Tag: Steven Spielberg

Indiana Jones and the Dial of Destiny (2023) | REVIEW

A de-aged Harrison Ford in INDIANA JONES AND THE DIAL OF DESTINY — PHOTO: Walt Disney Studios Motion Pictures.

Directed by James Mangold (Ford v Ferrari) — Screenplay by Jez Butterworth, John-Henry Butterworth, David Koepp, and James Mangold.

When it was first announced that Steven Spielberg was not going to direct this fifth and supposedly final Indiana Jones big-screen adventure, I’m sure I wasn’t the only one who was filled with a feeling of trepidation. After all, even though Indiana Jones and the Kingdom of the Crystal Skull — the fourth Indiana Jones film and the final of the bunch that was directed by Spielberg — was met with harsh criticism from vocal online parts of the fandom, it still occasionally has that infectious Spielbergian magic and bravura (and it isn’t as bad as its online reputation suggests). Lucasfilm instead lined up Logan and Ford v Ferrari director James Mangold to take over as director of a film that also wouldn’t have co-creator George Lucas as a credited screenwriter. So, these were definitely uncharted waters for Indiana Jones fans. It did feel wrong to see it go on without Spielberg and Lucas, but, based on his talent as a filmmaker and his excellent recent filmography, I honestly trusted James Mangold to be the steady hand this endeavor needed. Having now seen the film, I can say that while you definitely feel Spielberg’s absence, Mangold has managed to make a genuinely affecting action-adventure film. I really enjoyed it.

Continue reading “Indiana Jones and the Dial of Destiny (2023) | REVIEW” →

Steven Spielberg’s Indiana Jones Films | REVIEWS

Harrison Ford as Indiana Jones standing next to the Golden Idol in RAIDERS OF THE LOST ARK — PHOTO: Paramount Pictures.

Putting into words exactly how much Indiana Jones means to me is not an easy feat. What I can say is that it holds a special place in my heart, and had the film series not existed I can say that I would have been a different person. Without Indiana Jones, I would not have pursued an archaeology school internship when I was very young. without Indiana Jones, I would not have been as excited to pursue academia. I can trace so many of my interests back to these films. They mean a lot to me. But I had never previously sat down to watch them with a critical eye and with the purpose of reviewing them. So, as Indiana Jones was set to make his return to the big screen this week with James Mangold’s Indiana Jones and the Dial of Destiny, I decided to finally review the four Indiana Jones films that Steven Spielberg directed.

Continue reading “Steven Spielberg’s Indiana Jones Films | REVIEWS” →

Top Ten Films of 2021

This is a list of the best films of 2021. There are many like it, but this one is mine. It is a little late, but pay it no mind. The film industry in 2021, like 2020, was still impacted somewhat by the COVID-19 Pandemic, though obviously not as much as 2020 was. It was a year that, to me, showed a lot of problems for the theater industry, as it was starting to look like film fans had become comfortable waiting for films to hit streaming services rather than to see them in theaters. Because exactly what films became hits last year? Like others have noted, they were pretty much all franchise films. In a way, it feels like HBO Max may have made it easy for American audiences to let go of the moviegoing experience, but, hopefully, the movie theaters will thrive again soon.

Continue reading “Top Ten Films of 2021” →

REVIEW: West Side Story (2021)

The Jets, The Sharks, and Tony & Maria in Spielberg’s West Side Story – Photo: 20th Century Studios.

Directed by Steven Spielberg – Screenplay by Tony Kushner.

If you’ve been thinking that another West Side Story is pretty unnecessary, then you’re not alone. After all, Robert Wise and Jerome Robbins’ 1961 musical film adaptation of the Romeo & Juliet-inspired Broadway stage play ended up with eleven Oscar nominations and won in ten of those categories including Best Picture. Often regarded as one of the greatest musical films of all time, the 1961 film has made people very familiar with the story. So, did we need Steven Spielberg to make a new version of the stage play? No, we definitely didn’t. But here’s the thing. Let’s be honest, we also didn’t technically need another Batman reboot. We didn’t technically need three different live-action Spider-Men in the last twenty years. However, even though we didn’t need those films, just like how I loved the vast majority of the Spider-Man films, as well as the new Batman flick, I have to say that Steven Spielberg’s West Side Story is just wonderful. We didn’t need it, but I’m glad we now have it.

Continue reading “REVIEW: West Side Story (2021)” →

Early 93rd Academy Awards Predictions – Special Features #63

I really enjoyed doing this for the last two years, so it’s happening again! It has become a tradition of mine. The 92nd Academy Awards ceremony was only just held a few days ago, and I’ve only seen, like, a handful of films from 2020 at this point. I think I have a pretty good idea of what is coming out this year, though. So, without further ado, let’s get to it. Continue reading “Early 93rd Academy Awards Predictions – Special Features #63” →

Best of the 2010s: Top Ten Biographical Pictures

Sometimes biopics — or biographical pictures — get a bad rap. Some people think of them merely as Wikipedia entries on the big screen, others think they just exist for studios to promote during awards season — people like to say that biopics are Oscar-bait. But today I want to showcase my ten favorite biographical pictures of the 2010s. I’ll also preface this list by saying that I reserve the right to change this list for the remainder of 2019 in case something new is good enough to make it onto this list. Continue reading “Best of the 2010s: Top Ten Biographical Pictures” →

18 Lessons 2018 Taught Cinephiles and the Film Industry – Special Features #40

That’s right, people, it’s a tradition now. Last year, I wrote an article about the lessons that cineastes and the industry were taught by 2017. So, now, for the second year in a row, I’m ready to present you with a thorough list of the most interesting lessons that we were all taught by cinema, the film industry, or the studio system this year. Continue reading “18 Lessons 2018 Taught Cinephiles and the Film Industry – Special Features #40” →

If You Like HBO’s WESTWORLD, Then Watch These Films

This month’s recommendation post is going to go a bit differently than the last one. You see, these recommendations aren’t based on a new film release, but rather on the second season of a hit HBO show, which comes to an end this Sunday. HBO’s Westworld is a great show. So, if you need something similar to watch after you’ve seen the final episode of season two this Sunday, then have a look at my seven film suggestions for you to watch if you are a fan of HBO’s Westworld. Continue reading “If You Like HBO’s WESTWORLD, Then Watch These Films” →

Should Netflix Films Be Eligible for the Oscars? – Special Features #21

I have reviewed many Netflix films, and I really enjoy doing that. These are films that are, in most cases, released at the same time for everyone everywhere. That is genuinely a good consumer-friendly distributing system. Sure, some of these films are godawful, but sometimes among the ‘Netflix films of the week’ something truly special appears on the streaming service. Continue reading “Should Netflix Films Be Eligible for the Oscars? – Special Features #21” →

REVIEW: Ready Player One (2018)

Theatrical Release Poster – Warner Bros. Pictures

The following is a review of Ready Player One — Directed by Steven Spielberg.

Steven Spielberg — you won’t find many directors as skilled as he is, and you probably won’t ever find a filmmaker with as good an eye for entertainment as he has. His name is etched into the world of film and pop culture, and there really are not many like him. It is pretty perfect for the director behind such films as Jurassic Park, the Indiana Jones-films, and E. T.: The Extra-Terrestrial to make Ready Player One — a film so drenched in nostalgia and popular nerd culture that it might as well have been called ‘Easter Egg: The Movie.’ Continue reading “REVIEW: Ready Player One (2018)” →