2023 TV Catch-Up / Backlog: The Greats | Bite-Sized Reviews

(Clockwise L-R) Natasha Lyonne in POKER FACE (Peacock / SkyShowtime), Harrison Ford and Lukita Maxwell in SHRINKING (Apple TV+), Carla Gugino in THE FALL OF THE HOUSE OF USHER (Netflix), FOR ALL MANKIND (Apple TV+), and THE BEAR (Disney+ / FX).

Just like with the previous edition of Additional Bite-Sized Reviews, the point of this post is to function as a review compilation, if you will, of some notable 2023 television series that I’ve either just caught up with or which I never found the time to write about when they were released way back when. For this post, I have specifically highlighted five of the past year’s best shows. For quite a few of these, I had initially intended to write extensive, long reviews, but time flew by and now I just feel the need to get my thoughts out there on some of my favorite shows from 2023.

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‘Next Goal Wins,’ ‘Wonka,’ and More | Bite-Sized Reviews

(Clockwise from top left): Next Goal Wins (Searchlight Pictures); Wonka (Warner Bros. Pictures); Fingernails (Apple TV+); Transformers: Rise of the Beasts (Paramount Pictures); Sleepers (Warner Bros. / PolyGram Filmed Entertainment).

In this edition of Additional Bite-Sized Reviews, I give you my thoughts on 1) a film about football that underwhelmed me, 2) a prequel that surprised me positively, 3) a so-so Apple TV+ Film, 4) a film starring Robert De Niro and Kevin Bacon, and, finally, 5) a sequel to a film series that has pretty much lost me at this point.


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9th I’m Jeffrey Rex Awards, Pt. II – 2021 – Film Awards

The 94th Oscars ceremony has concluded, and my Top Ten Films of 2021-list has been released. That means it’s now time for me to reveal the second and final half of my 9th I’m Jeffrey Rex Awards. If you missed part one, then click here to read about my TV, Music, and Games winners. As always, the second half is all about films. In this article, you’ll find out who I think are the best actors of 2021, what film legend I have decided to celebrate, and much, much more. Oh, and also, there is a new-ish award that will be introduced for the first time in this very article. So, let’s get to it.

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REVIEW: The Father (2021)

Sir Anthony Hopkins in Florian Zeller’s THE FATHER — Photo: Sean Gleason / Sony Pictures Classics.

Directed by Florian Zeller — Screenplay by Florian Zeller & Christopher Hampton.

Based on his own play of the same name (Le Père), The Father is the film directorial debut of Florian Zeller, a French novelist, playwright, and screenwriter. The film follows an elderly man suffering from progressing dementia, Anthony (played by Anthony Hopkins), as he lives with his daughter, Anne (played by Olivia Colman), and her partner. Anthony’s shifting moods and memory disorders have made it difficult for caregivers to take care of him, so Anne has put her life on hold to take care of him. But, as he is losing his grip on reality, Anne informs him that she may have to move to Paris and leave him in London.

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REVIEW: The Mitchells vs. the Machines (2021)

The Mitchell family (voiced by Maya Rudolph, Abbi Jacobson, Michael Rianda, and Danny McBride) in THE MITCHELLS vs. THE MACHINES — Photo: Sony Pictures Animation / Netflix.

Directed by Michael Rianda (Gravity Falls) — Screenplay by Mike Rianda & Jeff Rowe.

Sometimes it’s difficult to really gauge whether or not the hype for a film is justified or not. From the outset, what I had heard about The Mitchells vs. The Machines sounded really good. The premise was neat, I liked what I had seen of its animation style in trailers, but I wasn’t sure if it would work as a total package once I finally felt ready to sit down and watch the film, which had been on my watchlist for quite some time. The reactions that I had heard from my peers also made it sound like far and away one of the best animated films in years, which was overwhelming information that I didn’t know what to do with at that moment since I was a little bit too busy when it was released. I ended up waiting a considerable amount of time before I finally watched it, which meant that when I finally felt the urge to start up Netflix and watch their Lord & Miller-produced animated hit, the hype had sort of died down at least a little bit. So, having now seen the film, do I think the hype was justified? Well, yeah. Though I was trepidatious initially, the film more than won me over.

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Additional Bite-Sized Reviews, Summer ’21: ‘Mare of Easttown,’ ‘Cruella,’ and More

Emma Stone as ‘Cruella’ in Disney’s live-action ‘CRUELLA’ — Photo: Disney / Disney+.

In this edition of my monthly movie and television catch-up article series titled ‘Additional Bite-Sized Reviews,’ I reveal my mixed thoughts on the Emma Stone-vehicle Cruella, and then I recommend three television shows, one of which I’ve been meaning to review for several months. This edition of Additional Bite-Sized Reviews is jam-packed!

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IJR Awards 2019: Nominations – Television, Games, etc.

Today, I am revealing the first half of the 2019 nominations for my blog’s awards (I’m Jeffrey Rex Awards [IJR Awards]). The nominations that I will reveal today concern the television, video games, superhero, and music categories. The second half of the nominations — the film categories — will be revealed at some point in early February, so that I am able to watch some of the Oscarworthy films that won’t be released in Denmark until the beginning of 2020. Continue reading “IJR Awards 2019: Nominations – Television, Games, etc.”

REVIEW: The Crown – Season Three (2019)

Release Poster – Netflix

The following is a review of the third season of The Crown — Available on Netflix.

When The Crown premiered in 2016, I proclaimed that Claire Foy’s Queen Elizabeth II might become the new face of Netflix. In 2017, following a truly outstanding second season, I argued that The Crown had become the greatest live-action television series that Netflix had ever made. Then the long wait began. It has been two years since we last saw new episodes of this show, and now all of the central characters have been recast as the next stage of Queen Elizabeth II’s reign begins. Though this third season is not as impeccable as I thought the previous season was, Peter Morgan’s series is still a must-watch series even for those people who aren’t necessarily obsessed with royal families. Continue reading “REVIEW: The Crown – Season Three (2019)”

SERIES REVIEW: Fleabag (2016; 2019)

Fleabag was created by Phoebe Waller-Bridge.

This is a complete series review of the BBC Three and Amazon Studios black comedy series Fleabag, which aired its first season in 2016 and its second and final season in 2019. Both seasons consisted of six episodes with each episode having a runtime of approximately thirty minutes. A ‘series review’ is a new review concept on the blog that is inspired by my franchise reviews, which feature short reviews of every film in a franchise within a single article. Below you’ll find my reviews of each season as well as a full season grade for seasons one and two.
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91st Academy Awards: Reaction – Special Features #49

What a night. It was a night of some ups and many downs, for me. In this post, I’ll give my initial reaction to the 91st Academy Awards. What bothered me? What was the greatest surprise of the night? Here is what I have to say right now only one or two hours removed from the show.  Continue reading “91st Academy Awards: Reaction – Special Features #49”