Netflix is slowly changing its reputation. For the longest time, people saw Netflix as a dumping ground for original films. But even though Netflix still hasn’t managed to learn exactly how they can promote all of their films on the service, it would be foolish to call Netflix a dumping ground nowadays. Instead, I think it is time to accept the fact that Netflix is a place where certain dreams come true. Maybe not for actors or other hopefuls, but for filmmakers — both those who have lost major studio backing and those who are just starting to make a name for themselves. (more…)
The following is a short review of Hold the Dark — Directed by Jeremy Saulnier.
In the last few years, director Jeremy Saulnier has started to become a household name with cinephiles. His last two films Blue Ruin and, especially, Green Room were both met with critical acclaim and a lot of support from the film community. So when it was announced that his next film — Netflix’s Hold the Dark — would be his most ambitious and most expensive project yet, I and many other cinephiles were, naturally, excited. (more…)
The following is a review of I Don’t Feel at Home in this World Anymore – Directed by Macon Blair
One of last year’s most genuine and shocking surprises were Jeremy Saulnier’s Green Room, a violent thriller set in a neo-nazi bar. Green Room was a great little film, which starred Macon Blair in a supporting role, and it made me look back at what Saulnier had made before.
I soon came across Saulnier’s 2013 thriller Blue Ruin, which also starred Macon Blair (this time in a leading role). Both Green Room and Blue Ruin are great, violent thriller films, and I particularly enjoyed Blue Ruin. Therefore my interest was instantly piqued when Macon Blair’s directorial debut – I Don’t Feel at Home in This World Anymore – went on to win the Sundance Festival’s Grand Jury Prize for the U. S. Dramatic competition. (more…)
The following is a quick review of Jeremy Saulnier’s Green Room.
Jeremy Saulnier’s Green Room follows a punk band called ‘Ain’t Rights,’ which is nearing the end of their tour. In Oregon, they meet a local radio host who arranges a gig at a neo-Nazi bar. After the show, the band goes back to the green room, and they see a girl who has been stabbed to death. When the band’s bassist (played by Anton Yelchin) tries to call the police, the bouncers and the bar owners freak out and hold them at gunpoint inside the green room. (more…)