In this edition of Additional Bite-Sized Reviews, I give you my thoughts on 1) an iconic film that I struggled with, 2) a strange passion project from a genuine pop star, 3) the debut film of one of Britain’s finest auteurs, 4) one of last year’s best animated films, and, finally, 5) a horror film that didn’t work for me.
Continue reading “‘Sexy Beast,’ ‘TMNT: Mutant Mayhem,’ and More | Bite-Sized Reviews”
Directed by Gil Kenan — Screenplay by Gil Kenan and Jason Reitman.
Though not for want of trying, no one has been able to recapture the lightning in a bottle that was Ivan Reitman’s original 1984 Ghostbusters. Since that Saturday Night Live breakout ghostly adult comedy topped box office charts and won over the hearts and minds of many generations, many have tried and failed to make it work once more. This includes Ivan Reitman himself whose 1989 sequel did not reach the same success in part due to a lackluster story, reliance on the same structure of the original, being targeted more towards children, and a botched villain. Decades later, Paul Feig gave it a go with his female reboot also titled Ghostbusters in 2016 and caused uproar from both puritanical fans and misogynistic moviegoers. The film itself was neither particularly good or particularly awful, even though the mass hysteria may get you to imagine otherwise (it’s a hit-or-miss improv session with more misses than hits and a talented cast thrown into the fire of a fandom whose most vocal members were unprepared for even slight changes). It all became so toxic that Sony opted to go down the safe route of having Jason Reitman (yes, Ivan’s son) make a direct sequel to his father’s films with Ghostbusters: Afterlife, which relies on the safe and nostalgic formula of modern legacy sequels. The most original aspect of Afterlife, which I mostly really enjoy, was a new setting in the middle of nowhere as opposed to New York City, but it couldn’t resist teasing a sequel of its own that would abandon Afterlife‘s single-most fresh element. Because in Ghostbusters: Frozen Empire, in which Jason Reitman has returned as a co-writer (while Afterlife co-writer Gil Kenan has taken over the director’s chair), the titular paranormal investigators are back in New York City for a sequel that is just as safe as Afterlife. What holds Frozen Empire back, though, is a supersized cast and its structure.
Continue reading “Ghostbusters: Frozen Empire (2024) | REVIEW”
Directed by Jason Reitman (Tully) — Screenplay by Gil Kenan and Jason Reitman.
If we’re being honest has there ever really been an outright good Ghostbusters sequel? Die-hard fans went up in arms with outrage when Paul Feig’s 2016 reboot came out. That film isn’t very cinematic in its visuals, the original stars’ cameos are really bad, and the comedy is hit-or-miss throughout, but the four female stars are all solid in it (and Chris Hemsworth almost runs away with it through his laugh-out-loud dumb-male-blonde portrayal). It’s not as bad as the outrage would make you think it is, but it also isn’t anywhere close to being recommendable. The original Ghosbusters sequel — appropriately titled Ghostbusters 2 — features the original cast and the original director, but, while it has its moments, it’s not nearly as good as the iconic 1984 comedy. In 2016, Jason Reitman — son of the original films’ director, Ivan Reitman — had his own legacy sequel released that tried to honor the original film and make something that fans would enjoy. It wants to appeal to all kinds of Ghostbusters fans but, in an attempt to do that, it does feel quite generic and safe. But, even for all its issues, I kind of enjoy it.
Continue reading “Ghostbusters: Afterlife (2021) | REVIEW”
Directed by Peyton Reed — Screenplay by Jeff Loveness.
Trilogies in the Marvel Cinematic Universe aren’t really trilogies. You can’t watch the Iron Man or Captain America trilogies without knowing what happens in the Avengers films. Or, of course, you can, but it would be a strange exercise as those trilogy films eventually reference other films, are reliant on those other films’ setup, or are direct continuations of a film that isn’t technically in that very trilogy. This has also been true of the Ant-Man trilogy. If you just watch Ant-Man and Ant-Man and the Wasp (both directed by Peyton Reed), you’ll definitely have some questions about why Paul Rudd’s Scott Lang is under house arrest and about what the hell happened in the 2018 sequel’s mid-credits scene, in which most of the cast suddenly disappeared (thus stranding Scott Lang in the so-called Quantum Realm). Similarly, those who have decided to live under a rock (or simply ignore every other Marvel movie — including two of the biggest films of all time) would probably be really confused as to what happened between the 2018 sequel and this 2023 sequel. I suspect very few people would find themselves in that situation, but I mention all of this because the interconnected nature of the incredible achievement that is the Marvel Cinematic Universe (MCU) can be both very exciting and confusing depending on who you ask.
