REVIEW: The Batman (2022)

The Batman (played by Robert Pattinson, left) and Selina Kyle (played by Zoë Kravitz, right) get up close and personal in THE BATMAN — Photo: DC Comics / Warner Bros.

Directed by Matt Reeves (War for the Planet of the Apes) — Screenplay by Matt Reeves & Peter Craig.

I was elated when Robert Pattinson was announced to play Batman. Pattinson’s work in independent films had impressed me so much, and I thought he was a pretty obvious choice for the role. However, as many people know, Batman movies always lead to premature casting criticism (people were critical of Heath Ledger, Michael Keaton, and Ben Affleck long before they had even seen them in their respective films). I remember receiving rude comments about my excitement for Pattinson as Bruce Wayne. After having finally seen the film, I can honestly say that I feel vindicated. Pattinson is great and Reeves has once again made an outstanding blockbuster film in a vastly popular (and, to some, tired) franchise.

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Early 93rd Academy Awards Predictions – Special Features #63

I really enjoyed doing this for the last two years, so it’s happening again! It has become a tradition of mine. The 92nd Academy Awards ceremony was only just held a few days ago, and I’ve only seen, like, a handful of films from 2020 at this point. I think I have a pretty good idea of what is coming out this year, though. So, without further ado, let’s get to it. Continue reading “Early 93rd Academy Awards Predictions – Special Features #63”

Best of the 2010s: Top Ten Biographical Pictures

Sometimes biopics — or biographical pictures — get a bad rap. Some people think of them merely as Wikipedia entries on the big screen, others think they just exist for studios to promote during awards season — people like to say that biopics are Oscar-bait. But today I want to showcase my ten favorite biographical pictures of the 2010s. I’ll also preface this list by saying that I reserve the right to change this list for the remainder of 2019 in case something new is good enough to make it onto this list. Continue reading “Best of the 2010s: Top Ten Biographical Pictures”

REVIEW: MINDHUNTER – Season Two (2019)

The following is a review of the second season of Mindhunter — Created by Joe Penhall.

In my first season review of Netflix’s MINDHUNTER, I wrote that it is like catnip for true crime aficionados. I stand by that, but it really hurts being without that catnip for two years. I’ve lost count of the number of times I’ve rewatched the first season of the show, so when it became clear that it was finally making its anticipated return I was excited, and before I published this review I made sure to watch the entire season twice. Rest assured, the second season of MINDHUNTER proves that the wait has been worth it. The excellent true-crime series about methodology and research is back, and this time around they get to interview exactly who they want. Continue reading “REVIEW: MINDHUNTER – Season Two (2019)”

Top Ten TV-Shows of 2017

Television has never been better than right now in the New Golden Age of Television. 2017 continued that age, or trend, in which television was as effective as, or even more so than, cinema. For some, peak television in 2017 is described best by the return of Twin Peaks, and for others it is best described by shows that are not as iconic as Lynch’s famous show — at least not yet. Continue reading “Top Ten TV-Shows of 2017”

RETRO REVIEW: Alien 3 (1992)

Release Poster – 20th Century Fox

The following is a review of Alien 3 – Directed by David Fincher. For more Alien reviews, check out this category.

Alien 3 was directed by someone we today consider to be one of the great directors out there. David Fincher is a highly regarded filmmaker, and that is, sadly, in spite of his first feature film – Alien 3 – which is often regarded as the first real misstep in the Alien-franchise. Continue reading “RETRO REVIEW: Alien 3 (1992)”

Top Ten ‘Horror/Thriller’ Films of the 21st Century – So Far (2016)


Since we just celebrated Halloween, I thought I should do a list of horror films. I thought it’d be a good idea to name my top ten favorite horror films from the 21st century (so far). Now, I ended up using a somewhat loose interpretation of horror. You will also find both horror comedies and select thrillers on this list. So, without further ado, let’s take a look at some of my favorite ‘new’ horror films and the like. Continue reading “Top Ten ‘Horror/Thriller’ Films of the 21st Century – So Far (2016)”

Favorite Thespians #3 – Ben Affleck

Favorite Thespians - Ben Affleck

In honor of Batman v Superman: Dawn of Justice being released in March, I am moving my Favorite Thespians-schedule around a bit. For one time only, Favorite Thespians is being released the day before I’m seeing the thespian’s latest film. This time it’s all about Ben Affleck!

Favorite Thespians is a monthly opinion piece wherein I name one of my favorite actors or actresses. Favorite Thespians contains three separate sections: one section on the first film I saw the thespian in (“On My Radar”), another section on 5 films you need to see to know the thespian (“Homework”), and a section on my favorite performance from him/her.
Continue reading “Favorite Thespians #3 – Ben Affleck”

REVIEW: Gone Girl (2014)

WARNING: EXPECT FULL SPOILERS FOR GONE GIRL Warning over (It’s better to be safe than sorry). Now, I always write this before my reviews, but I will try to steer clear of any spoilers – though, that may be tough with this film – we’ll see how I do.

Gone Girl, directed by David Fincher, stars Ben Affleck and Rosamund Pike as the Dunnes. Affleck, Nick Dunne, is introduced right away – and is really the main character in this film. With that having been said, Rosamund Pike’s character, Amy Dunne, is essential to the plot of the film – I’ll leave it at that for now. The plot revolves around Amy having disappeared – presumably killed, or at the very least kidnapped. What follows is a witchhunt – not unlike the one seen in Thomas Vinterberg’s The Hunt. While this film may look like the simple ‘whodunnit’ tale, it is actually quite unique – and some twists and turns will leave you speechless. That’s the plot, really, but in getting into a review – I’d first like to talk about David Fincher.

Fincher has taken this adapted screenplay and has taken it through the Fincher-process. Fincher is one of the best directors out there, and this film is like every other film he’s attached to. It’s beautiful, it’s on-point – it is David Fincher. One of the things I worried about was the casting, though. Tyler Perry & Neil Patrick Harris seemed like odd choices for their particularly roles as Nick’s lawyer and Amy’s old ‘stalker-boyfriend’, respectively. Really, though, Perry does quite well – and NPH does fine too – however, I’ve not read the novel yet, and I’m curious to find out whether NPH’s portrayal is true to the book.

I like to compare Affleck’s Nick Dunne to Mads Mikkelsen’s Lucas in The Hunt, and the thing is – that while both characters are being chased, or rather speculated upon, their reactions are quite dissimilar. Lucas was angry, but mostly you felt sorry for him – you saw him contemplating his future, you saw people becoming violent towards him. Now, Nick Dunne is a different person – he’s aggressive, he’s angry – but he’s being told to calm down; to fit in. The thing is that he’s too calm, he’s too awkward at media events following the supposed kidnapping of his wife. Affleck does well, but I do think Mikkelsen’s acting performance is superior. The star performance in Gone Girl, comes from Rosamund Pike. She has an Academy-Award-Performance, and it might be tough to understand this if you haven’t seen the film, but her performance is stellar.

The plot is amazing – its twists and turns are mindboggling – and when you combine that with the amazing directorial qualities of Fincher – you get something amazing. Go see this film – not only because of the Oscar-potential of Pike, or the directorial performance of Fincher – but for the twists, the turns, the whodunit of it all. It’s an instant classic in that category.

Overall Score: 9.0 out of 10. Amazing performances – both in front of the camera and behind it – take you on a ride as this terrifying witchhunt transforms itself into something legendary for the whodunit-genre.