The Flash (2023) | REVIEW

Ezra Miller as ‘younger alternate reality Barry Allen’ and Sasha Calle as ‘Supergirl’ in THE FLASH — PHOTO: Warner Bros. Pictures

Directed by Andy Muschietti (IT: Chapters One and Two) — Screenplay by Christina Hodson (Birds of Prey) — Story by John Francis Daley, Jonathan Goldstein, and Joby Harold.

Few films have had as storied and controversial pre-release periods as that of Andy Muschietti’s The Flash. A live-action solo film about DC’s speedster has supposedly been on the drawing board since the 1980s, back when no one had even thought to consider multiverse movies or toxic fandoms. Over the years, the idea changed shape multiple times (and went through multiple filmmakers’ hands) from solo film to team-up film to guest appearance and back to solo film within the Zack Snyder-orchestrated DC Extended Universe (DCEU), as one of the follow-ups to Snyder’s Man of Steel. While we waited for this film to materialize, The CW’s shared TV-DC Universe, the Arrowverse, came and went with Grant Gustin portraying The Flash in a nine-season-long series of the same name, which just ended this year (and which, notably, featured an appearance from Ezra Miller — the actor chosen by Warner Bros. to play the speedster on the big screen).

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REVIEW: The Batman (2022)

The Batman (played by Robert Pattinson, left) and Selina Kyle (played by Zoë Kravitz, right) get up close and personal in THE BATMAN — Photo: DC Comics / Warner Bros.

Directed by Matt Reeves (War for the Planet of the Apes) — Screenplay by Matt Reeves & Peter Craig.

I was elated when Robert Pattinson was announced to play Batman. Pattinson’s work in independent films had impressed me so much, and I thought he was a pretty obvious choice for the role. However, as many people know, Batman movies always lead to premature casting criticism (people were critical of Heath Ledger, Michael Keaton, and Ben Affleck long before they had even seen them in their respective films). I remember receiving rude comments about my excitement for Pattinson as Bruce Wayne. After having finally seen the film, I can honestly say that I feel vindicated. Pattinson is great and Reeves has once again made an outstanding blockbuster film in a vastly popular (and, to some, tired) franchise.

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REVIEW: The Trial of the Chicago 7 (2020)

Trial of the Chicago 7 Film Poster
Release Poster – Netflix

Written and Directed by Aaron Sorkin (Steve Jobs) — Distributed by Netflix.

Back in July 2020, news broke that Netflix had acquired the distribution rights to this Aaron Sorkin legal drama following negotiations with Paramount Pictures. The global COVID-19 pandemic had made it difficult for Paramount to live up to the promise of a wide theatrical release this year especially since it was, reportedly, important for the filmmakers to have their film released to the public prior to the 2020 United States Presidential Election in November. Netflix provided them with a feasible and acceptable way out. The Trial of the Chicago 7 has now been released globally on the popular streaming service, thus giving Americans a chance to watch this drama before casting their vote. Continue reading “REVIEW: The Trial of the Chicago 7 (2020)”

REVIEW: Spider-Man: Homecoming (2017)

Teaser Poster – Columbia Pictures

The following is a review of Spider-Man: Homecoming – Directed by Jon Watts.

There is a great iconic comic book line that all movie lovers know these days. I am, of course, talking about the classic Uncle Ben quote: “With great power, comes great responsibility.” It is a line that was delivered well by Cliff Robertson in Sam Raimi’s Spider-Man. However, it was also poorly paraphrased in the disappointing reboot — Marc Webb’s The Amazing Spider-ManContinue reading “REVIEW: Spider-Man: Homecoming (2017)”

REVIEW: Spotlight (2015)

Spotlight poster
Theatrical Release Poster – Open Road Films

The following is a quick review of Spotlight, a Tom McCarthy film.

In late 2015, I made the decision to publish my top ten films of the year on New Year’s Eve. Sadly, that meant a number of films, which hadn’t been released in Denmark yet, were deemed ineligible for my top ten films of 2015-list. One of those films were Spotlight. By now, I’ve seen Spotlight three times, and it has made me reconsider its status as ineligible. Spotlight is an exceptional film, and one of the best of the year.   Continue reading “REVIEW: Spotlight (2015)”

Detective Comics Saturday #4 – The Next Joker

Detective Comics Saturday
For the uninitiated: This is a new weekly feature on the blog wherein I, I’m Jeffrey Rex, discuss all things DC. This is a test-run, however. Meaning that if this goes well, it’ll be a permanent fixture on I’m Jeffrey Rex in 2015, like Marvelous Monday is right now.

A couple of days ago I decided to jot down my thoughts on the casting of the new Joker, as well as talk about which actors I really wanted for the role. I’d like to preface this discussion by stating that Jared Leto was one of the actors I’d like for the role, but I never thought he’d do it, seeing as he loves touring with his band. Continue reading “Detective Comics Saturday #4 – The Next Joker”

REACTION: Academy Awards 2015 Results


Here we are again on the eve of the Academy Awards. This year I had my heart set on Boyhood for Best Picture and Richard Linklater for Best Director – boy was I upset. Eventually Inarritu took it all, and I mean it all, even the screenplay award they were nominated for. I’m just saying, Academy – you should at least have given Linklater the Director Award if you were going to give Inarritu the scriptwriting award… Continue reading “REACTION: Academy Awards 2015 Results”