The New Golden Age of Television continued in 2018 with yet another great year of television. This must be reiterated year after year — yes, even in a year without Game of Thrones — 2018 continued that age, or trend, in which television is as effective as, or even more so than, cinema. For some, television of 2018 is defined best by the return of the increasingly confounding Westworld, and, for others like me, it is best defined by limited series that kept my attention far better than most long-running shows. Continue reading “Top Ten TV-Shows of 2018”→
It’s the final day of 2018. What that means is that it is time to reveal the first half of my personal 2018 awards winners. This list will honor what I consider to be the best in song, heroics, and television. To see a complete of the nominees, click here. Also, do remember that the film nominations will be revealed in early 2019. Continue reading “6th I’m Jeffrey Rex Awards, Part One – 2018”→
The following is a review of Creed II — Directed by Steven Caple, Jr.
Back in early July this year, I watched and reviewed the highly anticipated sequel to Denis Villeneuve’s Sicario. The sequel subtitled Day of the Soldado was directed by Stefano Sollima and his film provided us with a perfect example of just how wrong it can go when you make a change in the director’s chair for a sequel. Day of the Soldado was offensive and hollow, and it is one of the biggest film disappointments of the year for me. Continue reading “REVIEW: Creed II (2018)”→
The following is a review of Spider-Man: Into the Spider-Verse — Directed by Bob Persichetti, Peter Ramsey, and Rodney Rothman
The late, great, legendary film critic Roger Ebert opened his review of my favorite Spider-Man film, Sam Raimi’s Spider-Man 2, with the line: “Now this is what a superhero movie should be,” a sentence that feels pretty appropriate to use today when describing the first of, likely, many theatrically released Sony Pictures Animation Spider-Man-related films because Into the Spider-Verse is a special movie in virtually every way imaginable. Continue reading “REVIEW: Spider-Man: Into the Spider-Verse (2018)”→
The following is a review of A Star is Born — Directed by Bradley Cooper.
There is a scene towards the end of the film, where Sam Elliott’s character gives a speech about twelve notes, an octave, and the same story being told over and over again. This feels like first-time director Bradley Cooper’s attempt to justify remaking the A Star is Born story for the third time — the industry is cyclical and only the artists can make new attempts unique. Continue reading “REVIEW: A Star is Born (2018)”→
The following is a review of First Man — Directed by Damien Chazelle.
Do kids still dream of becoming astronauts? — That is one of the many things I thought of after I saw First Man — the latest film from Damien Chazelle (Guy and Madeline on a Park Bench; Whiplash; La La Land). When I was a kid I remember I sometimes would play and try to jump in slow motion, because I imagined that would be what it would be like to jump on the moon. Continue reading “REVIEW: First Man (2018)”→
The following is a review of the fifth season of BoJack Horseman — Created by Raphael Bob-Waksberg.
Orange is the New Black, House of Cards, Daredevil, GLOW, The Crown, or Stranger Things? — Over the years there have been many Netflix favorites for the streaming audience, but, in my opinion, no Netflix show has managed to be consistently great for as long as BoJack Horseman has. Though I might say The Crown is currently the best live-action Netflix show, I feel confident in saying that BoJack Horseman is the greatest show on the streaming service — and the fifth season is just as excellent as the one that came before it. Continue reading “REVIEW: BoJack Horseman – Season Five (2018)”→
The following is a review of Avengers: Infinity War — Directed by The Russo Brothers.
“To challenge them is to court death,” the Other, a servant, said to the ‘Mad Titan’ Thanos in the mid-credits scene of 2012’s The Avengers, which was the culmination of the first phase of the Marvel Cinematic Universe. Four years earlier, at the end of 2008’s Iron Man, the mysterious Nick Fury kicked-off the cinematic universe by telling Tony Stark about the ‘Avengers Initiative.’ A lot has happened since then — misfits and unlikely heroes have teamed up to save foreign worlds, a teenage wall-crawler has protected his neighborhood, and long-lasting friendships have been torn apart by the actions of a brainwashed super-soldier. Continue reading “REVIEW: Avengers: Infinity War (2018)”→
The following is a review of You Were Never Really Here — Directed by Lynne Ramsay.
After I saw Lynne Ramsay’s You Were Never Really Here the day before yesterday, I decided to reread one of Roger Ebert’s excellent reviews of Taxi Driver — the Scorsese classic which this Lynne Ramsay film, rightly, has been compared to a lot. In the review, Ebert smartly noted that Travis Bickle’s response to his own iconic line “Are you talking to me?” — “Well, I’m the only one here,” — was the truest line in a film about loneliness and alienation. Continue reading “REVIEW: You Were Never Really Here (2018)”→
It is almost time for the 90th Academy Awards, and that, of course, means that I have to show you what films I believe to be the very best of 2017. I’ve got my blog awards, the final half of which I released a few days ago, but the top ten list is probably my favorite annual year-in-review article that I publish. So, let us now have a look at the very best films of the great year for film that 2017 was. Continue reading “Top Ten Films of 2017”→