REVIEW: Cargo (2018)

Release Poster – Netflix

The following is a review of Cargo — Directed by Yolanda Ramke & Ben Howling.

Cargo is a post-apocalyptic thriller set in Australia wherein Martin Freeman plays a father who is running out of time. After having been infected by a virus, he now needs to find a place for his very young daughter, and a person — a guardian — that can look out for her and raise her, because sooner or later even he will turn into one of the zombie-like infected brain-eaters that roam the Australian wilderness. Continue reading “REVIEW: Cargo (2018)”

REVIEW: 13 Reasons Why – Season Two (2018)

Release Poster – Netflix

The following is a review of the second season of 13 Reasons Why — Developed by Brian Yorkey.

When I reviewed the first season of 13 Reasons Why, which I thought was a very good and, certainly, important season of television, I ended up saying that it was must-watch television and that it would be irresponsible for parents to ignore it. Continue reading “REVIEW: 13 Reasons Why – Season Two (2018)”

REVIEW: The Week Of (2018)

Release Poster – Netflix

The following is a review of The Week Of — Directed by Robert Smigel.

Although Adam Sandler is in (and is great in) Noah Baumbach’s The Meyerowitz Stories (New and Limited), which is a film that Netflix acquired the distribution rights to, the straight-to-Netflix Adam Sandler films — the true Netflix productions — haven’t exactly been great. When I saw the first trailer for The Week Of — his latest Netflix original film — I was convinced that this would be an improvement on films like The Do-Over and The Ridiculous Six. I was wrong.
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REVIEW: Kodachrome (2018)

Release Poster – Netflix

The following is a review of Kodachrome — Directed by Mark Raso.

Kodachrome is a road trip drama film based on a New York Times-article. The film follows record executive Matt Ryder (played by Jason Sudeikis) who has fallen out of favor with his boss, but to keep his job Matt has promised his boss that he will manage to sign the band Spare Sevens, even though that is probably never happening. Continue reading “REVIEW: Kodachrome (2018)”

Should Netflix Films Be Eligible for the Oscars? – Special Features #21

I have reviewed many Netflix films, and I really enjoy doing that. These are films that are, in most cases, released at the same time for everyone everywhere. That is genuinely a good consumer-friendly distributing system. Sure, some of these films are godawful, but sometimes among the ‘Netflix films of the week’ something truly special appears on the streaming service. Continue reading “Should Netflix Films Be Eligible for the Oscars? – Special Features #21”

REVIEW: Game Over, Man! (2018)

Release Poster – Netflix

The following is a review of Game Over, Man! — A Netflix Film.

Game Over, Man! is an action-comedy very clearly inspired by Die Hard, even though the title of this film, for some odd reason, refers to a popular Bill Paxton quote from Aliens. This film, however, follows three housekeepers working at a hotel capable of attracting wealthy individuals and celebrities for late night partying. Continue reading “REVIEW: Game Over, Man! (2018)”

REVIEW: ANNIHILATION (2018)

Release Poster – Netflix

The following is a review of ANNIHILATION — Directed by Alex Garland.

There is this really sad quote about daring cinema that I once found as I was searching the Web for some interesting thoughts on the film industry. Actor and filmmaker Sean Penn reportedly once said that “if you put three thoughts into a movie, you’ve broken the law and no one will come [see it].” It is a quote that I’ve used before to describe cerebral cinema that was rejected by audiences. But I think the quote’s best companion piece is Alex Garland’s ANNIHILATION, a smart science-fiction film that was literally cast aside by a major studio because the film ‘broke that law.’
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REVIEW: The Outsider (2018)

Release Poster – Netflix

The following is a review of The Outsider — Directed by Martin Zandvliet.

Winning an Oscar used to mean an actor would get a bigger push. It used to really mean something. But in the case of Jared Leto, who won an Oscar for his transformative performance in the mostly forgotten biopic Dallas Buyers Club, it hasn’t really meant that much, other than the fact that films like The Outsider can put ‘Academy Award winner’ on its poster.  Continue reading “REVIEW: The Outsider (2018)”

30 Things 2017 Taught Cinephiles, Critics, and the Industry – Special Features #18

In true Jedi Master-fashion, every year in film provides us with lessons and guides that form trends and a changing landscape in the filmmaking industry. 2017 was a great year for film, and today I want to talk about the lessons that I will remember 2017 for. Continue reading “30 Things 2017 Taught Cinephiles, Critics, and the Industry – Special Features #18”

5th I’m Jeffrey Rex Awards, Part Two – 2017

This is it. The second half of the 5th annual I’m Jeffrey Rex Awards is ready, and this is the big half, to me. The awards that I’ll go through today are focused on film and documentaries, and I specifically wanted to get these out of the way before the Oscars were held. However, as I am a Dane, there are some films that have been deemed ineligible for these awards due to the fact that they (films like Lady Bird and The Post) will not be released in Denmark until April. Keep that in mind. Without further ado, let’s get to it.
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