Best of the 2010s: Top Ten Comedy Films

Paramount Pictures; Fox Searchlight Pictures.

Comedy isn’t black-and-white. The genre most associated with films like your average American comedy like, say, American Pie or some Judd Apatow film is much more than its stereotype. There are stylish and quirky comedies, absurd and dark comedies. Comedy films come in all shapes and sizes, and the Best of the 2010s-list highlights multiple different types in the genre. Continue reading “Best of the 2010s: Top Ten Comedy Films”

Top Ten Films of 2017

It is almost time for the 90th Academy Awards, and that, of course, means that I have to show you what films I believe to be the very best of 2017. I’ve got my blog awards, the final half of which I released a few days ago, but the top ten list is probably my favorite annual year-in-review article that I publish. So, let us now have a look at the very best films of the great year for film that 2017 was.
Continue reading “Top Ten Films of 2017”

REVIEW: Baby Driver (2017)

Theatrical Release Poster – TriStar Pictures

The following is a review of Baby Driver – Directed by Edgar Wright.

In Edgar Wright’s newest film – Baby Driver – one character remarks that “you don’t need a score to do a score,” a proposed fact that the talented writer-director refutes with one of the most entertaining films that I’ve seen in years. Continue reading “REVIEW: Baby Driver (2017)”

My 17 Most Anticipated Films of 2017

2017-anticipated

2016 is almost over, and I really can’t believe it. It feels like the summer movie season just ended, but here we are at the end of the year. That also means that we need to start looking forward to some of the films that are released next year. I, obviously, don’t know if any or all of these will be good, or even great, but with this list I’m trying to point out which films I’m super excited for. Continue reading “My 17 Most Anticipated Films of 2017”

Top Ten ‘Horror/Thriller’ Films of the 21st Century – So Far (2016)

ijr-list-horror-21st

Since we just celebrated Halloween, I thought I should do a list of horror films. I thought it’d be a good idea to name my top ten favorite horror films from the 21st century (so far). Now, I ended up using a somewhat loose interpretation of horror. You will also find both horror comedies and select thrillers on this list. So, without further ado, let’s take a look at some of my favorite ‘new’ horror films and the like. Continue reading “Top Ten ‘Horror/Thriller’ Films of the 21st Century – So Far (2016)”

REVIEW: Attack The Block (2011)

Release Poster - Optimum Releasing
Release Poster – Optimum Releasing

The following is a review of ‘Attack the Block’, a Joe Cornish film.

I am going to level with you here: Yes, the only reason why I went back and watched this film was because of Star Wars: Episode VII – The Force Awakens. John Boyega, one of the new stars of said Star Wars-film, had his feature film debut in 2011’s Attack the Block, and went on to win the Black Reel Award for ‘Best Actor’ for his performance in the film. I am so happy that I watched this film. It is so damn entertaining. Continue reading “REVIEW: Attack The Block (2011)”

REVIEW: Ant-Man (2015)

Marvel Studios and Walt Disney Studios’ poster for Ant-Man (2015).

The following is a spoiler-free review of Marvel’s Ant-Man (2015).

We’ve reached the final film of Marvel Studios‘ Phase Two – Ant-Man is here. If this sounds like Marvel has gone for one of the most obscure comic books they’ve ever done, then you’re not entirely wrong. The general public wouldn’t be that familiar with the character, but he is not unimportant – his film is much more than a stopgap between Avengers: Age Of Ultron and Captain America 3 – in fact, this origin story is a breath of fresh air for the Marvel Cinematic Universe. Continue reading “REVIEW: Ant-Man (2015)”

Can Marvel Save Ant-Man? – Should They?

I like to consider myself somewhat of a Marvel fanboy, and that’s definitely the case when talking about Tony Stark. Peter Quill and Thor himself. However, while I was looking very much forward to the Ant-Man movie, it has most certainly stalled – and we are now looking at some kind of trainwreck – unique to the Marvel Cinematic Universe Process so far. This post will dive into whether Feige & Co. can fix this mess – and in length, if that’s the best thing to do right now.

Let’s look at its problems. In late may, Ant-Man director and fan – Edgar Wright – was let go of the project. Thus leaving many fanboys, both of Marvel and Wright, shocked and angered. Do also note that Wright’s director of photography was leaving the project in the process. In the days that followed, numerous directors openly declined the opportunity to rewrite and/or direct the movie. In came Adam McKay (to rewrite) and Peyton Reed (to direct). This will be Reed’s first feature film project since 2008’s Yes Man, and that leaves some puzzled at the direction of Kevin Feige. Now, in late july, three actors have left the project (two due to being written out, and Patrick Wilson due to scheduling conflicts).

Now, worse things have happened in Hollywood – but not really in the MCU. If we were to solely focus on the story of the project, we also encounter problems – in my humble opinion. Do note some PROBABLE SPOILERS for AVENGERS: AGE OF ULTRON, to follow. I really attribute two things to the role of Ant-Man. One, there’s the horrible ‘scandal’ involving ‘striking his wife’ in the comic – and secondly (most importantly), the creation of SPOILERS…… Ultron. Now to be created by Tony Stark instead, in the Avengers sequel.

Where does this leave the future of Ant-Man? Well, they could ride out the storm – and still get a good film out of it. However, this has been a publicity failure for the film – and could potentially derail riskier projects from Marvel. Personally? I think it’d be wise to table the Ant-Man project until they reboot/remake the universe around 2025 (I guess, calmly). Ant-Man needs to be the creator of… Well, you’ve read it by now.

What do you think would be wise for Marvel? Should they simply push the date a year forward? Or should they concede defeat, and cancel the film entirely? Is it too late? Sound off in the comments.