A House of Dynamite (2025) | REVIEW

Trailer title card — PHOTO: Netflix.

Directed by Kathryn Bigelow — Screenplay by Noah Oppenheim.

For most of this young century, Point Break director Kathryn Bigelow has dedicated her filmmaking career to these intensely political thrillers that have sparked a lot of discussion at the time of release (e.g., The Hurt Locker, Zero Dark Thirty, Detroit). Now, eight years after the release of Detroit, Bigelow is back with another political thriller with its finger on the pulse of America and the world with Netflix’s A House of Dynamite, an occasionally thrilling and terrifying apocalyptic triptych about a fictional immediate panicked response to a single nuclear missile headed for America. 

Continue reading “A House of Dynamite (2025) | REVIEW”

‘Hijack,’ ‘The Crowded Room,’ ‘Ted Lasso,’ ‘Silo,’ ‘Jury Duty,’ and ‘Black Mirror’ (2023) | Bite-Sized Reviews

(L-R) Jason Sudeikis in Ted Lasso (Apple TV+), Idris Elba in Hijack (Apple TV+), Rebecca Ferguson in Silo (Apple TV+), Tom Holland in The Crowded Room (Apple TV+), Ronald Gladden in Jury Duty (Amazon Studios), and Aaron Paul in Black Mirror (Netflix).

In this edition of Additional Bite-Sized Reviews, I take a look at six series or seasons that I recently finished, four of which are Apple TV+ releases. The outliers are Netflix’s latest season of Black Mirror and the Amazon surprise hit of the year titled Jury Duty, but the remaining four series do a good job of showcasing how Apple’s series library is growing rapidly. Are any of these worth your time? Well, let’s have a look.

Continue reading “‘Hijack,’ ‘The Crowded Room,’ ‘Ted Lasso,’ ‘Silo,’ ‘Jury Duty,’ and ‘Black Mirror’ (2023) | Bite-Sized Reviews”

Extraction 2 (2023) | REVIEW

Chris Hemsworth as Tyler Rake in EXTRACTION 2 — PHOTO: Jasin Boland / Netflix.

Directed by Sam Hargrave (Extraction) — Screenplay by Joe Russo (The Gray Man; Avengers: Endgame).

Sam Hargrave’s Extraction 2 takes place nine months after the events of the first film. The so-called ‘myth of Mumbai,’ Tyler Rake (played by Chris Hemsworth) has opted to retire from his time as a mercenary to live a quiet life in Austria and recover. That’s until a stranger (played by Idris Elba) approaches him with another extraction mission. Ketevan (played by Tinatin Dalakishvili), the sister of Rake’s ex-wife, has alongside her two children been locked up by her incarcerated Georgian crime boss husband, who abuses and manipulates his family. It is Rake’s job to get Ketevan and her children out alive, and, in the process, take on a crime syndicate and an entire prison in the process.

Continue reading “Extraction 2 (2023) | REVIEW”

REVIEW: Luther: The Fallen Sun (2023)

Idris Elba as John Luther in LUTHER: THE FALLEN SUN — PHOTO: NETFLIX.

Directed by Jamie Payne — Screenplay by Neil Cross.

The British crime drama series Luther has been on my watchlist for quite some time. Recently, with the release of Luther: The Fallen Sun on the horizon, I decided to finally check it out, and, so, I’ve spent the better part of a week binge-watching the British series that proved to be a successful star vehicle for Idris Elba whose magnetic screen presence elevated the series above lesser genre fare. I liked the series quite a bit, but, admittedly, the show started to lose me around series four, and the show didn’t hold my attention or interest as well in series four and five as it had done earlier. This did make me nervous about the film, as it was written by the series’ writer and creator and directed by the man who directed the fifth series. While The Fallen Sun is not without faults (it’s incredibly obvious what it’s trying to be), I must admit that I found it to be more arresting, gripping, and watchable than both series four and five. 

Continue reading “REVIEW: Luther: The Fallen Sun (2023)”

REVIEW: Three Thousand Years of Longing (2022)

Idris Elba as the Djinn and Tilda Swinton as Alithea Binnie in THREE THOUSAND YEARS OF LONGING — PHOTO: Metro-Goldwyn-Mayer..

Directed by George Miller (Mad Max: Fury Road) — Screenplay by George Miller and Augusta Gore.