Continue reading “REVIEW: Ant-Man and the Wasp: Quantumania (2023)”
The review does not include spoilers for Avengers: Endgame, (dirs. Anthony & Joe Russo) but you should absolutely expect spoilers for every film that came before it in the connected universe.
“All that for a drop of blood,” Thanos, the Mad Titan, groaned in 2018’s Avengers: Infinity War moments before Doctor Strange relinquished the time stone to save Tony Stark’s life. Soon the not-so-seasoned Avengers turned to dust. The teenaged talking tree, the brave wall-crawler, an African king with a seemingly impenetrable suit made to look like an anthropomorphic big cat, and a quippy, tricker-happy, 70s music-loving outlaw — all gone from one moment to the next. Those left standing were left to live with their mistakes, as the Avengers had now well and truly lost even though a Norse God, multiple supersoldiers, an eccentric billionaire, and a magical surgeon — to name a few — had fought long and hard to save fifty-percent of the known universe. They failed. If those sentences made no sense to you whatsoever, then Avengers: Endgame isn’t for you. If, however, you’ve been waiting to see — nay, obsessing about — what comes next for Earth’s Mightiest Heroes, then Endgame was designed for you. It is a somber epic like nothing you’ve ever seen before. Avengers: Endgame is peerless in scope and attention to detail, as well as moving from start to finish. Continue reading “REVIEW: Avengers: Endgame (2019)”
The following is a review of Ant-Man and the Wasp — Directed by Peyton Reed.
When the first Ant-Man came out, it functioned as the epilogue to Phase Two of the Marvel Cinematic Universe, which, at that time, had just given us the jam-packed team-up film Avengers: Age of Ultron. Ant-Man was thus a refreshing solo film that acted as a palate cleanser of sorts.
Now, after Avengers: Infinity War’s ending blindsided audiences around the world, Ant-Man and the Wasp is here to act as the much needed lighthearted palate cleanser, and, just like with the first Ant-Man film, it is another good and fun Marvel movie. It is everything you expect it to be, and yet it doesn’t answer all of your questions. Continue reading “REVIEW: Ant-Man and the Wasp (2018)”
The following is a review of the Netflix Original Film MUTE — Directed by Duncan Jones.
Duncan Jones’ fourth feature film MUTE, which is dedicated to his late father David Bowie and his late nanny Marion Skene, is a science-fiction film in the vein of Ridley Scott’s Blade Runner. It tells the story of a search for a missing person in the melting pot of a futuristic and dirty Berlin, which, in true Blade Runner fashion, is bathed in neon lights and bluish colors. The film’s protagonist is an unlikely outsider — a tall and mute bartender named Leo (played by Alexander Skarsgård) who lost the ability to speak as a child in a violent motorboat propellor accident. Continue reading “REVIEW: MUTE (2018)”
The following is a quick review of The Fundamentals of Caring, directed by Rob Burnett.
Based on the novel, The Revised Fundamentals of Caring, by Jonathan Evison, the Netflix original film, The Fundamentals of Caring follows Ben (played by Paul Rudd), a caregiver, who has been hired to take care of Trevor (played by Craig Roberts), who suffers from Duchennes muscular dystrophy.
Trevor is pretty rude to Ben, but after they get to know each other Ben, and Trevor’s mother (played by Jennifer Ehle), arrange for Trevor to go on a road trip with Ben to see some of the more odd sights on the American highway. Continue reading “REVIEW: The Fundamentals of Caring (2016)”
Beware of spoilers from Ant-Man
A lot of things happened at Marvel Studios this last week. The Creative Committee was, according to some reports, disbanded, and Disney changed who Kevin Feige reports to. Ike Perlmutter no longer makes the decisions. Perlmutter has supposedly treated people poorly as a representative of Marvel, but we don’t know what this will mean in the long run. Therefore I chose to write about something else instead – are we getting an Ant-Man sequel?
Continue reading “Marvelous Monday #34 – Are We Getting An Ant-Man Sequel?”
“Wet Hot American Summer: First Day of Camp” is available on Netflix and functions as a prequel to the 2001 comedy “Wet Hot American Summer”
Let me preface this by saying that I didn’t watch the original film when it was first released. Somehow I had never heard of the film until a few years ago. Before watching the film I considered it a potential hidden gem featuring some of my favorite actors. Then I watched it, and I didn’t love it as much as I thought I would. Don’t get me wrong, I really liked the film – but I never loved it. Somehow this prequel show made me a believer. Continue reading “REVIEW: Wet Hot American Summer – First Day of Camp (2015)”
I'm Jeffrey Rex 