The following is a short review of The Kid — Directed by Vincent D’Onofrio.
Maybe it’s an unfair and impolite thought, but whenever an actor-turned-director gets an A-list cast for his next feature, I start to worry that the star-studded cast only agreed to appear in the film as a favor to a good friend who is trying their hand at a new thing that he or she is relatively inexperienced at. The Kid, a new somewhat-biographical western, is Vincent D’Onofrio’s second feature film as a director. His sophomore effort as a director features a cast that includes Ethan Hawke, Chris Pratt, and Dane DeHaan. I may never learn if they joined this film as a favor or not, but I can say that I enjoyed this film quite a bit. Continue reading “REVIEW: The Kid (2019)”→
This is it. We are finally here where it all matters. This is where I highlight the best technical achievements and performances of the year. This is where I get a chance to recognize all of my favorite films that I saw this past year. As always, I also have a lifetime achievement film award at the end of the post, so don’t forget about that one. For the full list of nominees, go here. Continue reading “6th I’m Jeffrey Rex Awards, Part Two – 2018”→
It’s time to get ready for the first major awards show of 2019 — The Golden Globe Awards. Though not at all as prestigious as the Academy Awards, the Golden Globes ceremony is known all around the globe as the major American precursor to the Oscars. Today, I’ll give out my own predictions for the ceremony which is being held this weekend. Continue reading “Golden Globes Predictions: Winners – Special Features #41”→
The film nominations for the 2019 Golden Globe Awards have been announced. As always there are surprises, and, of course, there are some snubs that really hurt. In Special Features #36, I present you with the complete film nominations list as well as five reaction sections to the film nominations. In short: Oh, Hollywood Foreign Press Association, I am so angry with you today. Continue reading “Golden Globes Film Nominations: Reaction – Special Features #36”→
It’s beginning to look a lot like, well, awards season. Some critics groups have already announced their winners, while other groups are still waiting for their brief moment in the spotlight. As the wait for the BAFTAs and Oscars goes on, the first major televised awards show is about to announce the films, shows, and performers who they have nominated for their coveted awards. So, today, I am going to try to predict the nominees for each and every film category for the upcoming Golden Globe Awards. Continue reading “Golden Globes Predictions: Film Nominations – Special Features #35”→
The following is a review of First Reformed — Directed by Paul Schrader.
There aren’t many screenwriters as iconic as Paul Schrader, who has written such classics as Taxi Driver and Raging Bull. With his latest directorial effort, First Reformed, he has joined forces with Ethan Hawke, the critical favorite in the film’s leading role, to dissect despair and religious responsibilities with another trademark-Schrader ‘man in a room’ film. Continue reading “REVIEW: First Reformed (2018)”→
The following is a spoiler-filled review of Before Midnight — Directed by Richard Linklater.
When I started writing this review, I had watched all of these films twice. In what probably amounts to the course of 72 hours, I have seen all three films twice, and each time the series has managed to warm my heart, break it, and pick up the pieces in its last moments. Continue reading “REVIEW: Before Midnight (2013)”→
The following is a retro review of Before Sunset — Directed by Richard Linklater.
There is a quote in this movie that sort of explains very well the differences between the outlook of Before Sunrise and the worldview of Before Sunset. Very late in the film, Celine tells Jesse that “reality and love are almost contradictory to me.” In Before Sunset, one character has absorbed the romance that another had previously exuded but now is almost absent of.