve McQueen makes a film, you pay attention. McQueen has quietly become one of the best directors of his generation with critical darlings such as the perhaps underseen Michael Fassbender-led films Hunger and Shame, the Oscar-winning Solomon Northup-biopic 12 Years a Slave, and his 2018 heist film Widows, which did not get the awards attention it deserved. In 2020, McQueen released a collection of films — an anthology — titled Small Axe at film festivals and later on, for example, BBC or Prime Video (on the Danish Broadcasting Corporation’s streaming service in my territory).Continue reading “REVIEWS: Steve McQueen’s ‘Small Axe’ Film Series (2020)”
The BAFTAs are over. The Oscars are over. The book on 2018 films is about to be closed, but, wait, there’s more! Before we switch our focus completely onto the films of 2019 and the future awards season, I’d like to, as always, submit and present my own top ten films of the year-list. What was my favorite film of the year? What film got the honor of being my one and only honorable mention? It’s time to reveal the top ten films of 2018. Continue reading “Top Ten Films of 2018”
The film nominations for the 2019 Golden Globe Awards have been announced. As always there are surprises, and, of course, there are some snubs that really hurt. In Special Features #36, I present you with the complete film nominations list as well as five reaction sections to the film nominations. In short: Oh, Hollywood Foreign Press Association, I am so angry with you today. Continue reading “Golden Globes Film Nominations: Reaction – Special Features #36”
The following is a review of Widows — Directed by Steve McQueen.
Based on Linda La Plante’s 1980s crime drama of the same name, Widows is only the fourth feature film from Academy Award, BAFTA Award, and BFI Fellowship-winning film director Steve McQueen, who has now teamed up with crime writer Gillian Flynn (Gone Girl & Sharp Objects). After having made films about Irish history, sex addiction, and the American history of slavery, McQueen’s latest film tackles themes such as class, politics, and gender via an audience-pleasing genre. Continue reading “REVIEW: Widows (2018)”
Believe it or not, 2017 is coming to an end. Sure, we’re still in October, but, before you know it, Thanksgiving will have come and gone and you’ll be ready to unpack Christmas presents. This year has gone by so fast. So, today I want to take a look at what films we should look forward to in 2018. Continue reading “2018 Movie Preview – Special Features #7”
As always Favorite Thespians contains three separate sections: one section on the first film I saw the thespian in (“On My Radar”), another section on 5 films you need to see to know the thespian (“Homework”), and a section on my favorite performance from him/her. This month I’m focusing on a guy who might be the most underappreciated actor working today: Chiwetel Ejifor.
Continue reading “Favorite Thespians #5 – Chiwetel Ejiofor”
As always Favorite Thespians contains three separate sections: one section on the first film I saw the thespian in (“On My Radar”), another section on 5 films you need to see to know the thespian (“Homework”), and a section on my favorite performance from him/her. This month I’m focusing on one of my favorite actors right now, Michael Fassbender.
Continue reading “Favorite Thespians #4 – Michael Fassbender”
The following is a spoiler review for 12 Years A Slave.
At the 86th Academy Awards in early 2014, 12 Years A Slave was nominated for 9 awards, and only American Hustle & Gravity were nominated for more (both 10). In a less stellar year for movies — and with a little bit of luck on their side — Ejiofor and Fassbender might have left the night with Academy Awards, but, in the end, the film only received 3 Oscars. But it did receive the most important award of them all – Best Picture. And the film deserves the honor. Continue reading “REVIEW: 12 Years A Slave (2013)”