We Need to Talk about Film Directors and Their Relationship with AI | Special Features

Graphic illustrating the relationship between major filmmakers and artificial intelligence. Two circular black-and-white portraits of Steven Soderbergh and Martin Scorsese are at either side of the letters 'AI' in a dashed-line box. On a vibrant red-orange-blue gradient background.
Graphic by author — Source portraits (Modified under CC license): Steven Soderbergh (Adam Chitayat / WikiPortraits) and Martin Scorsese (Montclair Film),

Hollywood has long waged a war with generative artificial intelligence, i.e., the “group of AI algorithms and models that are capable of producing new content, including texts, images, videos and problem-solving strategies, with human-like creativity and adaptability,” as defined in a journal article from the National Science Review in 2025. Generative artificial intelligence has often been criticized for using publicly available images, audio, and writing as training data to create its output, which many naturally consider to be stealing human work. There have naturally been notable strikes in Tinseltown over protecting human-created design, performance, or writing, as well as protecting the human jobs and roles that AI threatens to change or completely erase. But, back when the Screen Actors’ Guild and the Writers Guild of America were striking, they were noticeably without their brothers and sisters in the director’s chair from the DGA (Directors Guild of America), so to speak. That’s because DGA reached an agreement with the Alliance of Motion Picture and Television Producers (AMPTP) without ensuring the other parties had seats at the table. So, while the DGA ensured that its members would not be replaced by technological advances, other Hollywood creatives had to pound the pavement and strike. It was a huge story at the time in 2023, and the DGA came under heavy fire for the way they went about it. Now, three years later, individual directors are again making decisions on their own that may have an impact on the entire industry. Though this time around, notable directors are opening the door for generative AI in ways that feel anathema to the collaborative creative processes involved with filmmaking. As if that wasn’t bad enough, we’re not just talking about a few notable directors. Rather, we’re now starting to talk about some of the biggest names in Hollywood. It’s shocking, and we need to talk about why this is happening and what it means both for their legacy and for Hollywood as a whole.

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Best of the 2010s: Top Ten Sci-Fi Films

Mad Max: Fury Road — Warner Bros.

As has been announced previously, now that the 2010s have come to an end, I want to highlight, recognize, and, in a sense, reward the best films not just of a year but also of the last decade. Previously, I’ve written Best of the 2010s-lists on Comedy, Directorial Debuts, Biopics, and Horror films. The next genre-specific top ten list for the 2010s is all about one of my very favorite genres: Science-Fiction. However, before I list the best science-fiction films of the decade, let me describe my criteria for putting the list together. Continue reading “Best of the 2010s: Top Ten Sci-Fi Films”

REVIEW: Her (2013)

Theatrical Release Poster – Warner Bros.

The following is a short updated review (2019) of Spike Jonze’s Her (2013).

Written and directed by Adaptation.-director Spike Jonze, Her is a science-fiction love story set in a ‘futuristic’ American city. The film follows Theodore (played by Joaquin Phoenix) — a writer of other people’s personal letters — who is separated from his wife (played by Rooney Mara). Continue reading “REVIEW: Her (2013)”

Best Picture Alignment Test – Special Features #34

A long time ago, on a movie-related podcast, a question was posited to the hosts: When is the last time your favorite movie of the year won Best Picture at the Oscars? As I was listening to the podcast, it took me a little while to figure my first answer out, but whenever I thought of a film, I realized that I only agreed with the selected winner of the nominated films — but it wasn’t really my favorite film of the year. So, today, I want to do my own four-pronged test, for the purpose of finding out just how much I agree with the Academy. Continue reading “Best Picture Alignment Test – Special Features #34”

Top Five Break-Up Movies

'Eternal Sunshine of the Spotless Mind,' Focus Features.
‘Eternal Sunshine of the Spotless Mind,’ Focus Features.

You would be surprised to learn how many great break-up films there are. Today I want to highlight five of the very best break-up films. Now, this isn’t exactly a ‘guide.’ I’m not saying you should watch all of these films when you break up with someone, or is broken up with. In fact, don’t. But I will say that #1 is perfect for that, if that is, indeed, what you need.  Continue reading “Top Five Break-Up Movies”

Inception, Nightcrawler, and Lost in Translation – Thespians & Filmmakers

'Inception,' Warner Bros.
‘Inception,’ Warner Bros.

In this post of Thespians & Filmmakers, I’m taking a look at the internet’s favorite director, as well as a breathtaking performance that the Academy Awards somehow overlooked. Let’s talk about Christopher Nolan, Jake Gyllenhaal, and Scarlett Johansson.
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