Black Phone 2 (2025) | REVIEW

Finney Blake (Mason Thames) and the Grabber (Ethan Hawke) in BLACK PHONE 2 — PHOTO: Universal Pictures (Still image from trailers).

Directed by Scott Derrickson — Screenplay by Scott Derrickson and C. Robert Cargill.

Earlier this year, director Scott Derrickson gave us Apple TV+’s The Gorge, which I found to be a gripping genre-blender with two fun leads. Now, Derrickson, the Doctor Strange and Sinister director, is back with a direct continuation of one of the cinematic horror worlds he helped bring to life with a sequel to 2021’s The Black Phone. When I first saw the 2021 effort, I described it as another gripping horror home run from Derrickson, who has previously shone as a horror filmmaker with Sinister and The Exorcism of Emily Rose being, arguably, his best horror efforts. Although I have had some doubts about how they could continue the story of The Black Phone, given its ending, I’ve been excited to see it for some time. Now that I’ve seen the sequel, I can report that, admittedly, it doesn’t feel like as much of a neatly balanced horror outing as some of his best films, but it does represent a jump up in violence from the previous film, as Derrickson and his frequent collaborator and co-writer C. Robert Cargill have infused the sequel with a giddiness when it comes to implanting genre references and upping the intensity a notch. It mostly works, even if there are some issues along the way. 

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The Truth (2019) | REVIEW

Catherine Deneuve and Juliette Binoche as mother and daughter in Hirokazu Kore-eda’s THE TRUTH — PHOTO: GAGA / LE PACTE.

Directed by Hirokazu Kore-eda — Screenplay by Hirokazu Kore-eda.

The first of his films not to be set in Japan, Hirokazu Kore-eda’s The Truth follows Fabienne Dangeville (played by Catherine Deneuve), an extremely famous French actress, as she welcomes her daughter, Lumir (played by Juliette Binoche), her son-in-law, Hank (played by Ethan Hawke), and her grandddagther, Charlotte (played by Clémentine Grenier), into her home while she’s about to release her memoir and shoot a science-fiction film. Fabienne’s selective memory, the fabricated stories in her memoir, and a talented co-star inspire Lumir to confront her mother about their relationship, as well as their memory of a certain family friend.

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REVIEW: Moon Knight – Season One (2022)

Oscar Isaac as Moon Knight in Marvel Studios’ MOON KNIGHT, exclusively on Disney+. Photo courtesy of Marvel Studios. ©Marvel Studios 2022. All Rights Reserved.

Show Creator: Jeremy Slater — Show Directors: Mohamed Diab and Aaron Moorhead & Justin Benson.

My most anticipated Marvel Studios Disney+ series thus far was, without a doubt, Moon Knight. Ever since I first started reading comic books about him on Marvel Unlimited several years ago, I have been waiting for the chance to finally see this character in live-action. When it was announced that two of my favorite actors — Oscar Isaac and Ethan Hawke — were going to be in it, my excitement for the show reached a fever pitch. I’ve now seen the show, so how is it? Well, overall, it’s quite good, but it still suffers from some of the early Marvel-Disney+ problems that we saw in many of last year’s Marvel Cinematic Universe shows.

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REVIEW: The Northman (2022)

Alexander Skarsgård has transformed himself to play the role that I think he was born to play in THE NORTHMAN – Photo: Universal Pictures.

Directed by Robert Eggers (The Witch) – Screenplay by Robert Eggers & Sjón.

Inspired by Icelandic sagas and Saxo Grammaticus’ Gesta Danorum legend of Prince Amleth of Jutland (the latter of which was supposedly the inspiration for William Shakespeare’s Hamlet), The Northman is a $90 million budgeted epic viking revenge film from Robert Eggers, the director of the relatively low-budgeted indie ‘art house-esque’ horror films The Witch and The Lighthouse. It is a dirty, violent, blood-soaked, and brilliantly-made film, and it is easily Robert Eggers’ most accessible film, even though it definitely isn’t your average big-budgeted action film.

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REVIEW: The Guilty (2021)

Jake Gyllenhaal as Joe Baylor in Antoine Fuqua’s American version of THE GUILTY — Photo: Netflix.

Directed by Antoine Fuqua — Screenplay by Nic Pizzolatto.

Antoine Fuqua’s The Guilty, written by True Detective-creator Nic Pizzolatto, is an American remake of the 2018 Danish single-location thriller Den Skyldige, which was then directed by Gustav Möller. The film follows Joe Baylor (played by Jake Gyllenhaal), who is an agitated LAPD officer with a troubled past, while he is at a 911 call center. Though he is initially largely uninterested at the call center, he suddenly ‘wakes up’ when a distressed woman calls him and says she is being abducted by her ex-husband. From his computer and telephone, Joe must now try to figure out what is happening and try to get law enforcement to her position before it is too late.

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REVIEW: The Kid (2019)

Theatrical Release Poster – Lionsgate Films

The following is a short review of The Kid — Directed by Vincent D’Onofrio.

Maybe it’s an unfair and impolite thought, but whenever an actor-turned-director gets an A-list cast for his next feature, I start to worry that the star-studded cast only agreed to appear in the film as a favor to a good friend who is trying their hand at a new thing that he or she is relatively inexperienced at. The Kid, a new somewhat-biographical western, is Vincent D’Onofrio’s second feature film as a director. His sophomore effort as a director features a cast that includes Ethan Hawke, Chris Pratt, and Dane DeHaan. I may never learn if they joined this film as a favor or not, but I can say that I enjoyed this film quite a bit. Continue reading “REVIEW: The Kid (2019)”

6th I’m Jeffrey Rex Awards, Part Two – 2018

This is it. We are finally here where it all matters. This is where I highlight the best technical achievements and performances of the year. This is where I get a chance to recognize all of my favorite films that I saw this past year. As always, I also have a lifetime achievement film award at the end of the post, so don’t forget about that one. For the full list of nominees, go here. Continue reading “6th I’m Jeffrey Rex Awards, Part Two – 2018”

Golden Globes Predictions: Winners – Special Features #41

It’s time to get ready for the first major awards show of 2019 — The Golden Globe Awards. Though not at all as prestigious as the Academy Awards, the Golden Globes ceremony is known all around the globe as the major American precursor to the Oscars. Today, I’ll give out my own predictions for the ceremony which is being held this weekend. Continue reading “Golden Globes Predictions: Winners – Special Features #41”

Golden Globes Film Nominations: Reaction – Special Features #36

The film nominations for the 2019 Golden Globe Awards have been announced. As always there are surprises, and, of course, there are some snubs that really hurt. In Special Features #36, I present you with the complete film nominations list as well as five reaction sections to the film nominations. In short: Oh, Hollywood Foreign Press Association, I am so angry with you today. Continue reading “Golden Globes Film Nominations: Reaction – Special Features #36”