Directed by Julia Hart — Screenplay by Julia Hart & Jordan Horowitz.
In the first scenes of Julia Hart’s latest film, I’m Your Woman, we are introduced to Jean (played by Rachel Brosnahan) who has become passive and inactive as she has resigned herself to never become a mother, which she had always hoped to become. For Jean, days go by at home, while her husband, Eddie (played by Bill Heck), goes out to do God-knows-what. But then one day her dream comes true in the oddest way possible. One day, Eddie stands in the doorway with a nameless child who he insists is theirs. Continue reading “REVIEW: I’m Your Woman (2020)”→
I don’t normally write about short films unless it’s a special occasion. This is a special occasion. I recently watched and reviewed Ari Aster’s follow-up to Hereditary, the daytime horror fairy tale Midsommar. I have become a great admirer of Aster after having seen those two films, both of which I believe to be amazing works of cinema.
Since I saw Midsommar, I haven’t been able to get it off my mind. So, on Friday, I spent the entire day watching Ari Aster’s short films. Today, I want to talk about his flawed short films, some of which didn’t speak to me at all. In five separate sections, I want to describe the experience of watching Aster’s short films, as well as make some general observations as to what it is like to watch the raw material of a future auteur. Continue reading “Exploring an Auteur’s Short Films: Ari Aster – Special Features #53”→
It’s time to get ready for the first major awards show of 2019 — The Golden Globe Awards. Though not at all as prestigious as the Academy Awards, the Golden Globes ceremony is known all around the globe as the major American precursor to the Oscars. Today, I’ll give out my own predictions for the ceremony which is being held this weekend. Continue reading “Golden Globes Predictions: Winners – Special Features #41”→
The New Golden Age of Television continued in 2018 with yet another great year of television. This must be reiterated year after year — yes, even in a year without Game of Thrones — 2018 continued that age, or trend, in which television is as effective as, or even more so than, cinema. For some, television of 2018 is defined best by the return of the increasingly confounding Westworld, and, for others like me, it is best defined by limited series that kept my attention far better than most long-running shows. Continue reading “Top Ten TV-Shows of 2018”→
Today I’m revealing the first half of the 2018 nominations for this blog’s IJR Awards (I’m Jeffrey Rex Awards, but you probably already guessed that). The two legend awards (Film Legend and TV Legend) aren’t getting any nominees, instead, I’ll reveal the winners, or honorees, in the two upcoming IJR Awards 2018-posts. Continue reading “IJR Awards 2018: Nominations, Part One of Two”→
The following is a review of the entire third season of House of Cards. Obviously there will be spoilers.
Unless you’ve been under a rock since Thursday, you should be aware of the fact that season three of House of Cards is out on Netflix – go watch it if you haven’t. Now. Since its release I’ve been working hard to review every single episode of the season, and I am thankful that I finished it in the opening weekend. They function both as recaps and reviews – so if you forgot something then feel free to make good use of it.
Today I decided to release a full post on season three of House of Cards. Now if you’ve been following my episode reviews, then you already know that I mentioned some overall thoughts at the end of Chapter 39, but I thought I had more to say today.
So, first things first – did I like the season? Yes, I really did. I think a lot of the people that are disappointed expected the second coming of Heisenberg this season. But in many ways this season was always going to be about the illusion of the Presidency – the illusion of power. And what it means to be Commander in Chief. Continue reading “REVIEW: House of Cards – Season Three”→
The following is a review of the thirteenth and final episode of season three. Expect spoilers in the plot description.
One final hour until the end of the season. What is Claire saying? Will Frank take Iowa? Come and find out! At the end of the post, I’ll also gather some thoughts about the entire season, though that won’t affect the episode grade. Let’s get to the plot description:
The episode opens with Rachel Posner – there she finally is. She was indeed alive, like Orsay had told Doug a few episodes ago. She has multiple jobs – helping out at a bar, at a grocery store. Meanwhile, Doug is flying to Caracas. What exactly does this mean for the final hour in season three? Continue reading “REVIEW: House of Cards – “Chapter 39””→
The following is a review of the twelfth episode of season three. Expect spoilers in the plot description.
After Chapter 37 we must ask if Stamper’s finally ready to live his life, or if the Rachel-news will pull him back in. Or is Francis the one pulling him back in? Also, what is on Claire’s mind? Come and find out! Let’s get to the plot description:
The episode opens with the news – people favor Dunbar, but fear that her inexperience will lead to the Republicans taking 2016. On the Air Force One they decide to make good use of Claire, seeing as she’s more popular than her husband. They’ve yet to replace Remy Danton, though Seth Grayson wants the job. Dunbar is visiting her old friend from the Supreme Court, Robert. He says it’s time for him to step down, but he wants her to take the job – even though she’s the frontrunner for 2016. Continue reading “REVIEW: House of Cards – “Chapter 38””→