Tag: Anthony Mackie

The Electric State (2025) | REVIEW

Millie Bobby Brown as ‘Michelle’ alongside Cosmo the robot in THE ELECTRIC STATE — PHOTO: Netflix (Still image from trailers).

Directed by Anthony and Joe Russo — Screenplay by Christopher Markus and Stephen McFeely.

Based on Simon Stålenhag’s retro-futurist illustrated novel Passagen (international title: The Electric State), Anthony and Joe Russo’s The Electric State is set in the 1990s after the events of a war between humans and robots (who were apparently created by Walt Disney in this universe), which has changed our world immensely. Humanity won the war and banished all robots into an exclusion zone, while humanity decided to become sedentary with VR helmets (called Neurocasters) that allow you to upload your mind and control drone robots, as avatars for yourself in the real world. In this world, we meet Michelle (played by Millie Bobby Brown), who lost her family in a car crash and who refuses to wear these modern helmets. One day, she meets and befriends a robot named Cosmo (voiced by Alan Tudyk). Together, they team up for a mission that will take them across the dystopian world and into the exclusion zone. Along the way, she meets and befriends a war veteran, Keats (played by Chris Pratt), who has a very good friendship with a robot named Herman (voiced by Anthony Mackie).

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Captain America: Brave New World (2025) | REVIEW

Red Hulk (Harrison Ford) hulking out in CAPTAIN AMERICA: BRAVE NEW WORLD — PHOTO: Walt Disney Studios Motion Pictures.

Directed by Julius Onah — Screenplay by Rob Edwards, Malcolm Spellman, Dalan Musson, Julius Onah, and Peter Glanz.

Despite the huge success of Deadpool & Wolverine last year, the Marvel Cinematic Universe is in an unsteady moment currently due to an inundation of Disney+ series, and several rushed and poorly received films. In the post-Avengers: Endgame era, Marvel Studios still needs to get back on track, and, unfortunately, Captain America: Brave New World isn’t the film to do that. Though it’s not the worst film in the connected universe of films, I believe that it is, however, a lower-tier MCU film that feels messy, tinkered with, and sometimes even soulless. This is despite the fact that certain elements and scenes are quite satisfying. Although Marvel die-hards will probably still have a decent-enough time with it, but outside of the massive Red Hulk sequence teased in the marketing, the film arguably fails to justify its existence on the big screen. 

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REVIEW: Ghosted (2023)

Ana de Armas and Chris Evans in “Ghosted,” now streaming on Apple TV+.

Directed by Dexter Fletcher — Screenplay by Rhett Reese, Paul Wernick, Chris McKenna, and Erik Sommers.

A romantic action-comedy from the director of Rocketman, with a screenplay from the writers of Deadpool and Spider-Man: No Way Home, and starring Captain America himself and the Oscar-nominated star of Blonde and Knives Out (who, notably, proved her action chops with a memorable appearance in the James Bond flick No Time to Die) sure sounds like a winning combination. Apple TV+’s Ghosted is a film with so much marketable talent that it has several major cameos that almost feel crammed in there. However, even though this is a project that has attracted a lot of talent, Ghosted is a largely ineffective romantic action comedy where neither the romantic, action, nor comedic elements work all that well. 

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REVIEW: We Have A Ghost (2023)

David Harbour and Anthony Mackie in WE HAVE A GHOST — PHOTO: NETFLIX.

Directed by Christopher Landon — Screenplay by Christopher Landon.

Christopher Landon is a rather interesting up-and-coming horror filmmaker. Reportedly scheduled to remake Frank Marshall’s Arachnophobia, Landon has made a career off taking well-trod genre fare and giving it a modern feel and often with a comedic slant. Among other things, he co-wrote D. J. Caruso’s Disturbia (a thriller that is so close to Alfred Hitchcock’s Rear Window in the concept that it led to a lawsuit) and several Paranormal Activity films, before he became a household name for horror film fans by writing and directing his Happy Death Day films (slasher comedies that runs with the time-loop concept from Harold Ramis’ Groundhog Day) and Freaky, 2020s horror comedy reinterpretation of the classic body swap story Freaky Friday. His latest film, We Have A Ghost, is similarly placed squarely in the horror-comedy genre-blend and it, too, wears its inspirations on its sleeves. Most of Landon’s previous films as a director have been decent-to-good, and although We Have A Ghost doesn’t reach its full potential, it’s still a pretty decent but derivative little family film. 

