Top Row (L-R): FALLEN LEAVES (B-Plan Distribution / Pandora Film); C’MON C’MON (A24). Bottom Row (L-R): THE SALESMAN (Film Iran / Memento Films); The Dead Don’t Hurt (Scanbox Entertainment).
In this post, I’ll give you my thoughts on my first Aki Kaurismäki experience, a 2-time Cannes award winning Farhadi film, an underseen Joaquin Phoenix film, and Viggo Mortensen’s latest film as a writer-director.
Over the years, I have certainly not tried to hide the fact that I think 2016’s Suicide Squad, which was directed by David Ayer (though he has repeatedly made it clear that the film was essentially taken away from him as a result of studio interference), is, to put it mildly, one of my least favorite films ever made in the superhero genre. That 2016 film certainly reeked of studio interference, it was an almost incoherent mess, it was needlessly grimy and at times quite ugly, it used a decent soundtrack as a crutch and in a way that became incredibly tiring, all the while failing to get you to care about the characters or the relationships they were building. There were some decent things about it, but, on the whole, it felt like someone had tried to turn Ayer’s vision into a shameless imitation of James Gunn’s Guardians of the Galaxy, and that just didn’t work for the film that Ayer had envisioned.
This is a complete series review of the BBC Three and Amazon Studios black comedy series Fleabag, which aired its first season in 2016 and its second and final season in 2019. Both seasons consisted of six episodes with each episode having a runtime of approximately thirty minutes. A ‘series review’ is a new review concept on the blog that is inspired by my franchise reviews, which feature short reviews of every film in a franchise within a single article. Below you’ll find my reviews of each season as well as a full season grade for seasons one and two. Continue reading “SERIES REVIEW: Fleabag (2016; 2019)”→
There is something very exciting about a directorial debut. Obviously, the filmmaker is excited about their first chance to step behind the camera on a feature film, but, as an audience member or film writer of any kind, it is so fascinating to see the choices being made. Sometimes some of the boldest and most imaginative filmmakers present us with instant classics, other times newcomers deliver a product that may not be extraordinary filmmaking but which may still be a moving or exciting motion picture. In this month’s best of the decade list, I’m honoring the very best directorial debuts. Some of them are first works for potential auteurs, while others are impressive blockbuster entertainment from untested new filmmakers just learning the ropes. Continue reading “Best of the 2010s: Directorial Debut Films”→
Comedy isn’t black-and-white. The genre most associated with films like your average American comedy like, say, American Pie or some Judd Apatow film is much more than its stereotype. There are stylish and quirky comedies, absurd and dark comedies. Comedy films come in all shapes and sizes, and the Best of the 2010s-list highlights multiple different types in the genre. Continue reading “Best of the 2010s: Top Ten Comedy Films”→
The following is a review of the debut season of This Is Us.
This is Us is a television dramedy about five characters, the way they are connected, and obstacles in life. You have Jack (played by Milo Ventimiglia) and Rebecca Pearson (played by Mandy Moore), a married couple expecting triplets. Randall (played by Sterling K. Brown), an affluent commodity trader looking for his biological father. Kate (played by Chrissy Metz), an obese woman who is traumatized by the death of her father. And, finally, Kevin (played by Justin Hartley), a sitcom actor who is tired of not being taken seriously as an actor. Continue reading “REVIEW: This is Us – Season One (2016-2017)”→
Release Poster – The Orchard; Curzon Artificial Eye
The following is a quick review of Christine – Directed by Antonio Campos
Antonio Campos’ Christine is a biographical drama about the true story of Sarasota news reporter Christine Chubbuck’s suicide in 1974. The film follows Christine Chubbuck (played by Rebecca Hall) during some of the worst days of her life and leads up to her last live broadcast. Continue reading “REVIEW: Christine (2016)”→
The following is a review of Disney’s Pete’s Dragon – Directed by David Lowery
Disney’s Pete’s Dragon is a re-imagining of the 1977 comedy musical of the same name. It is not a remake, which I assumed it was until I saw the new film. The original film was about an orphan who is adopted into an abusive family. The 1977 version is a mostly forgotten film, which I remember watching but hardly remember for anything really. That probably tells you why it took me this long to finally watch David Lowery’s re-imagining. Continue reading “REVIEW: Pete’s Dragon (2016)”→
The following is a review of Moonlight – Directed by Barry Jenkins
Whenever a smaller film becomes the ‘Best Picture’ winner at the Academy Awards, there is a pretty big chance that it will labeled as an overrated film later on. People will watch those kinds of films for the first time, and maybe they won’t be blown away the way they were expecting to be. The general moviegoing audience may encounter these films and question the Academy’s decision to give them that award.
Now, I, unfortunately, had to wait until after the Academy Awards to see Moonlight. So, when I finally got the chance to see the newest ‘Best Picture’ winner, I will admit that I was a bit worried. As I left the theater – still thinking about the film, obviously – I didn’t feel that this was my favorite film of the year. Another 2016 film had already stolen my heart. But make no mistake. Moonlight is a masterpiece. Continue reading “REVIEW: Moonlight (2016)”→
The following is a quick review of Sausage Party – Directed by Conrad Vernon and Greg Tiernan
It might not have been one of the ten films I was most excited for in 2016, but Sausage Party’s trailers really started to get me fired up about the film. I think the red band trailers were solid, and I was definitely getting more and more excited about the film. I didn’t get to see it in theaters, though, and I had to wait this long to finally see Seth Rogen’s animated project. Frankly, it’s a pretty disappointing film, even if it isn’t all that bad. Continue reading “REVIEW: Sausage Party (2016)”→