Quite clearly a passion project for the Australian filmmaker, George Miller’s Three Thousand Years of Longing is based on A. S. Byatt’s collection of short stories titled The Djinn in the Nightingale’s Eye. It follows a British scholar named Alithea Binnie (played by Tilda Swinton) who, while in Turkey, buys an antique bottle, which, later, unleashes a great and powerful Djinn (played by Idris Elba). The Djinn is desperate for Alithea to make three wishes, but she — as a narratologist with a deep understanding of narrative structures, traits, and tropes — is worried that the Djinn is just a hallucination or possibly even a trickster. In an attempt to convince her, the Djinn tells her his life story.

Continue reading “REVIEW: Three Thousand Years of Longing (2022)”

REVIEW: The Suicide Squad (2021)

David Dastmalchian, John Cena, Idris Elba, and Daniela Mechior in THE SUICIDE SQUAD — Photo: Jessica Miglio / Warner Bros.

Directed by James Gunn (Guardians of the Galaxy) — Screenplay by James Gunn.

Over the years, I have certainly not tried to hide the fact that I think 2016’s Suicide Squad, which was directed by David Ayer (though he has repeatedly made it clear that the film was essentially taken away from him as a result of studio interference), is, to put it mildly, one of my least favorite films ever made in the superhero genre. That 2016 film certainly reeked of studio interference, it was an almost incoherent mess, it was needlessly grimy and at times quite ugly, it used a decent soundtrack as a crutch and in a way that became incredibly tiring, all the while failing to get you to care about the characters or the relationships they were building. There were some decent things about it, but, on the whole, it felt like someone had tried to turn Ayer’s vision into a shameless imitation of James Gunn’s Guardians of the Galaxy, and that just didn’t work for the film that Ayer had envisioned.

Continue reading “REVIEW: The Suicide Squad (2021)”

REVIEW: Thor: Ragnarok (2017)

US Theatrical Release Poster – Walt Disney Studios Motion Pictures

The following is a review of Thor: Ragnarok – Directed by Taika Waititi

Are you the kind of person whose idea of a good time is watching a Norse God beat up countless of faceless goons on a rainbow bridge while Led Zeppelin’s Immigrant Song plays? If that is a ‘yes,’ then there is a pretty good chance that you are going to fall in love with Thor: Ragnarok, which also includes a scene where the Hulk fights a supersized wolf. It sounds too good to be true. It isn’t. Continue reading “REVIEW: Thor: Ragnarok (2017)”

REVIEW: The Dark Tower (2017)

Theatrical Release Poster – Columbia Pictures

The following is a review of The Dark Tower – Directed by Nikolaj Arcel.

A dark tower stands tall at the center of the universe. It protects all realities, including our reality on Earth, from powerful dark forces from the outside. In Nikolaj Arcel’s The Dark Tower, which is based on the Stephen King series of novels of the same name, the Man in Black (played by Matthew McConaughey) is trying to destroy the aforementioned tower using abducted psychic children and their powers. Continue reading “REVIEW: The Dark Tower (2017)”

REVIEW: Prometheus (2012)

Theatrical Release Poster – 20th Century Fox

The following is a short review of Prometheus – Directed by Ridley Scott. For more Alien reviews, check out this category.

Ridley Scott’s long-awaited return to the Alien-franchise – Prometheus – offered up several surprises and was ultimately deemed a ‘let down’ by many fans of the franchise. The premise of the prequel film was, to an extent, at odds with fan expectations, but was nevertheless an admirable and ambitious attempt at rebranding a franchise that needed to feel fresh again. Continue reading “REVIEW: Prometheus (2012)”

REVIEW: Star Trek Beyond (2016)

Star Trek Beyond Poster
Promotional Poster – Paramount Pictures

The following is a review of Star Trek Beyond.

Hold on to something! Star Trek is back. While the ‘Abramsverse,’ meaning the universe created or rebooted after J. J. Abrams and Bad Robot started making Star Trek, has gotten a lot of criticism from fans of the original films and series, you cannot deny, though, that Abrams got the franchise back into the public memory with the excellent Star Trek from 2009 and Star Trek Into Darkness, a solid action sequel, from 2013.
Continue reading “REVIEW: Star Trek Beyond (2016)”