Today, I am revealing the first half of the 2019 nominations for my blog’s awards (I’m Jeffrey Rex Awards [IJR Awards]). The nominations that I will reveal today concern the television, video games, superhero, and music categories. The second half of the nominations — the film categories — will be revealed at some point in early February, so that I am able to watch some of the Oscarworthy films that won’t be released in Denmark until the beginning of 2020. Continue reading “IJR Awards 2019: Nominations – Television, Games, etc.”→
The following is a review of Spider-Man: Far From Home — Directed by Jon Watts.
Do note that this review includes spoilers for Avengers: Endgame.
Isn’t it crazy that Tom Holland has already played Spider-Man in five movies? Holland hasn’t even been Spider-Man for as many years as Tobey Maguire was, and Maguire only appeared in three films. Even though Tom Holland’s first solo film only came out two years ago, a lot has happened since Tony Stark first took Holland’s Peter Parker under his wing and presented him with a snazzy suit powered by Stark Industries technology. Avengers:Infinity War and Avengers: Endgame happened. Parker was snapped out of and back into existence, he lost his mentor, and, somehow, five years went by in the blink of an eye for your friendly neighborhood Spider-Man. Continue reading “REVIEW: Spider-Man: Far From Home (2019)”→
The following is a review of Velvet Buzzsaw — Directed by Dan Gilroy.
In 2014, Dan Gilroy’s directorial debut — Nightcrawler — became a hit with critics and audiences alike. It gave us a brilliant and rivetingly unhinged performance from its leading man, Jake Gyllenhaal, and it showed us that Dan Gilroy was a supremely talented filmmaker.
With his second directorial effort, Roman J. Israel, Esq., Gilroy stumbled a bit, even though that film had another committed lead performance — this time from Denzel Washington. Now, Gilroy and Gyllenhaal have reteamed for a horror film about the art world with Netflix’s Velvet Buzzsaw, and, though it isn’t quite a return to form, it shows us that Gilroy is perfectly capable of having fun with his art. Continue reading “REVIEW: Velvet Buzzsaw (2019)”→
The following is a review of Stronger — Directed by David Gordon Green.
When Peter Berg’s Patriots Day was released in 2016, a lot of people took issue with the kind of story it was — and some people even said it was too soon for that kind of film. But while Patriots Day, a dramatization of the events that dealt with the bombing head-on, was the subject of this type of controversy, backlash, what-have-you, David Gordon Green’s Stronger deals with that act of terrorism very differently. Continue reading “REVIEW: Stronger (2017)”→
The following is a review of Okja – Directed by Bong Joon-ho.
In October 2015, the first Netflix ‘original’ movie was released. Cary Joji Fukunaga’s Beasts of No Nation was a great film for Netflix to champion as an example of how great their films can be. However, while Fukunaga’s film was recognized by the Screen Actors Guild, BAFTA, and the Hollywood Foreign Press, the Academy Awards completely ignored what was one of the best films of the year.
Then, at the 2017 Cannes Film Festival, Netflix’s newest original movie – Bong Joon-ho’s Okja – was met with boos as the festival elite rebelled against the Netflix way of distributing films. Nevertheless, the film itself overcame the harsh and unfair critique that its distributor was getting, and it is easy to see how and why, because Bong Joon-ho’s Okja is the best non-documentary Netflix original film yet. Continue reading “REVIEW: Okja (2017)”→
The following is a review of Life – Directed by Daniel Espinosa
Life, written by Rhett Reese and Paul Wernick (the writers of Deadpool and Zombieland), is an intense science fiction thriller. The film follows the International Space Station’s crew, which captures a space probe that holds an organism that proofs the existence of extraterrestrial life. The organism is named ‘Calvin,’ after an elementary school named after Calvin Coolidge, but the astronauts soon discover that the organism isn’t as harmless and friendly as they expected. Continue reading “REVIEW: Life (2017)”→