Tag: Luca Guadagnino

Challengers (2024) | REVIEW

(L-R) Mike Faist, Zendaya, and Josh O’Connor in Luca Guadagnino’s love triangle tennis film titled CHALLENGERS — PHOTO: Amazon MGM Studios (Still image from trailers).

Directed by Luca Guadagnino — Screenplay by Justin Kuritzkes.

The Palermo-born Italian auteur Luca Guadagnino is fast rising into the ranks of becoming one of my favorite current-day European filmmakers. His transformative and beautiful Call Me By Your Name, of his Desire trilogy, blew me away in ways that I hadn’t anticipated. While I’m not sure I like it more than the film he remade, Guadagnino’s reworking of Suspiria had a vibe and a climax that has made certain chilling images stick with me. Then a couple of years ago, he reteamed with Timothée Chalamet to make a sensational genre-bending cannibalistic romance film, in Bones and All, which is probably more of a cult film than anything that would appeal to a wide audience. His latest film, however, is easily Guadagnino’s most accessible film yet. While I don’t think it’s his best film, it’s easily one of the most entertaining and inventively shot films I’ve seen this year. Challengers is a stylistic, sexy, and sweaty sports love triangle drama that gets the most out of the subgenres it fits in.

Continue reading “Challengers (2024) | REVIEW” →

REVIEW: Bones and All (2022)

Timothée Chalamet and Taylor Russell in BONES AND ALL — PHOTO: Metro-Goldwyn-Mayer Pictures / Warner Bros. Pictures.

Directed by Luca Guadagnino — Screenplay by David Kajganich.

Call Me By Your Name was my introduction to the work of Italian auteur Luca Guadagnino. In my review of Call Ne By Your Name, I went to great lengths in emphasizing the power of cinema, the universality and transformative nature of Guadagnino’s film, and a couple of the incredibly well-realized performances in said film. Since then, I’ve seen a few additional films of his, but none of them have reached the heights of his 2017 coming-of-age masterpiece. When I first heard about the fact that Guadagnino had made a new coming-of-age film also starring Timothée Chalamet, I became very curious. When I found out that it was supposed to be a cannibal romance film, my eyes widened in surprise. Bones and All, his cannibal romance, is probably my second favorite film of his. That said, it definitely isn’t as easy of a film to, ahem, ‘eat up’ as his 2017 film was.

Continue reading “REVIEW: Bones and All (2022)” →

REVIEW: Luca (2021)

“Luca” Still Image – Photo: Disney / Pixar.

Directed by Enrico Casarosa — Screenplay by Jesse Andrews & Mike Jones.

Pixar’s Luca, which is available to watch right now with a Disney+ subscription, is a, pardon the pun, fish-out-of-water coming-of-age story about Luca (voiced by Jacob Tremblay), a teenage sea monster, who is curious about what exactly happens above the surface of the water. His parents — voiced by Maya Rudolph and Jim Gaffigan — tell him to stay away from the surface out of a fear that the sea monster-fearing humans might catch him. But Luca, like another Disney-protagonist once sang, wants to be where the people are.

Continue reading “REVIEW: Luca (2021)” →

REVIEW: Suspiria (2018)

Theatrical Release Poster – Amazon Studios

The following is a review of Suspiria — Directed by Luca Guadagnino.

The original Dario Argento Italian horror classic Suspiria is one of those films horror fanatics scream from the rooftops for you to watch. For the longest time, I was one of those who ignored that call. To prepare for Luca Guadagnino’s 2018 reimagining of the same name, I finally decided to sit down and watch Argento’s film, and while I didn’t love it as much as its disciples do, I recognized it as a stunning stylish classic with a frightening musical theme, but the dialogue and the acting left something to be desired. Continue reading “REVIEW: Suspiria (2018)” →

Top Ten Films of 2017

It is almost time for the 90th Academy Awards, and that, of course, means that I have to show you what films I believe to be the very best of 2017. I’ve got my blog awards, the final half of which I released a few days ago, but the top ten list is probably my favorite annual year-in-review article that I publish. So, let us now have a look at the very best films of the great year for film that 2017 was.
Continue reading “Top Ten Films of 2017” →

REVIEW: Call Me By Your Name (2017)

Theatrical Release Poster – Sony Pictures Classics

The following is a review of Call Me By Your Name — Directed by Luca Guadagnino.

A film as a work of art is a an attempt. It is a risk, but it is a risk that you need to take. Actress and filmmaker Jodie Foster recently said that, for her, filmmaking was about figuring out your place in the world, or, simply, about evolving as a person. In reference to this film, one might say that becoming a filmmaker is choosing to speak. Continue reading “REVIEW: Call Me By Your Name (2017)” →

Updated Best Picture Predictions – Special Features #8

This time around I’m changing things up. Last time, my Best Picture predictions were listed in alphabetical order. However, now in October, I’m ready to start ranking them on their chances of getting the golden statue in early 2018. At the end of my listing of the ten predicted nominations, I’ll discuss a number of films that aren’t getting in — including a Weinstein production or two. Continue reading “Updated Best Picture Predictions – Special Features #8” →

Early Best Picture Predictions – Special Features #1

On March 4th 2018, Jimmy Kimmel will host the Academy Awards for the second time in a row. Picture that. In six months, the 90th Academy Awards will have been held. Over the next couple of months, I will be keeping an eye on the Oscar race as I always do. Today, in the very first Special Features post, I will try to give you an idea of the current landscape in the Oscar race and tell you what films I believe will be nominated for Best Picture in early 2018. Continue reading “Early Best Picture Predictions – Special Features #1” →