To paraphrase one of Hollywood’s all-time best awards hosts, it is a wonderful day for Oscar! Oscar, Oscar — who will win? In quite a few categories tonight, it seems we already know. But there are some genuine close calls this year with actress, costuming, and production design being particularly interesting. Read on below to find out which films I think will be the big winners tonight, where we all expect Christopher Nolan to be crowned for his achievements as the safest bet in Hollywood when it comes to visionary modern directors.
Cillian Murphy is outstanding as the titular theoretical physicist in Christopher Nolan’s OPPENHEIMER — PHOTO: Universal Pictures.
Directed by Christopher Nolan (Dunkirk; Tenet) — Screenplay by Christopher Nolan.
In 1965, famed physicist J. Robert Oppenheimer appeared on a television broadcast, and, on said broadcast, he gave an account of how people reacted and what went through his head during the so-called ‘Trinity Test’ in 1945, when Oppenheimer and a group of physicists had successfully created and detonated the first nuclear weapon. Oppenheimer claimed that a specific line from the Hindu scripture the Bhagavad Gita popped into his head: “Now I am become Death, the destroyer of worlds.” It is a chilling quote that has echoed through generations and had a life of its own. For the twelfth feature film in his oeuvre, the immensely popular auteur filmmaker Christopher Nolan opted to tell J. Robert Oppenheimer’s story. It’s a film about a man full of paradoxes, such as how he became a political figure with strong left-wing disarmament views but was also the man who is known for having willfully created a weapon that once dwarfed all others and forever changed warfare and foreign policy. But it is also a film that gets to the heart of the rot of the American soul in the 20th Century. It is an intimate account of the complicated headspace of a historically significant genius, but it is also a haunting and damning cautionary tale about learning the wrong lessons, naivete, guilt, covetousness, and ripple effects. It is an astoundingly brilliant achievement and much more than your average biopic.
We are already halfway through the year. 2019 isn’t coming to an end just yet, but we’ve already seen plenty of shows, episodes, or movies that we’ll remember the year for. In today’s article, you’ll find bite-sized notes and comments on the best films, shows, or performances from the first half of the year. Sure, my official awards winners and top tens won’t be published until the end of the year, but this is a great milestone or halfway-mark to look back upon some day in the future. Please follow the links below to read individual reviews of each film or series. Continue reading “Halfway Through the Year: 2019 – Special Features #52”→
Theatrical Release Poster – Walt Disney Studios Motion Pictures
The review does not include spoilers for Avengers: Endgame, (dirs. Anthony & Joe Russo) but you should absolutely expect spoilers for every film that came before it in the connected universe.
“All that for a drop of blood,” Thanos, the Mad Titan, groaned in 2018’s Avengers: Infinity War moments before Doctor Strange relinquished the time stone to save Tony Stark’s life. Soon the not-so-seasoned Avengers turned to dust. The teenaged talking tree, the brave wall-crawler, an African king with a seemingly impenetrable suit made to look like an anthropomorphic big cat, and a quippy, tricker-happy, 70s music-loving outlaw — all gone from one moment to the next. Those left standing were left to live with their mistakes, as the Avengers had now well and truly lost even though a Norse God, multiple supersoldiers, an eccentric billionaire, and a magical surgeon — to name a few — had fought long and hard to save fifty-percent of the known universe. They failed. If those sentences made no sense to you whatsoever, then Avengers: Endgame isn’t for you. If, however, you’ve been waiting to see — nay, obsessing about — what comes next for Earth’s Mightiest Heroes, then Endgame was designed for you. It is a somber epic like nothing you’ve ever seen before. Avengers: Endgame is peerless in scope and attention to detail, as well as moving from start to finish. Continue reading “REVIEW: Avengers: Endgame (2019)”→
Does the Academy have a plan B? I’m not sure. After the Kevin Hart fiasco, the Academy of Motion Picture Arts and Sciences now find themselves without the host that they had originally selected. Some are suggesting that they should have no host this year, but I don’t like that idea — there has to be a host at the Oscars. So, let’s help the Academy out. Here are my top ten Oscar host suggestions. Continue reading “Next Oscar Host – Special Features #37”→
The following is a review of Avengers: Infinity War — Directed by The Russo Brothers.
“To challenge them is to court death,” the Other, a servant, said to the ‘Mad Titan’ Thanos in the mid-credits scene of 2012’s The Avengers, which was the culmination of the first phase of the Marvel Cinematic Universe. Four years earlier, at the end of 2008’s Iron Man, the mysterious Nick Fury kicked-off the cinematic universe by telling Tony Stark about the ‘Avengers Initiative.’ A lot has happened since then — misfits and unlikely heroes have teamed up to save foreign worlds, a teenage wall-crawler has protected his neighborhood, and long-lasting friendships have been torn apart by the actions of a brainwashed super-soldier. Continue reading “REVIEW: Avengers: Infinity War (2018)”→
I don’t believe in the idea that general audiences have superhero fatigue. Each and every year it is the superhero films that comprise most of the spots on the list of the ten most successful films of the year. They make a lot of money, and a lot of them are pretty great. But some of these heroes are iconic, and even some of the performances are iconic. Today I want to honor the ten best superhero performances given by actors and actresses portraying these iconic characters. Continue reading “Best Superhero Performances – Special Features #12”→
The following is a review of Spider-Man: Homecoming – Directed by Jon Watts.
There is a great iconic comic book line that all movie lovers know these days. I am, of course, talking about the classic Uncle Ben quote: “With great power, comes great responsibility.” It is a line that was delivered well by Cliff Robertson in Sam Raimi’s Spider-Man. However, it was also poorly paraphrased in the disappointing reboot — Marc Webb’s The Amazing Spider-Man. Continue reading “REVIEW: Spider-Man: Homecoming (2017)”→
Today I’m revealing the first half of the 2016 nominations for this blog’s IJR Awards (I’m Jeffrey Rex Awards, but you probably already guessed that). The two legend awards (Film Legend and TV Legend) aren’t getting any nominees, instead I’ll reveal the winners, or honorees, in the eventual IJR Awards 2016 post. Continue reading “IJR Awards 2016: Nominations Announced, Part One of Two”→
Theatrical Release Poster – Marvel Studios – Walt Disney Studios Motion Pictures
The following is a spoiler-free review of Captain America: Civil War, a Anthony & Joe Russo film. The reviewed film was seen in IMAX 3D.
This is a spoiler-free review, and the review thus won’t go into anything else than what is in the trailers. If, however, I need to mention a location, plot-point, or a character that could spoil something in the film, then I’ll only hint at it.
I’ve wanted to see this story on the big screen for a very, very long time. It’s the one story I’ve always wanted them to make into a film, ever since I first read the comic book crossover from 2007 (Mark Millar’s Civil War). But to be perfectly honest with you, Captain America: Civil War is so much better than the comic book.
I'm Jeffrey Rex 