Directed by Steven Soderbergh — Screenplay by David Koepp.
Steven Soderbergh’s Kimi takes place around the time of the COVID-19 pandemic, at which point our protagonist (Angela Childs, played by Zoë Kravitz), an agoraphobic tech worker, is struggling to even set foot outside of her apartment door. However, while reviewing the data stream of the titular virtual assistant Kimi (a la Alexa or Siri), Angela discovers evidence of what may have been a violent crime. But to get the evidence to the proper authorities she realizes that she will have to go outside. What she doesn’t know is that by reporting the recording to her company’s higher-ups she has effectively put a target on her back.
In this edition of my monthly movie and television catch-up article series titled ‘Additional Bite-Sized Reviews,’ I give my thoughts on the second season of the major Apple TV+ series The Morning Show, but I have also taken a look back at Steven Soderbergh’s latest film. And then, at the end of the article, I will finally reveal what my thoughts are on the sequel to A Quiet Place.
To tell you the truth, I couldn’t possibly tell you how many times I’ve watched the ending of Bo Burnham’s previous comedy special, Make Happy. With his closing song “Can’t Handle This,” he showed everyone watching the kind of uniquely gifted talent he is. I remember thinking so many times about the line from the song that intimated that Burnham struggled to make himself happy, and I also learned since then that he quit stand-up comedy shows due to him having suffered from severe panic attacks on stage. But his talents off the stage have nonetheless shone since then, which was evident from his incredible directorial feature film debut, Eighth Grade.
To say that 2020 was unique for everyone on the globe would be a massive understatement. The year will obviously be remembered for the shocking and world-changing impact of the COVID-19 pandemic. I think most people would agree that 2020 was a pretty bad year, all things considered, even though there definitely were good things that happened along the way. But today, on New Year’s Eve, I want to take one last look back on the tumultuous year and, since this is primarily a blog about films and television, how it forever altered the film and movie theater industry Continue reading “Goodbye 2020: Mads Mikkelsen did what Nolan and Warner Bros. failed to do”→
Directed by Rob Savage — Screenplay by Gemma Hurley, Rob Savage, and Jed Shepherd.
Whether we would like it to happen or not, I am sure that over the next many years we will be treated to several films about, or simply set during, the Coronavirus Pandemic. It will be interesting to see what films treat that period of time appropriately and if any films about said period can stand the test of time. However, today I want to talk about the first fictional film that I have ever seen that directly mentions the Coronavirus pandemic, which is the Rob Savage-helmed techno-horror film Host. Continue reading “REVIEW: Host (2020)”→
Written and Directed by Aaron Sorkin (Steve Jobs) — Distributed by Netflix.
Back in July 2020, news broke that Netflix had acquired the distribution rights to this Aaron Sorkin legal drama following negotiations with Paramount Pictures. The global COVID-19 pandemic had made it difficult for Paramount to live up to the promise of a wide theatrical release this year especially since it was, reportedly, important for the filmmakers to have their film released to the public prior to the 2020 United States Presidential Election in November. Netflix provided them with a feasible and acceptable way out. The Trial of the Chicago 7 has now been released globally on the popular streaming service, thus giving Americans a chance to watch this drama before casting their vote. Continue reading “REVIEW: The Trial of the Chicago 7 (2020)”→
The following is a review of #Alive — Directed by Cho Il-hyung.
Some say that by now the zombie movie genre has been done to death. But, in recent years, I’ve enjoyed watching South Korean films attempt to reanimate it. With Train to Busan and its sequel Peninsula, Yeon Sang-ho revitalized the horror subgenre and gained a worldwide audience. With #Alive, Cho Il-hyung may benefit from the recent interest in South Korean zombie films, as it has recently been given a worldwide platform on Netflix. I’m happy to report that Cho’s film fits right in with the Train to Busan-films as it is a South Korean zombie film that is very easy to recommend to fans of the horror subgenre.
The following is a review of Greyhound — Directed by Aaron Schneider.
Though not the first Apple TV+ film (it was preceded by two documentaries, Minhal Baig’s Hala, and George Nolfi’s The Banker), Aaron Schneider’s Greyhound is almost definitely the biggest, most expensive, and most widely seen Apple TV+ film released thus far. Originally scheduled to be released by Sony Pictures in theaters around the world, Greyhound was, due to the COVID-19 Pandemic, delayed and later sold to Apple TV+ for a reported sum of $70 million. With the acquisition, Apple TV+ was granted not just a marketable war flick with a household name in the lead role, Apple also received a genuinely good and entertaining film. Continue reading “REVIEW: Greyhound (2020)”→
A couple of weeks ago, I presented my readers with a list of films or shows to binge-watch during your self-isolation due to the current coronavirus pandemic. I decided to focus on shows that I had not previously reviewed, or had no intention of reviewing. Since the pandemic has not come to an end, I thought it would be a good idea to recommend some extra options. So, today, I present you with another small handful of binge-watching options, none of which I have previously reviewed on this site. Continue reading “What To Watch During the Coronavirus Pandemic, Part II – Special Features #68”→
If you’re like me, you spend a lot of your time during your Coronavirus pandemic self-isolation by watching a truckload of films and shows. In this edition of Special Features, I have listed several films and television shows that I have watched recently. Also, I obviously recommend that my readers watch both Westworld and Better Call Saul, but since I am reviewing — or plan to review — these shows, I won’t be discussing them in this article. In fact, I don’t currently plan to write lengthy reviews of most of the shows or films that I am specifically writing about in this article. However, that does not mean that I don’t have plenty of shows or films that I want to recommend. Let’s dive in. Continue reading “What To Watch (Or Not Watch) During the Coronavirus Pandemic – Special Features #67”→