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REVIEWS: MCU Series on Disney+ – Year One (2021): ‘WandaVision,’ ‘Loki,’ ‘Hawkeye,’ and More

Paul Bettany as Vision in Marvel Studios’ WANDAVISION, exclusively on Disney+. — Photo: Disney+ / Marvel Studios.

Disney’s Marvel Studios — the masterminds and architects of the global cinematic sensation, the Marvel Cinematic Universe — now also spends a lot of time on TV/Streaming shows due to the arrival of the streaming service Disney+, which Disney knows can thrive on several shows aimed at the Marvel and Star Wars fandoms. In the first year with MCU content straight-to-Disney+, Disney and Marvel Studios gave us four live-action series and one premier animated show. In this article, I’ll take a look at each of the ‘first-year’ shows in bite-sized reviews.

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Additional Bite-Sized Reviews, Summer ’21, Pt. 2: ‘The Fear Street Trilogy,’ ‘Bad Trip,’ and More

Maya Hawke as Heather in FEAR STREET PART ONE: 1994 – Photo: Netflix.

In this edition of my monthly movie and television catch-up article series titled ‘Additional Bite-Sized Reviews,’ I talk about my experience of trying to catch-up on some of the 2021 films released earlier this year, including an entire trilogy of films! What did I think about the Fear Street-films? Is the Rear Window-inspired flick, The Woman in the Window, worth a watch? Is Bad Trip, the hidden camera comedy, funny enough for its runtime? Are Doug Liman and Alexandre Aja’s latest films any good? Well, scroll down to find out in another jam-packed edition of Additional Bite-Sized Reviews!

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REVIEW: Outside the Wire (2021)

Outside the Wire Image
‘Outside the Wire,’ — Photo: Jonathan Prime / Netflix.

Directed by Mikael Håfström — Screenplay by Rob Yescombe & Rowan Athale.

In 2020, Netflix found some success by placing a Marvel star in a fast-paced action movie with a somewhat forgettable plot with the Chris Hemsworth-led Extraction, which I liked. Now, in 2021, Netflix is hoping that they can do the same thing again with Outside the Wire, a science fiction action film starring Anthony Mackie, from the director of the John Cusack-led 1408, which I actually also like quite a bit. Unfortunately, Outside the Wire is nowhere near as effective of an action film as Extraction was, and they forgot to make it as fast-paced as the aforementioned film. Instead, we’re left with a serviceable but incredibly forgettable and generic science fiction flick. Continue reading “REVIEW: Outside the Wire (2021)” →

Feige Announces MCU Phase Four at San Diego Comic-Con – Special Features #54

Some people in the industry may have been questioning the future viability of Marvel’s Cinematic Universe after the incredible infinity saga came to an end recently. If Spider-Man: Far From Home didn’t convince the naysayers, then what Kevin Feige and Marvel Studios announced last night certainly did. Today, let’s talk about the Marvel Studios announcements at the 2019 San Diego Comic-Con. Continue reading “Feige Announces MCU Phase Four at San Diego Comic-Con – Special Features #54” →

REVIEW: IO (2019)

Release Poster – Netflix

The following is a review of IO — Directed by Jonathan Helpert.

Netflix is starting to build itself a — let’s call it — ‘fascinating’ library of original films. The service is filled to the brim with poor-to-average comedies, many of which feature Adam Sandler and his friends, and yet Netflix has started to make a name for itself as a place where unconventional or unmarketable films from great, noteworthy filmmakers are given a global reach.

But, in between these two piles of films of varying success, a film like IO exists. IO has a small but recognizable cast, the film is made by an up-and-coming filmmaker, and it struggles with themes present in films that sci-fi aficionados adore. Continue reading “REVIEW: IO (2019)” →

The Next Lando – Dagobah Day #19

Dagobah Day - 2016

A couple of days ago, The Wrap reported that Lando Calrissian will be appearing in the Han Solo anthology film! Now, we haven’t gotten that confirmed yet, and we don’t know how much he’ll be in the film, if he is indeed in it. But Birth.Movies.Death have reported that Community‘s Donald Glover is the first choice for the part, which obviously makes me happy. But let’s today talk about who could, or should, play Lando if Glover doesn’t take the role. Continue reading “The Next Lando – Dagobah Day #19” →